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Cozy Reads 2024

12/20/2024
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Cozy Reads are fiction books with an upbeat, optimistic and light-hearted tone. They often feature a desirable location the reader may like to imagine themselves, hobbies or occupations relatable to the reader, and sometimes romance. Some popular sub-categories include: murder mysteries, craft and hobby mysteries, and culinary mysteries.

Our feature contains perhaps a few books outside this subgenre that we determined complimentary, such as nonfiction works on the Cozy Reads subgenre itself, books on tea, coffee, other new popular fiction titles. Visit the Howe Library Lobby for even more Cozy Reads on display. 


 

Cover ArtVera Wong's unsolicited advice for murderers by Sutanto, Jesse Q.

Knives Out meets Kim's Convenience in this captivating mystery by Jesse Q. Sutanto, bestselling author of Dial A for Aunties. Vera Wong is a lonely little old lady-ah, lady of a certain age-who lives above her forgotten tea shop in the middle of San Francisco's Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her college-aged son is up to. Then one morning, Vera trudges downstairs to find a curious thing-a dead man in the middle of her tea shop. In his outstretched hand, a flash drive. Vera doesn't know what comes over her, but after calling the cops like any good citizen would, she sort of . . . swipes the flash drive from the body and tucks it safely into the pocket of her apron. Why? Because Vera is sure she would do a better job than the police possibly could, because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands. Vera knows the killer will be back for the flash drive; all she has to do is watch the increasing number of customers at her shop and figure out which one among them is the killer. What Vera does not expect is to form friendships with her customers and start to care for each and every one of them. As a protective mother hen, will she end up having to give one of her newfound chicks to the police?
 
 

 

Cover ArtReading the cozy mystery : critical essays on an underappreciated subgenre by Betz, Phyllis M. (Editor)

With their intimate settings, subdued action and likeable characters, cozy mysteries are rarely seen as anything more than light entertainment. The cozy, a subgenre of crime fiction, has been historically misunderstood and often overlooked as the subject of serious study. This anthology brings together a groundbreaking collection of essays that examine the cozy mystery from a range of critical viewpoints. The authors engage with the standard classification of a cozy, the characters who appear in its pages, the environment where the crime occurs and how these elements reveal the cozy story's complexity in surprising ways. Essays analyze cozy mysteries to argue that Agatha Christie is actually not a cozy writer; that Columbo fits the mold of the cozy detective; and that the stories' portrayals of settings like the quaint English village reveal a more complicated society than meets the eye.
 
 
 
 
 
 

Cover ArtThe Christmas jigsaw murders by Benedict, Alexandra

A puzzling new Christmas mystery from USA Today bestselling author Alexandra Benedict! Rest. In. Pieces. On 1st of December, renowned puzzle setter, loner, and Christmas curmudgeon Edie O'Sullivan finds a hand-delivered present on her doorstep. Unwrapping it, she finds a jigsaw box and, inside, six jigsaw pieces. When fitted together, the pieces show part of a crime scene - blood-spattered black and white tiles and part of an outlined body. Included in the parcel is a message: 'Four, maybe more, people will be dead by midnight on Christmas Eve, unless you can put all the pieces together and stop me.' It's signed, Rest In Pieces. Edie contacts her nephew, DI Sean Brand-O'Sullivan, and together they work to solve the clues. But when a man is found near death with a jigsaw piece in his hand, Sean fears that Edie might be in danger and shuts her out of the investigation. As the body count rises, however, Edie knows that only she has the knowledge to put together the killer's murderous puzzle. Only by fitting all the pieces together will Edie be able to stop a killer - and finally lay her past to rest.
 



 
 

Cover ArtKrampus confidential by Sullivan, Kyle

It's almost Christmas, but the nights in Tinseltown are anything but silent. In this hardboiled parody of The Maltese Falcon, Ruprecht, a twelve-year-old krampus and wannabe detective, gets more than he bargained for when he takes the case of a terrified elf. Finding himself at the top of the Tinseltown Police Department's naughty list, Ruprecht is joined by his best friend, a ghost named Marley, to explore the underbelly of this festive but gritty metropolis, solve the mystery, and clear his name for good.
 
 
 
 
 
 
 
 
 

Cover ArtBefore the coffee gets cold by Kawaguchi, Toshikazu

In a small back alley in Tokyo at a century-old coffee shop rumored to offer patrons the chance to travel back in time, four customers reevaluate their formative life choices.
In a small back alley of Tokyo, there is a café that has been serving carefully brewed coffee for more than one hundred years. Local legend says that this shop offers coffee-- and the chance to travel back in time. Over the course of one summer, four customers visit the café in the hopes of making that journey. There are rules that must be followed. And the most important one: the trip can last only as long as it takes for the coffee to get cold.
 
