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AAPI Voices 2025

05/01/2025
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May is Asian American and Pacific Islander heritage month. Check out these new titles featuring AAPI voices in fiction, non-fiction, and poetry. These titles and more can be found on display in the Howe Library lobby. 


Cover ArtCat and bird : a memoir by Mori, Kyoko

A “sweet, touching” memoir about animals, loss, and finding a home in the world by the author of Shizuko’s Daughter and Yarn ( Kirkus Reviews ). Cat and Bird , a “memoir in animals,” is anchored around Kyoko Mori’s relationship with the six house cats who defined the major eras of her life as a writer: Dorian, Oscar, Ernest, Algernon, Miles, and Jackson. As she details the rhythms and routines of their days together, she weaves a narrative tapestry out of her past: the deep family tragedy and resilience that marked her childhood in Japan, her move to the American Midwest as a young adult, her experiences as a bird rehabilitator and cat trainer, her marriage and divorce, and the joys and profound heartbreaks that come with pet ownership. Full of razor-sharp observations and generous prose, Cat and Bird whirls into a moving meditation about grief, writing, the imagination, the solitary life, and the wonders of companionship with creatures both domestic and wild.
 
 

Cover ArtAsian American is not a color : conversations on race, affirmative action, and family

A mother and race scholar seeks to answer her daughter's many questions about race and racism with an earnest exploration into race relations and affirmative action from the perspectives of Asian American.
 
 
 
 
 
 
 

Cover ArtWhen the hibiscus falls : stories by Galang, M. Evelina

Seventeen stories traverse borderlines, mythic and real, in the lives of Filipino and Filipino American women and their ancestors. Moving from small Philippine villages of the past to the hurricane-beaten coast of near-future Florida, When the Hibiscus Falls examines the triumphs and sorrows that connect generations of women. Daughters, sisters, mothers, aunties, cousins, and lolas commune with their ancestors and their descendants, mourning what is lost when an older generation dies, celebrating what is gained when we safeguard their legacy for those who come after us. Featuring figures familiar from M. Evelina Galang's other acclaimed and richly imagined novels and stories, When the Hibiscus Falls dwells within the complexity of family, community, and Filipino American identity. Each story is an offering, a bloom that unfurls its petals and holds space in the sun.
 
 

Cover ArtNature unfurled : Asian American environmental histories by Chiang, Connie Y.

As immigrants and laborers, gardeners and artists, activists and vacationers, Asian Americans have played, worked, and worshipped in nature for almost two centuries, forging enduring relationships with diverse places and people. In the process, their actual or perceived ties to the environment have added to and amplified xenophobia and racist tropes. Indeed, white constructions of Asian Americans as the yellow peril, the perpetual foreigner, and the model minority were often intertwined with their environmental activities. At the same time, Asian Americans also harnessed environmental resources for their own needs, challenging restrictions and outmaneuvering their detractors in the process. This volume examines the links between Asian American and environmental history from the late nineteenth to the early twenty-first century. With essays on topics such as health in urban Chinatowns, Japanese oysters on Washington tidelands, American Indian and Japanese American experiences at the Leupp boarding school and isolation center, Southeast Asian community gardens, and contemporary Asian American outdoor recreation, this collection underscores the vibrancy of the field of Asian American environmental history.
 
 

Cover ArtCrying in H Mart : a memoir

From the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity. In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.
 

Cover ArtThe immortal King Rao : a novel by Vara, Vauhini

Will you, dear Shareholder, set Athena free? Athena Rao must reckon with the memory of her father, King Rao-literally. Through biotechnological innovation, he has given her his memories. His Dalit childhood on an Indian coconut plantation in the 1950s is as alive to her as her own existence in a prison cell, accused of her father's murder. Egocentric, brilliant, a little damaged, King Rao had a visionary idea: the personal computer known as the Coconut. His wife, Margie, was an artist with a marketing genius. Together they created a new world order, led by a corporate-run government. Athena's future is now in the hands of its Shareholders--unless she can rejoin the Exes, a resistance group sustaining tech-free lifestyles on low-lying islands. Lyrical, satirical, and profound, The Immortal King Rao obliterates genre to confront the digital age. This gripping, brilliant debut poses an urgent question: can anyone--peasant laborers, convention-destroying entrepreneurs, radical anarchists, social-media followers--ever get free?
 
 

Cover ArtFamily style : memories of an American from Vietnam by Pham, Thien

Thien's first memory isn't a sight or a sound. It's the sweetness of watermelon and the saltiness of fish. It's the taste of the foods he ate while adrift at sea as his family fled Vietnam. After the Pham family arrives at a refugee camp in Thailand, they struggle to survive. Things don't get much easier once they resettle in California. And through each chapter of their lives, food takes on a new meaning. Strawberries come to signify struggle as Thien's mom and dad look for work. Potato chips are an indulgence that bring Thien so much joy that they become a necessity. Behind every cut of steak and inside every croissant lies a story. And for Thien Pham, that story is about a search-- for belonging, for happiness, for the American dream"-- Back cover.
"A moving young adult graphic memoir about a Vietnamese immigrant boy's search for belonging in America, perfect for fans of American Born Chinese and The Best We Could Do! Thien's first memory isn't a sight or a sound. It's the sweetness of watermelon and the saltiness of fish. It's the taste of the foods he ate while adrift at sea as his family fled Vietnam. After the Pham family arrives at a refugee camp in Thailand, they struggle to survive. Things don't get much easier once they resettle in California. And through each chapter of their lives, food takes on a new meaning. Strawberries come to signify struggle as Thien's mom and dad look for work. Potato chips are an indulgence that bring Thien so much joy that they become a necessity. Behind every cut of steak and inside every croissant lies a story. And for Thien Pham, that story is about a search-- for belonging, for happiness, for the American dream.
 

Cover ArtStay true : a memoir by Hsu, Hua

From the New Yorker staff writer Hua Hsu, a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art. In the eyes of 18-year-old Hua Hsu, the problem with Ken-with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity-is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, a first-generation Taiwanese American who has a 'zine and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them. But despite his first impressions, Hua and Ken become best friends, a friendship built of late-night conversations over cigarettes, long drives along the California coast, and the textbook successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet. Determined to hold on to all that was left of his best friend-his memories-Hua turned to writing. Stay True is the book he's been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.
 
 

Cover ArtAsian American histories of the United States by Choy, Catherine Ceniza

Asian American Histories of the United States illuminates how an over-century-long history of Asian migration, labor, and community formation in the United States is fundamental to understanding the American experience and its existential crises of the early twenty-first century"--Provided by publisher.
"Original and expansive, Asian American Histories of the United States is a nearly 200-year history of Asian migration, labor, and community formation in the US. Reckoning with the onset of the COVID-19 pandemic and the surge in anti-Asian hate and violence, award-winning historian Catherine Ceniza Choy presents an urgent social history of the fastest growing group of Americans. The book features the lived experiences and diverse voices of immigrants, refugees, US-born Asian Americans, multiracial Americans, and workers from industries spanning agriculture to healthcare. Despite significant Asian American breakthroughs in American politics, arts, and popular culture in the 21st century, a profound lack of understanding of Asian American history permeates American culture. Choy traces how anti-Asian violence and its intersection with misogyny and other forms of hatred, the erasure of Asian American experiences and contributions, and Asian American resistance to what has been omitted are prominent themes in Asian American history. This ambitious book is fundamental to understanding the American experience and its existential crises of the early 21st century.
 