 
 
 
 
 
 

Cover ArtHeartstopper by Oseman, Alice

Boy meets boy. Boys become friends. Boys fall in love. A sweet and charming coming-of-age story that explores friendship, love, and coming out. This edition features beautiful two-color artwork. Absolutely delightful. Sweet, romantic, kind. Beautifully paced. I loved this book. -- Rainbow Rowell, author of Carry On. Shy and softhearted Charlie Spring sits next to rugby player Nick Nelson in class one morning. A warm and intimate friendship follows, and that soon develops into something more for Charlie, who doesn't think he has a chance. But Nick is struggling with feelings of his own, and as the two grow closer and take on the ups and downs of high school, they come to understand the surprising and delightful ways in which love works.
 
 
 
 
 
 
 

Cover ArtTea : a global history by Saberi, Helen

From chai to oolong to sencha, tea is one of the world's most popular beverages. Perhaps that is because it is a unique and adaptable drink, consumed in many different varieties by cultures across the globe and in many different settings, from the intricate traditions of Japanese teahouses to the elegant tearooms of Britain to the verandas of the deep South. In Tea food historian Helen Saberi explores this rich and fascinating history. Saberi looks at the economic and social uses of tea, such as its use as a currency during the Tang Dynasty and the 1913 creation of a tea dance called "Thé Dansant.
 
 
 
 
 
 
 
 
 

Cover ArtCoffee : a global history by Morris, Jonathan

Most of us can't make it through morning without our cup (or cups) of joe, and we're not alone. Coffee is a global beverage: it's grown commercially on four continents and consumed enthusiastically on all seven--and there is even an Italian espresso machine on the International Space Station. Coffee's journey has taken it from the forests of Ethiopia to the fincas of Latin America, from Ottoman coffee houses to "Third Wave" cafés, and from the simple coffee pot to the capsule machine. In Coffee: A Global History, Jonathan Morris explains both how the world acquired a taste for this humble bean, and why the beverage tastes so differently throughout the world. Sifting through the grounds of coffee history, Morris discusses the diverse cast of caffeinated characters who drank coffee, why and where they did so, as well as how it was prepared and what it tasted like. He identifies the regions and ways in which coffee has been grown, who worked the farms and who owned them, and how the beans were processed, traded, and transported. Morris also explores the businesses behind coffee--the brokers, roasters, and machine manufacturers--and dissects the geopolitics linking producers to consumers. Written in a style as invigorating as that first cup of Java, and featuring fantastic recipes, images, stories, and surprising facts, Coffee will fascinate foodies, food historians, baristas, and the many people who regard this ancient brew as a staple of modern life.
 
 

 

Cover ArtThe Kamogawa food detectives by Kashiwai, Hisashi ; Kirkwood, Jesse (Translator)

What's the one dish you'd do anything to taste just one more time? Down a quiet backstreet in Kyoto exists a very special restaurant. Run by Koishi Kamogawa and her father Nagare, the Kamogawa Diner serves up deliciously extravagant meals. But that's not the main reason customers stop by . . . The father-daughter duo are 'food detectives'. Through ingenious investigations, they are able to recreate dishes from a person's treasured memories - dishes that may well hold the keys to their forgotten past and future happiness. The restaurant of lost recipes provides a link to vanished moments, creating a present full of possibility. A bestseller in Japan, The Kamogawa Food Detectives is a celebration of good company and the power of a delicious meal.
 
 
 
 
 
 
 

Cover ArtSomeone you can build a nest in by Wiswell, John

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human. Homily is kind and nurturing and would make an excellent coparent: an ideal place to lay Shesheshen's eggs so their young could devour Homily from the inside out. But as they grow close, she realizes humans don't think about love that way. Shesheshen hates keeping her identity secret from Homily, but just as she's about to confess, Homily reveals why she's in the area: she's hunting a shapeshifting monster that supposedly cursed her family. Shesheshen didn't curse anyone, but to give herself and Homily a chance at happiness, she has to figure out why Homily's twisted family thinks she did. As the hunt for the monster becomes increasingly deadly, Shesheshen must unearth the truth quickly, or soon both of their lives will be at risk. And the bigger challenge remains: surviving her toxic in-laws long enough to learn to build a life with, rather than in, the love of her life.
 

Cover ArtThe great when by Moore, Alan

The year is 1949, the city London. Amidst the smog of the capital stumbles Dennis Knuckleyard, a hapless eighteen year-old employed by a second-hand bookshop. One day, on an errand to acquire books for sale, Dennis discovers a novel that simply does not exist. It is a fictitious book, a figment from another novel. Yet it is physically there in his hands. How? Dennis has stumbled on a book from the Great When, a magical version of London beyond time and space, where reality blurs with fiction and concepts such as Crime and Poetry are incarnated as wondrous, terrible beings. But this other, magical London must remain a secret: if Dennis cannot find a way to return this book to where it belongs, he risks repercussions, such as his body being turned inside out (or worse). So begins a journey delving deep into the city's occult underbelly and tarrying with an eccentric cast of sorcerers, gangsters, and murderers - some from legend, some all too real, and all with plans of their own. Soon Dennis finds himself at the centre of an explosive series of events that may alter and endanger both Londons forever...
 
 
 
 
 
 

Cover ArtWriting the cozy mystery : authors' perspectives on their craft by Betz, Phyllis M.

This book brings together essays written by a number of well-known writers of cozy mysteries, including Sherry Harris, Amanda Flower, Leslie Budewitz, and Edith Maxwell, among others, who provide insight into their approaches to writing. Topics covered include how they work with the form, develop characters and settings, and utilize the particular hook, skill or business that establishes the protagonist's ability to solve crimes. In addition to discussing these traditional aspects of writing, several authors focus on how they have expanded the direction the contemporary cozy mystery has taken with the inclusion of more diverse characters and social issues.
 
 
 
 
 
 
 
 

Cover ArtHow to write a mystery : a handbook from Mystery Writers of America by Mystery Writers of America; Child, Lee (Editor); King, Laurie R. (Editor)

From some of the most successful mystery writers in the business, an invaluable guide to crafting mysteries, from character development and plot to procedurals and thrillers.
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtThe book of tea by Okakura, Kakuzō

A description of the Japanese tea ceremony that evokes Eastern culture as a whole.
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtThe book that wouldn't burn by Lawrence, Mark

Two strangers find themselves connected by a mysterious and vast library, which contains many wonders and even more secrets, in the powerfully moving first book in a new series from the international bestselling author of Red Sister and Prince of Thorns. On a used-up world where civilisations have risen and retreated in an endless tide, leaving a dusty wasteland in their wake, there is one constant: an ancient library, the repository of all knowledge and art. It also contains a multitude of lives, including those of Evar and Livira.
 
 
 
 
 
 
 
 
 
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This Women’s History Month, learn about female farmers here in Vermont and beyond. In collaboration with Fleming Museum’s Vermont Female Farmers exhibit, UVM Libraries is featuring Women in Agriculture. Explore this book display in order to learn more about the history of women farmers, their stories, and how women are leading innovation in the field of agriculture. Find these titles and more by visiting the display located in the Howe Library lobby. 
 

Vermont Female Farmers
On view February 4 – May 17, 2025, at the Fleming Museum of Art

Passion, labor, and grit abound in this striking portrait series from Vermont-based photographer JuanCarlos González. Whether capturing moments of intense concentration or joyous pride, the 45 works are an intimate look at the daily life and livelihoods of the women whose hands shape farming in Vermont.


 

Cover ArtVermont female farmers by González, JuanCarlos

This project focuses on the meaningful and impactful contributions that female farmers are making to Vermont's culture, identity, and economy yet who may be overlooked compared to their male counterparts. For Vermont Female Farmers, I visited 38 farmers and photographed them at work during their daily life on the farm. I attempt to center their livelihood, labor, and passion. Each is different and has a unique story, working with chickens, goats, cows, produce, saffron, flowers, and much more.
 
 
 

Cover ArtWomen in agriculture : professionalizing rural life in North America and Europe, 1880-1965

Women have always been skilled at feeding their families, and historians have often studied the work of rural women on farms and in their homes. However, the stories of women who worked as agricultural researchers, producers, marketers, educators, and community organizers have not been told until now. Taking readers into the rural hinterlands of the rapidly urbanizing societies of the United States, Canada, Great Britain, and the Netherlands, the essays in Women in Agriculture tell the stories of a cadre of professional women who acted to bridge the growing rift between those who grew food and those who only consumed it. The contributors to Women in Agriculture examine how rural women's expertise was disseminated and how it was received. Through these essays, readers meet subversively lunching ladies in Ontario and African American home demonstration agents in Arkansas. The rural sociologist Emily Hoag made a place for women at the US Department of Agriculture as well as in agricultural research. Canadian rural reformer Madge Watt, British radio broadcaster Mabel Webb, and US ethnobotanists Mary Warren English and Frances Densmore developed new ways to share and preserve rural women's knowledge. These and the other women profiled here updated and expanded rural women's roles in shaping their communities and the broader society. Their stories broaden and complicate the history of agriculture in North America and Western Europe.
 