Cover ArtEverything we never had by Ribay, Randy

The Maghabol family journey begins with sixteen-year-old Francisco, who has left everything behind in the Philippines to seek his fortune in California. Following this life-changing decision, each generation of Maghabol boys must forge a path forward while contending with the past. Watsonville, CA, 1930. Francisco barely ekes out a living picking apples. As he spends what little he earns at dance halls and faces increasing violence from white men in town, Francisco wonders if he should've never left the Philippines. Stockton, CA, 1965. Emil works hard and keeps his head down despite the prejudice he faces at school and the long shifts he takes at a restaurant to make ends meet. He refuses to be like his unreliable labor organizer father, Francisco. He's going to make it in this country, no matter what or who he has to leave behind. Denver, CO, 1983. Chris is determined to prove that his overbearing father, Emil, can't control him. But when an assignment on family roots sends Chris out of the football field and into the library, he discovers a hunger to know more about Filipino history -- even if his father dismisses his interest as un-American and unimportant. Philadelphia, PA, 2020. Enzo struggles with anxiety as a global pandemic breaks out and his abrasive grandfather moves in. While tensions are high between his dad and his lolo, Enzo's daily walks with Lolo Emil have him wondering if maybe he can help bridge the decades-long rift between the two men. From National Book Award finalist Randy Ribay comes a poignant intergenerational saga about Filipino American men passing down flaws, values, and virtues until it's up to Enzo to see how he can braid all those strands and stories together.
 

Cover ArtThis book won't burn by Ahmed, Samira

While still coping with her parents' sudden divorce and having to start at a new school midway through her senior year, Noor and two new friends take a stand against book bans at their small-town Illinois high school.
"I'm Noor. And I read banned books. After her dad abruptly abandons her family and her mom moves them far from their Chicago home, Noor Khan is forced to start the last quarter of her senior year at a new school, away from everything and everyone she knows and loves. Reeling from being uprooted and deserted, Noor is certain the key to survival is to keep her head down and make it to graduation. But things aren't so simple. At school, Noor discovers that hundreds of books have been labeled "obscene" or "pornographic" and are being removed from the library in accordance with a new school board policy. Even worse, virtually all the banned books are by queer and BIPOC authors. Noor can't sit back and do nothing, because that goes against everything she believes in, but challenging the status quo just might put a target on her back. Can she effect change by speaking up? Or will small-town politics -- and small-town love -- be her downfall? This Book Won't Burn is a timely and gripping social-suspense novel about the American book-banning movement.
 
 

Cover ArtTime is a mother by Vuong, Ocean

Ocean Vuong's second collection of poetry looks inward, on the aftershocks of his mother's death, and the struggle - and rewards - of staying present in the world. Time Is a Mother moves outward and onward, in concert with the themes of On Earth We're Briefly Gorgeous, as Vuong continues, through his work, his profound exploration of personal trauma, of what it means to be the product of an American war in America, and how to circle these fragmented tragedies to find not a restoration, but the epicenter of the break.
 
 
 
 
 
 
 

Cover ArtThe apology by Han, Jimin

In South Korea, a 105-year-old woman receives a letter. Ten days later, she has been thrust into the afterlife, fighting to head off a curse that will otherwise devastate generations to come. Hak Jeonga has always shouldered the burden of upholding the family name. When she sent her daughter-in-law to America to cover up an illegitimate birth, she was simply doing what was needed to preserve the reputations of her loved ones. How could she have known that decades later, this decision would return to haunt her--threatening to tear apart her bond with her beloved son, her relationship with her infuriatingly insolent sisters, and the future of the family she has worked so hard to protect? Part ghost story and part family epic, The Apology is an incisive tale of sisterhood and diaspora, reaching back to the days of Japanese colonialism and the Korean War, and told through the singular voice of a defiant, funny, and unforgettable centenarian.
 
 

Cover ArtMade in Asia/America : why video games were never (really) about us

Made in Asia/America explores the key role video games play within the race-makings of Asia/America. Each of its fourteen critical essays on games, ranging from Death Stranding to Animal Crossing, and five roundtables with twenty Asian/American game makers, examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods, to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an "interactive" editorial method, a genre-expanding approach that encourages hybrid works of auto-theory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and “Asian America.”
 
 
 

Cover ArtFake Chinese sounds by Tsong, Jing Jing

Between homework, studying, and Chinese school, Měi Yīng's summer is shaping up to be a boring one. Her only bright spots are practice with her soccer team, the Divas, and the time spent with her năi nai, who is visiting from Taiwan. Although Měi Yīng's Mandarin isn't the best and Năi Nai doesn't speak English, they find other ways to connect, like cooking guōtiē together and doing tai chi in the mornings. By the end of the summer, Měi Yīng is sad to see Năi Nai go-she's the com­plete opposite of Měi Yīng serious professor mother-but excited to start fifth grade. Until new kid Sid starts making her the butt of racist jokes. Her best friend, Kirra, says to ignore him, but does everyone else's silence about the harassment mean they're also ignoring Sid . . . or her? As Sid's bullying fuels Měi Yīng's feelings of invisibility, she must learn to reclaim her identity and her voice.
 
 
 
 

Cover ArtMonstrous : a transracial adoption story by Myer, Sarah

Bullied by her classmates, Sarah, a Korean American girl growing up in a rural community with few Asian neighbors, channels her rage into her art and cosplay until it threatens to explode.
"Sarah has always struggled to fit in. Born in South Korea and adopted at birth by a white couple, she grows up in a rural community with few Asian neighbors. People whisper in the supermarket. Classmates bully her. She has trouble containing her anger in these moments--but through it all, she has her art. She's always been a compulsive drawer, and when she discovers anime, her hobby becomes an obsession. Though drawing and cosplay offer her an escape, she still struggles to connect with others. And in high school, the bullies are louder and meaner. Sarah's bubbling rage is threatening to burst.
 
 
 

Cover ArtAmerican betiya by Rajurkar, Anuradha D.

Rani Kelkar never lied to her parents-- until she meets Oliver. The same qualities that draw her in-- his tattoos, his charisma, his passion for art-- make him her mother's worst nightmare. When Oliver's troubled home life unravels, he starts to ask more of Rani than she knows how to give. When a twist of fate leads Rani from Evanston, Illinois to Pune, India for a summer, she has a reckoning with herself... and what's really brewing beneath the surface of her first love.
 
 
 
 
 
 

Cover ArtI would meet you anywhere : a memoir by Ito, Susan

A memoir about one woman's search for her birth parents, exploring complicated relationships with family, the legacy of WWII internment on generations of Japanese Americans, and the challenges adoptees often face in learning their own histories.
 
 
 
 
 
 
 
 
 

Cover ArtLunar boy by Wibowo, Jessica

Indu, a boy from the moon, feels like he doesn't belong. He hasn't since he and his adoptive mom disembarked from their spaceship -- their home -- to live on Earth with their new blended family. The kids at school think he's weird; he has a crush on his pen pal, who might not like him back; and his stepfamily doesn't seem to know what to do with him. Worst of all, Indu can't even talk to his mom about how he's feeling because she's so busy. In a moment of loneliness, Indu calls out to the moon, begging them to take him back. And against all odds, the moon hears him and agrees to bring him home of the first day of the New Year. But as the promised day draws nearer, Indu finds friendship in unlikely places and discovers that home is more than where you come from. And when the moon calls again, Indu must decide: is he willing to give up what he's just found?
 
 
 
When Shek Yeung sees a Portuguese sailor slay her husband, a feared pirate, she knows she must act swiftly or die. Instead of mourning, Shek Yeung launches a new plan: immediately marrying her husband's second-in-command, and agreeing to bear him a son and heir, in order to retain power over her half of the fleet. But as Shek Yeung vies for control over the army she knows she was born to lead, larger threats loom. The Chinese Emperor has charged a brutal, crafty nobleman with ridding the South China Seas of pirates, and the Europeans--tired of losing ships, men, and money to Shek Yeung's alliance--have new plans for the area. Even worse, Shek Yeung's cutthroat retributions create problems all their own. As Shek Yeung navigates new motherhood and the crises of leadership, she must decide how long she is willing to fight, and at what price, or risk losing her fleet, her new family, and even her life.
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UVM Libraries is celebrating Hispanic Heritage Month by featuring new books in our collection by Hispanic or Latinx/e authors. Browse our list to find novels, poetry, and nonfiction in both English and Spanish. Visit our display in Howe Library Lobby for even more books like these. 


Cover Art ¡Ay tú! : critical essays on the life and work of Sandra Cisneros 

Sandra Cisneros has been a prominent figure in Latinx/Chicanx literature and art and has written more than a dozen works including The House on Mango Street and Woman Hollering Creek and Other Stories, and is also the first Chicana to be published by a major press. Her personal collection has been a part of Texas State University's Wittliff Collections and she is the recipient of the National Medal of the Arts, a MacArthur "Genius" Award, and the PEN/Nabokov Award for International Literature. As influential as her work has been to many Latinx writers and artists, no one has done a full biography and analysis of her writing and artwork. Sonia Saldívar-Hull and Geneva M. Gano have gathered a list of new and established scholars who have extensively studied her archives to form an edited collection of fourteen essays that analyze recent research on her works that go beyond The House on Mango Street, which, of her books, has been the most heavily studied from elementary schools to college courses. Each chapter will look through the text of each of Cisneros's books and go through common themes that have been presented in her work such as friendship, harassment, and visual arts. The collection will end with a new interview with Cisneros and journalist Macarena Hernández.
 
 

Cover Art Hungry for what : stories by Bastarós, María 

A game between a woman's father and husband simmers and boils into scalding danger; a daughter creates an elaborate feast for her grieving mother; a solar eclipse burns emotions and deceit out into the open; a girl flees across a desert in the pitch-black night. In these stories of suffocating atmosphere, the bland restraint of ordinary life careers into violence and darkness; they are hand grenades thrown at mundanity and the status quo. Foregrounding the voices and experiences of women and children and veering from claustrophobic suburbia to untamed nature and its great vistas of desert and sky, hungry for what focuses on the terror of normality, prising back its veneer of respectability to reveal the hostility and menace seething beneath.
 

 

 

Cover Art Dreams in times of war : stories / Soñar en tiempos de guerra : cuentos by Estrada, Oswaldo 

In twelve stories, Dreams in Times of War / Soñar en tiempos de guerra brilliantly fictionalizes the lives of Latinx immigrants in the United States. The stories explore themes of violence including toxic masculinity, domestic abuse, and (trans)gender discrimination but also the alternative communities the characters form that offer solidarity and hope. Readers will celebrate this unflinching but heartfelt look at diverse immigrant experiences in the twenty-first century United States.
 
 
 
 
 
 

Cover Art Las niñas Del Naranjel / We Are Green and Trembling by Cabezón Cámara, Gabriela 

Abordaje lírico e irreverente del personaje histórico de la Monja Alférez, que nació en España como niña en 1592 y se sumó travestida como varón a la Conquista de América. "Tan aguda, tan urgente, tan valiente. Gabriela Cabezón Cámara es una de las voces más auténticas escribiendo en español en este momento, y de todos sus talentos hay uno cada día más difícil: no solo hurga y desafía, no solo se anima a la oscuridad, sino que entrega a cambio la subversiva valentía de pensarnos más humanos, más vivos y luminosos que nunca". Samanta Schweblin. Para cumplirle a su Virgen del naranjel --lo ha salvado de la horca-- Antonio huye con dos niñas famélicas. En la selva, tan viva como un animal hecho de muchos, comienza una carta a su tía, priora del convento del que escapó siendo novicia. Arriero, tendero, soldado, grumete y paje, ha empuñado la espada y hundido la daga. Ahora debe cuidar de una manada y de Michi y Mitãkuña, que lo interrumpen una y otra vez con sus preguntas difíciles. La autora encuentra en Catalina de Erauso, la legendaria Monja Alférez, quien narre la cruel destrucción de América y le permita avanzar contra los géneros. Donde la avaricia colonial destruye, esta novela monumental funda una nueva gramática amorosa en la que el cine de Miyazaki, los rezos en latín, las canciones en vasco y las palabras del guaraní rompen la métrica del Siglo de Oro.

To keep his vow to Our Lady of the Orange Grove —who saved him from the noose— Antonio flees with two starving girls. In the jungle, he begins writing a letter to his aunt, the prioress of the convent he escaped as a youth. He has been a mule driver, shopkeeper, soldier, cabin boy and page; he has wielded his sword and slashed with his dagger. Now he has a flock to tend, as well as Michi and Mitãkuña, who pester him constantly with hard-to-answer questions. In Catalina de Erauso, the legendary Lieutenant Nun, the author finds a unique narrator for the destruction of the Americas and a breaker of gender stereotypes. Where colonial greed destroys, this monumental novel builds a new language of love. With influences as varied as the films of Miyazaki, Latin prayers, Basque songs and terms borrowed from Guaraní, Gabriela Cabezón Cámara crafts new rhythms that transcend the bounds of Golden Age Spanish poetry.
 

Cover Art The politics of care work : Puerto Rican women organizing for social justice by Amador, Emma 

In The Politics of Care Work, Emma Amador tells the story of Puerto Rican women's involvement in political activism for social and economic justice in Puerto Rico and the United States throughout the twentieth century. Amador focuses on the experiences and contributions of Puerto Rican social workers, care workers, and caregivers who fought for the compensation of reproductive labor in society and the establishment of social welfare programs. These activists believed conflicts over social reproduction and care work were themselves high-stakes class struggles for women, migrants, and people of color. In Puerto Rico, they organized for women's rights, socialism, labor standards, and Puerto Rican independence. They continued this work in the United States by advocating for migrant rights, participating in the Civil Rights movement, and joining Puerto Rican-led social movements. Amador shows how their relentless efforts gradually shifted the field of social work toward social justice and community-centered activism. Their profound and enduring impact on Puerto Rican communities underscores the crucial role of Puerto Rican women's caregiving labor and activism in building and sustaining migrant communities.
 

Cover Art Victoria by Sánchez-Garnica, Paloma 

Recién terminada la Segunda Guerra Mundial, en un Berlín arrasado y sin futuro aparente, Victoria sobrevive cantando cada noche en el club Kassandra. Pese a tener una mente prodigiosa, capaz de crear un poderoso sistema de cifrado de mensajes, su hija Hedy y su hermana Rebecca dependen de ese mísero sueldo para sobrevivir. Un chantaje sin escrúpulos por parte de los rusos obligará a Victoria a viajar sola a Estados Unidos, donde, sin embargo, disfrutará del amor incondicional del capitán Norton. Allí descubrirá que la que parecía la sociedad más democrática del mundo esconde una rancia capa de racismo e injusticias de la mano del Ku Klux Klan y el senador McCarthy.