Cover ArtWomen who dig : farming, feminism, and the fight to feed the world by Moyles, Trina

Weaving together the narratives of female farmers from across three continents, Women Who Dig offers a critical look at how women are responding to and increasingly rising up against the injustices of the global food system. Beautifully written with spectacular photos, it examines gender roles, access to land, domestic violence, maternal health, political and economic marginalization, and a rapidly changing climate. It also shows the power of collective action. With women from Guatemala, Nicaragua, the United States, Canada, Uganda, the Democratic Republic of Congo, India, and Cuba included, this book explores the ways women are responding, both individually and collectively, to the barriers they face in providing the world a healthy diet.
 
 
 
 
 

Cover ArtOn behalf of the family farm : Iowa farm women's activism since 1945 by Devine, Jenny Barker

In on behalf of the family farm, Jenny Baker Devine demonstrates that in an era where technology, depopulation and rapid economic change dramatically altered rural life, Midwestern women met those challenges with an activism that reflected their own feminine vision of farm life. Focusing on women in four national farm organizations in Iowa -- the Farm Bureau, the Farmers Union, the National Farmers Organization, and the Porkettes -- Devine highlights specific movements in time when farm women had to reassess their roles and strategies for preserving and improving their way of life.
 
 
 
 
 

Cover ArtWild mares : my lesbian back-to-the-land life by Hunter, Dianna

Dianna Hunter was a softball-loving, working-class tomboy in North Dakota, surviving the threat of the Cuban Missile Crisis and Mutually Assured Destruction in the shadow of a strategic air command base. Communists and antiwar hippies were the enemy, but lesbians were a threat, too: they were unhealthy, criminal, and downright insane. It took Dianna a while to figure out that she was one, a little longer to discover how she fit in with her new communities in the city and the countryside. This is her story-a frank account by turns comic and painful of a well-behaved Midwestern girl finding her way through polite denial and repression and running head-on into the eye-opening events of the 1960s and '70s before landing on a dairy farm. A bumpy route takes Dianna to the Twin Cities, then to rural Minnesota and Wisconsin as-by way of the antiwar movement, women's liberation, and a dose of lesbian feminism-she and her friends try to establish a rural utopia free of sexual oppression, violence, materialism, environmental degradation-and men. They dream big, love as they see fit, and make do until they don't. Dianna buys a dairy farm and, with it, a new set of problems thanks to the Reagan-era farm crisis. A firsthand account of the lesbian feminist movement at its inception, Wild Mares is a deeply personal, wryly wise, and always engaging view of identity politics lived and learned in real life and, literally, on the ground, flourishing in the fertile soil of a struggling dairy farm in the American heartland.
 
 

Cover ArtPig years by Gaydos, Ellyn

This captivating memoir is a "startling testimony to the glories and sorrows of raising and harvesting plants and animals" (Anthony Doerr, best-selling author of All the Light We Cannot See), as an itinerant farmhand chronicles the wonders hidden within the ever-blooming seasons of life, death, and rebirth. Pig Years catapults American nature writing into the 21st century, and has been hailed by Lydia Davis and Aimee Nezhukumatathil as "engrossing" and "a marvel." As a farmer in Upstate New York and Vermont, Ellyn Gaydos lives on the knife edge between loss and gain. Her debut memoir draws us into this precarious world, conjuring with stark simplicity the lifeblood of the farm: its livestock and stark full moons, the sharp cold days lives near to the land. Joy and tragedy are frequent bedfellows. Fields go barren and animals meet their end too soon, but then their bodies become food in a time-old human ritual. Seasonal hands are ground down by the hard work, but new relationships are formed, love blossoms and Gaydos yearns to become a mother. As winter's dark descends, Pig Years draws us into a violent and gorgeous world where pigs are star-bright symbols of hope and beauty surfaces in the furrows, the sow, even in the slaughter. In hardy, lyrical prose that recalls the agrarian writing of Annie Dillard and Wendell Berry, Gaydos asks us to bear witness to the work that sustains us all and to reconsider what we know of survival and what saves us. Pig Years is a rapturous reckoning of love, labor, and loss within a landscape given to flux.
 

Cover ArtEveryday sustainability : gender justice and fair trade tea in Darjeeling by Sen, Debarati

Everyday Sustainability takes readers to ground zero of market-based sustainability initiatives--Darjeeling, India--where Fair Trade ostensibly promises gender justice to minority Nepali women engaged in organic tea production. These women tea farmers and plantation workers have distinct entrepreneurial strategies and everyday practices of social justice that at times dovetail with and at other times rub against the tenets of the emerging global morality market. The author questions why women beneficiaries of transnational justice-making projects remain skeptical about the potential for economic and social empowerment through Fair Trade while simultaneously seeking to use the movement to give voice to their situated demands for mobility, economic advancement, and community level social justice.
 
 
 

Cover ArtTurn here sweet corn : organic farming works by Diffley, Atina

When the hail starts to fall, Atina Diffley doesn't compare it to golf balls. She's a farmer. It's "as big as a B-size potato." As her bombarded land turns white, she and her husband Martin huddle under a blanket and reminisce: the one-hundred-mile-per-hour winds; the eleven-inch rainfall ("that broccoli turned out gorgeous"); the hail disaster of 1977. The romance of farming washed away a long time ago, but the love? Never. In telling her story of working the land, coaxing good food from the fertile soil, Atina Diffley reminds us of an ultimate truth: we live in relationships--with the earth, plants and animals, families and communities. A memoir of making these essential relationships work in the face of challenges as natural as weather and as unnatural as corporate politics, her book is a firsthand history of getting in at the "ground level" of organic farming. One of the first certified organic produce farms in the Midwest, the Diffleys' Gardens of Eagan helped to usher in a new kind of green revolution in the heart of America's farmland, supplying their roadside stand and a growing number of local food co-ops. This is a story of a world transformed--and reclaimed--one square acre at a time. And yet, after surviving punishing storms and the devastating loss of fifth-generation Diffley family land to suburban development, the Diffleys faced the ultimate challenge: the threat of eminent domain for a crude oil pipeline proposed by one of the largest privately owned companies in the world, notorious polluters Koch Industries. As Atina Diffley tells her David-versus-Goliath tale, she gives readers everything from expert instruction in organic farming to an entrepreneur's manual on how to grow a business to a legal thriller about battling corporate arrogance to a love story about a single mother falling for a good, big-hearted man.
 

Cover ArtBeyond the kitchen table : Black women and global food systems

Over the last decade, there has been an increasing amount of scholarship focused on race and food inequity. Much of this research is focused on the United States and its densely populated urban centers. Looking deeply into Black women?s roles?economically, environmentally, and socially?in food and agriculture systems in the Caribbean, Africa, and the United States, the contributors address the ways Black women, both now and in the past, have used food as a part of community building and sustenance. They also examine matrilineal food-based education; the importance of Black women?s social, cultural, and familial networks in addressing nutrition and food insecurity; the ways gender intersects with class and race globally when thinking about food; and how women-led science and technology initiatives can be used to create healthier and more just food systems. Contributors include Agnes Atia Apusigah, Neela Badrie, Kenia-Rosa Campo, Dara Cooper, Kelsey Emard, Claudia J. Ford, Hanna Garth, Shelene Gomes, Veronica Gordon, Wendy-Ann Isaac, Lydia Kwoyiga, Gloria Sanders McCutcheon, Eveline M. F. W. Sawadogo/Compaore, Ashanté M. Reese, Sakiko Shiratori, shakara tyler, and Marquitta Webb.

Cover ArtThe rise of women farmers and sustainable agriculture by Sachs, Carolyn E.

A profound shift is occurring among women working in agriculture--they are increasingly seeing themselves as farmers, not only as the wives or daughters of farmers. The authors draw on more than a decade of research to document and analyze the reasons for the transformation. As their sense of identity changes, many female farmers are challenging the sexism they face in their chosen profession. In this book, farm women in the northeastern United States describe how they got into farming and became successful entrepreneurs despite the barriers they encountered in agricultural institutions, farming communities, and even their own families. Their strategies for obtaining land and labor and developing successful businesses offer models for other aspiring farmers. Pulling down the barriers that women face requires organizations and institutions to become informed by what the authors call a feminist agrifood systems theory (FAST). This framework values women's ways of knowing and working in agriculture: emphasizing personal, economic, and environmental sustainability, creating connections through the food system, and developing networks that emphasize collaboration and peer-to-peer education. The creation and growth of a specific organization, the Pennsylvania Women's Agricultural Network, offers a blueprint for others seeking to incorporate a feminist agrifood systems approach into agricultural programming. The theory has the potential to shift how farmers, agricultural professionals, and anyone else interested in farming think about gender and sustainability, as well as to change how feminist scholars and theorists think about agriculture. 
 