Fresh from the end of World War II, in a devastated Berlin with no apparent future, Victoria survives by singing every night at the Kassandra club. Despite having a prodigious mind, capable of creating a powerful message encryption system, her daughter Hedy and her sister Rebecca depend on that meager salary to survive. Unscrupulous blackmail by the Russians will force Victoria to travel alone to the United States, where, however, she will enjoy the unconditional love of Captain Norton. There she will discover that what seemed to be the most democratic society in the world hides a rancid layer of racism and injustice at the hands of the Ku Klux Klan and Senator McCarthy.
 
 

Cover Art El albatros negro / the black albatross by Oruña, María 

Uno de los tesoros más codiciados y enigmáticos del mundo submarino se esconde en las profundidades del océano Atlántico. Una anciana historiadora naval podría tener la clave para rescatarlo, pero muere de repente en extrañas circunstancias. Pietro Rivas, un subinspector que acaba de llegar a la ciudad, será el encargado de investigar el caso junto con Nagore Freire, una extravagante inspectora de Patrimonio. Cuando las muertes comienzan a sucederse, la policía descubre que la clave para resolverlas reside en la historia del galeón Albatros Negro. Y en cómo en el año 1700, en la antigua villa amurallada de Vigo, una joven entomóloga fue capaz de cambiar con su audacia el curso de la historia.

One of the most coveted and enigmatic treasures from the underwater world lies hidden in the depths of the Atlantic Ocean. An elderly navy historian might hold the clue to its rescue, but she dies suddenly, under strange circumstances. Pietro Rivas, a recently arrived sub-inspector, is charged with investigating the case, together with Nagore Freire, a flamboyant Heritage inspector.

After a succession of deaths, the police learn that the key to solve all the murders resides in the history of a galleon, the Black Albatross, and in how, in the year 1700, at the old walled villa of Vigo, a young entomologist was bold enough to change the course of history.
 

Cover Art Monstruos bajo la lluvia / Monsters in the Rain  by Rú, Larissa 

La mayoría de los cuentos de Monstruos bajo la lluvia de Larissa Rú abordan el terror en sus múltiples formas: desde una aproximación al género desde una perspectiva más realista como “El soplón”, donde podemos ver una monstrificación de lo social o una horrorización de lo familiar, hasta “La cabeza verde” y “Cuencas (los ojos de Saturno)”, donde somos parte de un fenómeno sobrenatural personificado en entidades monstruosas que parecen proponer soluciones escalofriantes a los problemas de las protagonistas. Además, las personas que se adentren en este libro encontrarán reescrituras de algunos cuentos de hadas, es el caso de “El cuarto de los conejos”, “Los cerdos de la mansión Akerman” y “Sílfide”, donde la autora utiliza el terreno de la fantasía para mostrar la crueldad de la familia o de las relaciones de pareja.
Cierra el libro el cuento “Vanidades”, donde se explora el horror creepypasta, que además puede leerse como una alegoría al horizonte de expectativas que la sociedad impone al cuerpo de las mujeres. En resumen, este libro permite al público costarricense acceder a una literatura hecha en nuestro territorio que se emparenta con lo que están produciendo autoras como Mariana Enríquez o Giovanna Rivero en el campo de la ficción especulativa latinoamericana.

Most of the stories in Monsters in the Rain by Larissa Rú address horror in its many forms: from an approach to the genre from a more realistic perspective like “The Informant,” where we see a monstrification of the social or a horrification of the familiar, to “The Green Head” and “Cuencas (the eyes of Saturn),” where we are part of a supernatural phenomenon personified in monstrous entities that seem to propose chilling solutions to the protagonists' problems. In addition, people who delve into this book will find rewritings of some fairy tales, as is the case of “The Rabbit Room,” “The Pigs of the Akerman Mansion,” and “Sylph,” where the author uses the terrain of fantasy to show the cruelty of the family or of relationships.
The book closes with the story “Vanities,” which explores creepypasta horror and can also be read as an allegory for the horizon of expectations that society imposes on women's bodies. In short, This book allows the Costa Rican public to access literature made in our territory that is related to what authors such as Mariana Enríquez or Giovanna Rivero are producing in the field of Latin American speculative fiction.
 

Cover Art Una Mujer Insignificante / an Insignificant Woman by Murillo, Catalina 

Pido perdón por lo que a continuación voy a relatar, pregunto. Aunque, ¿a quién podría ya pedirle perdón? No tengo inclinación a hablar con gente muerta, me espanta la posibilidad de que me respondan. Me rindo. Acepto que hay algo impúdico en contar la vida de quien mantuvo su intimidad bajo llave. Así que me aguanto. Y no pido perdón. Ni me perdono.

Una carta atraviesa el océano y trastorna la rígida estabilidad de un hogar. Se desencadena un caos fabuloso de vino, música, risas, que va sacando a flote las heridas y frustraciones de una mujer que nunca fue la persona más importante para nadie. Esta es su historia, la vida de la madre de la narradora.

Catalina Murillo te lo cuenta al oído, te va envolviendo en esa narración que construye con la cercanía de la oralidad. Su prosa evidencia la calidad literaria de una escritora potente que convierte una historia íntima en experiencia colectiva. Corazón y cerebro, humor y dolor. Sin dramatismo ni cinismo, van emergiendo grandes temas, la relación madre-hija, la “hijidad”, y la pregunta siempre abierta: amor, qué es eso. O qué era. Y qué será.

Please forgive me for what I’m about to say. But I wonder, whom should I ask for that forgiveness? I’m not one to talk to dead people; I’m too afraid they might answer. I give up. I accept that there’s something improper about telling the story of someone who kept their intimacy under lock and key. So, I’ll push on. And I won’t ask for forgiveness. Or forgive myself.

A letter crosses the ocean and upends the stable order of a household. A fabulous chaos ensues, a flood of wine, music and laughter that channels the hurt and frustration of a woman who was never anyone’s top priority. That woman is the narrator’s mother.

Catalina Murillo engrosses the reader in a narrative that has the intimacy of a story read aloud. In so doing, she reveals herself to be a powerful storyteller who turns a personal account into a collective experience. Heart and mind, humor and pain. Major themes emerge, without drama or cynicism: the mother-daughter relationship, childhood, and the eternal question: What is love? Or better, what was it? And what will it be?
 

Cover Art Lola by Valenti, Karla 

Ten-year-old Lola has always been touched by magic. In her Mexico City home, built around a towering tree, she is accustomed to enchanted blooms that change with the seasons, a sandbox that spits out mysterious treasures, and mischievous chaneques that scuttle about unseen by all but her. Magic has always been a part of her life, but now she must embrace the extraordinary as never before.

Ever since The Thing That Happened, Lola’s brother Alex has been sick. As his condition worsens, something begins eating away at the tree, causing its leaves and blossoms to crumble like ash. The two are related, Lola is sure of it, but how? Seeking a cure, she visits a grocery store oracle who bids her to follow the chaneques down one of their secret passages… into a hidden world.

Here in Floresta, a land of myths and monsters and marvels untold, lies the key to healing her brother. But the kingdom’s young queen stands in the way. Lola must use her wits and face her deepest fears if there’s any hope of saving Alex in time.
 
 

Cover Art Shut up, this is serious by Ixta, Carolina 

Belén Dolores Itzel del Toro wants the normal stuff: to experience love or maybe have a boyfriend or at least just lose her virginity. But nothing is normal in East Oakland. Her father left her family. She’s at risk of not graduating. And Leti, her super-Catholic, nerdy-ass best friend, is pregnant—by the boyfriend she hasn’t told her parents about, because he’s Black, and her parents are racist.

Things are hella complicated.

Weighed by a depression she can’t seem to shake, Belén helps Leti, hangs out with an older guy, and cuts a lot of class. She soon realizes, though, that distractions are only temporary. Leti is becoming a mother. Classmates are getting ready for college. But what about Belén? What future is there for girls like her?

From debut author Carolina Ixta comes a fierce, intimate examination of friendship, chosen family, and the generational cycles we must break to become our truest selves.
 
 

Cover Art Brownstone by Teer, Samuel 

Almudena has always wondered about the dad she never met. Now, with her white mother headed on a once-in-a-lifetime trip, she's left alone with her Guatemalan father for an entire summer. Xavier seems happy to see her, but he expects her to live in (and help fix up) his old, broken-down brownstone. And all along, she must navigate the language barrier of his rapid-fire Spanish -- which she doesn't speak. As Almudena tries to adjust to this new reality, she gets to know the residents of Xavier's Latin American neighborhood. Each member of the community has their own joys and heartbreaks as well as their own strong opinions on how this young Latina should talk, dress, and behave. Some can't understand why she doesn't know where she comes from. Others think she's "not brown enough" to fit in. But time is running out for Almudena and Xavier to get to know each other, and the key to their connection may ultimately lie in bringing all these different elements together. Fixing a broken building is one thing, but turning these stubborn individuals into a found family might take more than this one summer.
 
 

Cover Art En Agosto Nos Vemos / until August by Gabriel García Márquez (Spanish Edition)

Cada mes de agosto Ana Magdalena Bach toma el transbordador hasta la isla donde está enterrada su madre para visitar la tumba en la que yace. Esas visitas acaban suponiendo una irresistible invitación a convertirse en una persona distinta durante una noche al año. Escrita en el inconfundible y fascinante estilo de García Márquez, En agosto nos vemos es un canto a la vida, a la resistencia del goce pese al paso del tiempo y al deseo femenino. Un regalo inesperado de uno de los escritores más queridos de nuestra lengua.
 
 
 
 
 
 
 
 
 

Cover Art Until August by García Márquez, Gabriel (English Edition)

Sitting alone beside the languorous blue waters of the lagoon, Ana Magdalena Bach contemplates the men at the hotel bar. She has been happily married for twenty-seven years and has no reason to escape the life she has made with her husband and children. And yet, every August, she travels by ferry here to the island where her mother is buried, and for one night takes a new lover. Across sultry Caribbean evenings full of salsa and boleros, lotharios and conmen, Ana journeys further each year into the hinterland of her desire and the fear hidden in her heart. Constantly surprising, joyously sensual, Until August is a profound meditation on freedom, regret, self-transformation, and the mysteries of love--an unexpected gift from one of the greatest writers the world has ever known.
 
 
 
 

Cover Art The cemetery of untold stories : a novel by Alvarez, Julia 

When celebrated writer Alma Cruz inherits a small plot of land in the Dominican Republic, she turns it into a place to bury her untold stories--literally. She creates a graveyard for manuscript drafts and revisions and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace, but they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives.
 
 
 
 
 
 

Cover Art Fierce voice / Voz feroz 

A bilingual anthology, Fierce Voice / Voz feroz features Argentine and Uruguayan women poets published after their countries’ return to democracy in the eighties. These twenty-six poets introduced innovative, invigorating styles and established new directions in literature, providing an essential addition to the development of Latin American poetry. This anthology includes established poets as well as emerging poets just gaining attention in their countries and abroad. Fierce Voice / Voz feroz serves to showcase their work and give an English-speaking readership the opportunity to experience the breadth and power of this fierce talent.
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March 30th through April 5th is Public Philosophy Week in Vermont and Howe Library is featuring books in our collection supporting this exciting series of discussions, talks, and more! Whether you want to prep or do further reading on any of the agenda topics, we have books for you. Check out our list below and many more books on display in the Howe Library Lobby. 
 


Cover ArtThe uncanny muse : music, art, and machines from automata to AI by Hajdu, David

An acclaimed critic, journalist, and songwriter-musician tells the story of art's relation to machines, from the Baroque period to the age of AI. What does it mean to be human in a world where machines, too, can be artists? The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture. From the life-size mechanical doll that made headlines in Victorian London to the doll's modern AI-pop star counterpart, Hajdu traces the fascinating, varied ways in which inventors and artists have sought to emulate mental processes and mechanize creative production. For decades, machines and artists have engaged in expressing the human condition--along with the condition of living with machines--through player pianos, broadcasting technology, electric organs, digital movie effects, synthesizers, and motion capture. By communicating and informing human knowledge, the machines have exerted considerable influence on the history of art--and often more influence than humans have been willing to recognize. As Hajdu proclaims: "before machine learning, there was machine teaching." With thoughtful, wide-ranging, and surprising turns from Berry Gordy and George Harrison to Andy Warhol and Stevie Wonder, David Hajdu takes a novel and contrarian approach: he sees how machines through the ages have enabled creativity, not stifled it--and The Uncanny Muse sees no reason why this shouldn't be the case with AI today.
 

Cover ArtFood, ethics, and society : an introductory text with readings

Food, Ethics, and Society: An Introductory Text with Readings presents seventy-three readings that address real-world ethical issues at the forefront of the food ethics debate. Topics covered include hunger, food justice, consumer ethics, food and identity, food and religion, raising plants and animals, food workers, overconsumption, obesity, and paternalism. The selections are enhanced by chapter and reading introductions, study questions, and suggestions for further reading. Ideal for both introductory and interdisciplinary courses, Food, Ethics, and Society explains basic philosophical concepts fohttps://uvm.libapps.com/libguides/assets.php#s-lg-icon-tabler new students and forges new ground on several ethical debates.
 
 
 

Cover ArtAs if human : ethics and artificial intelligence

Intelligent machines present us every day with urgent ethical challenges. Is the facial recognition software used by an agency fair? When algorithms determine questions of justice, finance, health, and defense, are the decisions proportionate, equitable, transparent, and accountable? How do we harness this extraordinary technology to empower rather than oppress? Despite increasingly sophisticated programming, artificial intelligences share none of our essential human characteristics—sentience, physical sensation, emotional responsiveness, versatile general intelligence. However, Nigel Shadbolt and Roger Hampson argue, if we assess AI decisions, products, and calls for action as if they came from a human being, we can avert a disastrous and amoral future. The authors go beyond the headlines about rampant robots to apply established moral principles in shaping our AI future. Their new framework constitutes a how-to for building a more ethical machine intelligence.
 
 
 

Cover ArtA life in letters by Weil, Simone

A Life in Letters is an English translation of philosopher Simone Weil's letters to her parents and brother, mathematician André Weil. The letters, pulled from the original French correspondence, provide a road map to Weil's life and an unparalleled view into Weil's work and her relationship with the three people who had the greatest impact on her.
 
 
 
 
 
 

Cover ArtSpeech and morality : on the metaethical implications of speaking by Cuneo, Terence

Terence Cuneo develops a novel line of argument for moral realism. The argument he defends hinges on the normative theory of speech, according to which speech acts are generated by an agent's altering her normative position with regard to her audience, gaining rights, responsibilities, and obligations of certain kinds. Some of these rights, responsibilities, and obligations, Cuneo suggests, are moral. And these moral features are best understood along realist lines, in part because they explain how it is that we can speak. If this is right, a necessary condition of being able to speak is that there are moral rights, responsibilities, and obligations of a broadly realist sort.
 
 
 
 

Cover ArtGod and meaning : new essays

Over the past decade, there has been a growing interest among analytic philosophers in the topic of life's meaning. What is striking about this surge of work is that nearly all of it is by naturalists theorizing from non-theistic starting points. This book answers the need for a theistic philosophical perspective on the meaning of life. Bringing together some of the leading thinkers in analytic philosophy of religion and theology, God and Meaning touches on important issues in metaphysics, epistemology, ethics, philosophy of religion, and biblical theology that intersect with life's meaning. In particular: What does the question "What is the meaning of life?" mean? How can we know if life has meaning and what that meaning is? Might God enhance life's meaningfulness in some ways but detract from it in others? Is the most meaningful life one of perfect happiness? What is the relationship between eternity and life's meaning? How does the Old Testament book of Ecclesiastes illumine the topic? Should we hope that a kind of transcendent meaning exists? Presenting a state-of-the-art assessment of current philosophical positions on these and many other questions, God and Meaning is an invaluable resource for all students and scholars of the philosophy of religion.
 
 
 

Cover ArtThomas Reid on the ethical life by Cuneo, Terence

This Element presents the rudiments of Thomas Reid's agency-centered ethical theory. According to this theory, an ethical theory must address three primary questions. What is it to be an agent? What is ethical reality like, such that agents could know it? And how can agents respond to ethical reality, commit themselves to being regulated by it, and act well in doing so? Reid's answers to these questions are wide-ranging, borrowing from the rational intuitionist, sentimentalist, Aristotelian, and Protestant natural law traditions. This Element explores how Reid blends together these influences, how he might respond to concerns raised by rival traditions, and specifies what distinguishes his approach from those of other modern philosophers.
 
 
 
 

Cover ArtThe rhetoric of fascism

Few developments in contemporary politics are more striking than the frequency with which the term "fascist" is used to describe specific actors and groups. This marks a qualitative shift in our political discourse. For decades, "fascist" was an epithet used to brand one's political opponents, regardless of political ideology or governing philosophy, but most often to attack a specific individual. With the rise of extremist parties and candidates in Europe, the U.S., and around the globe, however, even mainstream political commentators have begun using the term "fascism" to describe what they see as a dangerous movement that has revived and repackaged many of the strategies long thought to have been relegated to the margins of political rhetoric. This book defines and interprets the common persuasive devices that characterize fascist discourse to understand the nature of its enduring appeal, and which has resurfaced as one of the most pressing problems of our time. A definition of fascism that guides the contributors here draws from the work of Kenneth Burke: the sustained and systematic deployment of rhetorical devices aimed at promoting the cult of irrationality by identifying both the victimhood and the inborn dignity of a newly crystalized social group, sanctioned by tradition, whose rebirth requires the spiritualization of injustice and internal and external purification through redemptive violence. This definition has much in common with established understandings of fascism, but a rhetorical approach emphasizes less how fascism manifests itself in parties, platforms, regimes, movements, and organizations, but rather on the tendencies in language itself that make these manifestations possible. Introductory chapters focus on general theories of fascism drawn from 20th-century history and theory. The remaining chapters investigate specific historical figures and their relationship to contemporary rhetorics. As indicated by their titles, each chapter focuses on defining a specific rhetorical device that seems characteristic of fascist rhetoric. This book does not promise a comprehensive inquiry into all aspects of fascism. The topics were selected by the authors based on their own expertise and because they illuminate a specific rhetorical device. A reader, by the end, should have acquired many of the conceptual critical resources by which to identify familiar fascist strategies of persuasion and propaganda.
 

Cover ArtThe Oxford handbook of food ethics

Academic food ethics incorporates work from philosophy but also anthropology, economics, the environmental sciences and other natural sciences, geography, law, and sociology. Scholars from these fields have been producing work for decades on the food system, and on ethical, social, and policy issues connected to the food system. Yet in the last several years, there has been a notable increase in philosophical work on these issues-work that draws on multiple literatures within practical ethics, normative ethics and political philosophy. This handbook provides a sample of that philosophical work across multiple areas of food ethics: conventional agriculture and alternatives to it; animals; consumption; food justice; food politics; food workers; and, food and identity.
 
 
 
 

Cover ArtMidlife : a philosophical guide by Setiya, Kieran

How can you reconcile yourself with the lives you will never lead, with possibilities foreclosed, and with nostalgia for lost youth? How can you accept the failings of the past, the sense of futility in the tasks that consume the present, and the prospect of death that blights the future? In this self-help book with a difference, Kieran Setiya confronts the inevitable challenges of adulthood and middle age, showing how philosophy can help you thrive. You will learn why missing out might be a good thing, how options are overrated, and when you should be glad you made a mistake. You will be introduced to philosophical consolations for mortality. And you will learn what it would mean to live in the present, how it could solve your midlife crisis, and why meditation helps. Ranging from Aristotle, Schopenhauer, and John Stuart Mill to Virginia Woolf and Simone de Beauvoir, as well as drawing on Setiya's own experience, Midlife combines imaginative ideas, surprising insights, and practical advice. Writing with wisdom and wit, Setiya makes a wry but passionate case for philosophy as a guide to life.
 
 

Cover ArtThe restaurants book : ethnographies of where we eat

Is the restaurant an ideal total social phenomenon for the contemporary world? Restaurants are framed by the logic of the market, but promise experiences not of the market. Restaurants are key sites for practices of social distinction, where chefs struggle for recognition as stars and patrons insist on seeing and being seen. Restaurants define urban landscapes, reflecting and shaping the character of neighborhoods, or standing for the ethos of an entire city or nation. Whether they spread authoritarian French organizational models or the bland standardization of American fast food, restaurants have been accused of contributing to the homogenization of cultures. Yet restaurants have also played a central role in the reassertion of the local, as powerful cultural brokers and symbols for protests against a globalized food system. The Restaurants Book brings together anthropological insights into these thoroughly postmodern places.
 
 
 
 

Cover ArtCultural anthropology : asking questions about humanity by Welsch, Robert Louis; Vivanco, Luis Antonio

What is cultural anthropology, and how is it relevant in today's world? Robert L. Welsch and Luis A. Vivanco's Cultural Anthropology: Asking Questions About Humanity uses a questions-based approach to teach students how to think anthropologically, helping them view cultural issues and everyday experiences as an anthropologist might.Inspired by the common observation that 99 percent of a good answer is a good question, Cultural Anthropology: Asking Questions About Humanity combines a question-centered pedagogy with the topics typically covered in an introductory course. It emphasizes upfront what the discipline of anthropology knows and which issues are in debate, and how a cultural perspective is relevant to understanding social, political, and economic dynamics in the contemporary world. Cultural Anthropology: Asking Questions About Humanity also represents an effort to close the gap between the realities of the discipline today and traditional views that are taught at the introductory level by bringing classic anthropological examples, cases, and analyses to bear on contemporary questions.
 
 

Cover ArtPessoa : a biography by Zenith, Richard

Like Richard Ellmann's James Joyce, Richard Zenith's Pessoa immortalizes the life of one of the twentieth century's greatest writers. Eighty-five years after his wrenching death in a cramped Lisbon apartment, where he left more than 25,000 manuscript sheets in a wooden trunk, Fernando Pessoa (1888-1935) remains one of the most enigmatic and underappreciated poets of the twentieth century. Celebrated for writing in dozens of different poetic voices, known as heteronyms, Pessoa has finally found his definitive biographer in renowned translator Richard Zenith. Setting the story of Pessoa's life against the nationalistic currents of early twentieth-century European history, Zenith charts the depths of Pessoa's explosive imagination and literary genius. Much as José Saramago brought one of Pessoa's heteronyms to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa's imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. Nothing less than a literary masterpiece, Zenith's monumental work confirms the power of Pessoa's words to speak prophetically to the disconnectedness of modern life.
 
 
 

Cover ArtWho wrote this? : how AI and the lure of efficiency threaten human writing by Baron, Naomi S.

Would you read this book if a computer wrote it? Would you even know? And why would it matter? Today's eerily impressive artificial intelligence writing tools present us with a crucial challenge: As writers, do we unthinkingly adopt AI's time-saving advantages or do we stop to weigh what we gain and lose when heeding their siren call? To understand how AI is redefining what it means to write and think, linguist and educator Naomi Baron leads us on a journey connecting the dots between human literacy and today's technology. From nineteenth century lessons in composition, to mathematician Alan Turing's work creating a machine for deciphering war-time messages, to contemporary engines like ChatGPT, Baron gives readers a spirited overview of the emergence of both literacy and AI, and a glimpse of their possible future. As the technology becomes increasingly sophisticated and fluent, it's tempting to take the easy way out and let AI do the work for us. Baron cautions that such efficiency isn't always in our interest. As AI plies us with suggestions or full-blown text, we risk losing not just our technical skills but the power of writing as a springboard for personal reflection and unique expression. Funny, informed, and conversational, Who Wrote This? urges us as individuals and as communities to make conscious choices about the extent to which we collaborate with AI. The technology is here to stay. Baron shows us how to work with AI and how to spot where it risks diminishing the valuable cognitive and social benefits of being literate.
 

Cover ArtFundamental things : theory and applications of grounding by DeRosset, Louis

The scientific successes of the last 400 years strongly suggest a view on which things are organized into layers, with phenomena in higher layers dependent on and determined by what goes on below. Philosophers have recently explored the idea that we can make sense of this view by appeal to a relation called grounding. In Fundamental Things, Louis de Rosset develops the rudiments of a theory of grounding and applies that theory to questions concerning the contents of the layers and the relations among them. This theory specifies what grounding is and how it relates to relevant forms of explanation. It addresses arguments for skepticism about grounding and draws points of contrast between a grounding-centered approach to relative fundamentality and other approaches. DeRosset then turns to a demonstration of how the theory of grounding bears fruit in investigating questions concerning (1) how to distinguish between truths that say how objective reality is in itself, quite independently of us, and truths that do not; (2) the nature of truth; and (3) the relation between fundamental physical facts and the rich panoply of other facts that depend on and are determined by them, including facts concerning our own doings. The aim is to advance our understanding of one of the deepest and thorniest questions which the stunning scientific achievements of the last 400 years pose: how higher-level phenomena fit into an ultimately physical world.
 

Cover ArtMaking AI intelligible : philosophical foundations by Cappelen, Herman

Can humans and artificial intelligences share concepts and communicate? Making AI Intelligible shows that philosophical work on the metaphysics of meaning can help answer these questions. Herman Cappelen and Josh Dever use the externalist tradition in philosophy to create models of how AIs and humans can understand each other. In doing so, they illustrate ways in which that philosophical tradition can be improved. The questions addressed in the book are not only theoretically interesting, but the answers have pressing practical implications. Many important decisions about human life are now influenced by AI. In giving that power to AI, we presuppose that AIs can track features of the world that we care about (for example, creditworthiness, recidivism, cancer, and combatants). If AIs can share our concepts, that will go some way towards justifying this reliance on AI. This ground-breaking study offers insight into how to take some first steps towards achieving Interpretable AI.
 
 
 
 
 

Cover ArtThe line : AI and the future of personhood by Boyle, James

The line that distinguishes people from animals, systems, and things is getting harder to draw. For all the concern about AI and genetic engineering, there has been surprisingly little discussion of the possible personhood of the new entities this century will bring us: what about their claims to be inside the line, to be "us" -- not machines or animals but persons -- deserving all the moral and legal respect that any other person has by virtue of their status?
 
 
 
 
 
 

Cover ArtAI morality

A philosophical task force explores how AI is revolutionizing our lives - and what moral problems it might bring, showing us what to be wary of, and what to be hopeful for.There is no more important issue at present than artificial intelligence. AI has begun to penetrate almost every sphere of human activity. It will disrupt our lives entirely. David Edmonds brings together a team of leading philosophers to explore some of the urgent moral concerns we should have about this revolution. The chapters are rich with examples from contemporary society and imaginative projections of the future. The contributors investigate problems we're all aware of, and introduce some that will be new to many readers. They discuss self and identity, health and insurance, politics and manipulation, the environment, work, law, policing, and defence. Each of them explains the issue in a lively and illuminating way, and takes a view about how we should think and act in response. Anyone who is wondering what ethical challenges the future holds for us can start here.
 
 

Cover ArtChinese culture through legends and fiction : a guided reader by Zhang, Zhenjun

This is a collection of selected and translated Chinese legends and tales arranged under specific topics important to Chinese culture, with an introduction and reading guide for each piece. Comprised of 4 parts covering Confucian culture, Daoist culture, Buddhist culture and topics beyond the Three Teachings, the sources featured in this anthology include legends, fictional works, historical texts, as well as philosophical texts of ancient China, ranging from the Han 漢dynasty (206 BCE-220 CE) to the Qing 清dynasty (1644-1911). Helping readers learn about Chinese customs, traditions, and values by immersing them in the wonderful world of traditional China, with the compelling legends and tales revealing the fascinating meshwork of Chinese culture, this book is an invaluable text for students and scholars of Chinese literature, culture and history, as well as general readers with an interest in China.
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This month we are highlighting new graphic novels in Howe Library! Check out our latest additions in fictional and non-fictional graphic novels.


 

Cover ArtHuda F cares? by Fahmy, Huda

This summer's exercise in Fahmy family sisterly bonding involves a trip to Disney World--which seems like it is headed for disaster when Huda gets into a fight with a boy making fun of her hijab.
 
 
 
 
 
 
 
 
 
 
 

Cover ArtStamped from the beginning : a graphic history of racist ideas in America by Gill, Joel Christian

A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists.
 
 
 
 
 
 
 
 
 
 

Cover ArtThe great turkey walk by Bischoff, Léonie

Kathleen Karr's classic American story of grit, friendship, and turkeys finally reimagined as a sensational graphic novel. Missouri 1860: Simon Green is a bad student. His mother is dead and his father has disappeared. But he's daring, and so when he hears that turkeys fetch a higher price in Denver, he borrows his teacher's life savings and buys a herd of a thousand birds. Then he sets off on the thousand-mile trek with his dog and a pair of mules. To survive the odyssey that follows, Simon will need grit, luck, and smarts--and a colorful cast of friends.
 
 
 
 
 
 
 

Cover ArtThe mythmakers by Hendrix, John

The rich worlds of C.S. Lewis's The Chronicles of Narnia and J.R.R. Tolkien's The Hobbit and The Lord of the Rings have enchanted readers both young and old for generations. But before they created these literary landmarks, Lewis and Tolkien were simply two friends who shared a love of stories. The Mythmakers chronicles their lives, from their horrific tour in the trenches of World War I, their first meeting at Oxford in 1929, and the literary discussions of the Inklings, to World War II, the publications of their works, and their legacies. Their personal stories are so intertwined that neither can be easily told without the other....The Mythmakers reveals how these remarkably creative minds influenced each other--their world-building philosophies, their ideas of mythology and faith, and their belief in the truth behind the human imagination. The Mythmakers is a masterful work capturing the extraordinary lives and literary contributions of Liews and Tolkien, two of the most important and influential writers of the 20th century.
 
 
 
 
 

Cover ArtToxic : a tour of the Ecuadorian Amazon by Fiske, Amelia

This graphic novel ethnography takes the reader on a "toxic tour" of the Ecuadorian Amazon and reveals the struggles for environmental justice in everyday life.
 
 
 
 
 
 
 
 
 
 

Cover ArtZodiac : a graphic memoir by Ai, Weiwei

As a child living in exile during the Cultural Revolution, Ai Weiwei often found himself with nothing to read but government-approved comic books. Although they were restricted by the confines of political propaganda, Ai Weiwei was struck by the artists' ability to express their thoughts on art and humanity through graphic storytelling. Now, decades later, Ai Weiwei and Italian comic artist Gianluca Costantini present Zodiac, Ai Weiwei's first graphic memoir. Inspired by the twelve signs of the Chinese zodiac and their associated human characteristics, Ai Weiwei masterfully interweaves ancient Chinese folklore with stories of his life, family, and career. The narrative shifts back and forth through the years--at once in the past, present, and future--mirroring memory and our relationship to time. As readers delve deeper into the beautifully illustrated pages of Zodiac, they will find not only a personal history of Ai Weiwei and an examination of the sociopolitical climate in which he makes his art, but a philosophical exploration of what it means to find oneself through art and freedom of expression.
 
 
 
 

Cover ArtThe Puerto Rican War : a graphic history by Mejias, John Vasquez

Rendered in gorgeously carved wood blocks and buffeted with historical supplemental material, John Vasquez Mejias's The Puerto Rican War tells the story of the the 1950 insurrection on the island that resulted in 38 deaths and a failed assassination attempt against President Harry S. Truman. Told as a fable, in which the leaders of the movement are visited by the ghosts of Michael Collins and Gandhi, this book showcases an important and often overlooked moment in American history and a historical touchstone for the Puerto Rican independence movement.
 
 
 
 
 
 
 

Cover ArtLies my teacher told me : a graphic adaptation by Loewen, James W.

A graphic adaptation of the bestselling book about what most American history textbooks get wrong.
 
 
 
 
 
 
 
 
 
 

Cover ArtComics and modernism : history, form, and culture by Najarian, Jonathan (Editor)

Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and
 movements.
 
 

Cover ArtForecasts by Schuster, Caroline; Bernardou, Enrique (Illustrator); Bueno, David (Illustrator)

Based in the agrarian world of commercial sesame farming in northern Paraguay, Forecasts tells a story about what happens when global insurance companies promise financial safety nets to local farmers struggling with the effects of climate change. This striking graphic novel brings together original ethnographic research and Paraguayan gothic art to confront the limitations of finance to respond to a deteriorating environment. Taking a human-centered approach to complex weather and financial models, Forecasts offers new ways of looking at overlapping speculative futures in a more-than-human landscape. Based on more than a year of fieldwork in Paraguay, the book follows one man's possible journeys through a season of planting and harvesting, buffeted by losses and sustained by the hope that he can cultivate conditions that will help his family thrive. Forecasts makes a sweeping account of environmental and financial risk accessible through the intimate story of one family's triumphs, heartbreaks, and hopes for the future. The graphic novel is followed by appendices that provide historical, anthropological, and methodological insights, as well as classroom guides, exercises, and questions that make this book ideal for teaching.
 
 
 

Cover ArtUndesirables by Boum, Aomar; Berber, Nadjib (Illustrator)

In this gripping graphic novel, a Jewish journalist encounters an extension of the horrors of the Holocaust in North Africa. In the lead-up to World War II, the rising tide of fascism and antisemitism in Europe foreshadowed Hitler's genocidal campaign against Jews. But the horrors of the Holocaust were not limited to the concentration camps of Europe: antisemitic terror spread through Vichy French imperial channels to France's colonies in North Africa, where in the forced labor camps of Algeria and Morocco, Jews and other "undesirables" faced brutal conditions and struggled to survive in an unforgiving landscape quite unlike Europe. In this richly historical graphic novel, historian Aomar Boum and illustrator Nadjib Berber take us inside this lesser-known side of the traumas wrought by the Holocaust by following one man's journey as a Holocaust refugee. Hans Frank is a Jewish journalist covering politics in Berlin, who grows increasingly uneasy as he witnesses the Nazi Party consolidate power and decides to flee Germany. Through connections with a transnational network of activists organizing against fascism and anti-Semitism, Hans ultimately lands in French Algeria, where days after his arrival, the Vichy regime designates all foreign Jews as "undesirables" and calls for their internment. On his way to Morocco, he is detained by Vichy authorities and interned first at Le Vernet, then later transported to different camps in the deserts of Morocco and Algeria. With memories of his former life as a political journalist receding like a dream, Hans spends the next year and a half in forced labor camps, hearing the stories of others whose lives have been upended by violence and war. Through bold, historically inflected illustrations that convey the tension of the coming war and the grimness of the Vichy camps, Aomar Boum and Nadjib Berber capture the experiences of thousands of refugees through the fictional Hans, chronicling how the traumas of the Holocaust extended far beyond the borders of Europe.
 
 

Cover ArtVisions of the crow by John-Kehewin, Wanda

A new girl at school. A mysterious crow. Weird visions he can't explain. Grade 12 just got a lot more complicated for Damon Quinn... "Your ancestors have called us to help you." "I think you have the wrong number." Damon Quinn just wants to get through his senior year unscathed. His mom struggles with alcohol and is barely coping with the day-to-day. Marcus and his cronies at school are forever causing him trouble. The new girl, Journey, won't mind her own business. To make matters worse, now a mysterious crow is following him everywhere. After he is seized by a waking dream in the middle of a busy street, he's forced to confront his mom with some hard questions: Why haven't I met my dad? Where did we come from? Who am I? Damon must look within himself, mend the bond with his mother, and rely on new friends to find the answers he so desperately needs. Travelling through time and space, Damon will have to go back before he can move forward. The Dreams series of graphic novels explores cultural connection as a path to healing. Volume 1, Visions of the Crow, explores urban Indigenous experiences through the eyes of a Cree-Métis teen as he learns about his identity and finding home. Ultimately, Damon will learn what it takes to be a good leader for his people.
 
 
 
 

Cover ArtA first time for everything : a true story by Santat, Dan

Dan is used to feeling invisible. After being bullied in middle school, Dan has low expectations about everything, including the class trip to Europe with the same girls who love to make fun of him. But during his travels, a series of firsts begin to change him -- first Fanta, first fondue, and maybe even... first girlfriend? Funny, heartfelt, and embarrassingly true, this graphic novel memoir is based on Caldecott Medal Winner Dan Santat's most awkward middle school memories.
 
 
 
 
 
 
 
 
 
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