Cover ArtThe Midwest farmer's daughter : in search of an American icon by Jack, Zachary Michael

The Midwest Farmer's Daughter presents the untold history and renewed cultural currency of an American icon at a time when fully 30 percent of new farms in the United States are woman-owned. It ranges widely from Jane Smiley's Pulitzer Prize-winning A Thousand Acres to Laura Ingalls Wilder's commentaries for the Missouri Ruralist; from the critical importance of rural girls and young women to organizations such as the Farm Bureau, 4-H, and FFA to the entrepreneurial role today's female agriculturalists and sustainable farm advocates play in farmers' markets, urban farms, and community-supported agriculture.

Cover ArtPutting the barn before the house : women and family farming in early-twentieth-century New York by Osterud, Nancy Grey

Putting the Barn Before the House features the voices and viewpoints of women born before World War I who lived on family farms in south-central New York. As she did in her previous book, Bonds of Community, for an earlier period in history, Grey Osterud explores the flexible and varied ways that families shared labor and highlights the strategies of mutuality that women adopted to ensure they had a say in family decision making. Sharing and exchanging work also linked neighboring households and knit the community together. Indeed, the culture of cooperation that women espoused laid the basis for the formation of cooperatives that enabled these dairy farmers to contest the power of agribusiness and obtain better returns for their labor. Osterud recounts this story through the words of the women and men who lived it and carefully explores their views about gender, labor, and power, which offered an alternative to the ideas that prevailed in American society. Most women saw "putting the barn before the house" - investing capital and labor in productive operations rather than spending money on consumer goods or devoting time to mere housework - as a necessary and rational course for families who were determined to make a living on the land and, if possible, to pass on viable farms to the next generation. Some women preferred working outdoors to what seemed to them the thankless tasks of urban housewives, while others worked off the farm to support the family. Husbands and wives, as well as parents and children, debated what was best and negotiated over how to allocate their limited labor and capital and plan for an uncertain future. Osterud tells the story of an agricultural community in transition amid an industrializing age with care and skill.
 

Cover ArtVermont farm women by Miller, Peter

Photographs and text of farm women'dairy, pigs, sheep, goats, emus, christmas trees, horses, beef cattle, cheese who work the small farm as owners and are passionate about their responsibility to the land, the animals and their community.

Cover ArtQueen of American agriculture : a biography of Virginia Claypool Meredith by Whitford, Fred

Virginia Claypool Meredith's role in directly managing the affairs of a large and prosperous farm in east-central Indiana opened doors that were often closed to women in late nineteenth century America. Her status allowed her to campaign for the education of women, in general, and rural women, in particular. While striving to change society's expectations for women, she also gave voice to the important role of women in the home. A lifetime of dedication made Virginia Meredith "the most remarkable woman in Indiana" and the "Queen of American Agriculture." Meredith was also an integral part of the history of Purdue University. She was the first woman appointed to serve on the university's board of trustees, had a residence hall named in her honor, and worked with her adopted daughter, Mary L. Matthews, in creating the School of Home Economics, the predecessor of today's College of Consumer and Family Sciences.
 
 

Cover ArtMore than a farmer's wife : voices of American farm women, 1910-1960 by Lauters, Amy Mattson

Examining how women were presented in farming and mainstream magazines over fifty years and interviewing more than 180 women who lived on farms, Lauters reveals that, rather than being victims of patriarchy, most farm women were astute businesswomen, working as partners with their husbands and fundamental to the farming industry.
 
 
 
 
 
 

Cover ArtFruits of victory : the Woman's Land Army of America in the Great War by Weiss, Elaine F.

Imagine a more controversial Rosie the Riveter--a generation older and more outlandish for her time. She was the "farmerette" of the Woman's Land Army of America (WLA), doing a man's job on the home front during World War I. From 1917 to 1920 the WLA sent more than twenty thousand urban women into rural America to take over farm work after the men went off to war and food shortages threatened the nation. These women, from all social and economic strata, lived together in communal camps and did what was considered "men's work": plowing fields, driving tractors, planting, harvesting, and hauling lumber. The Land Army was a civilian enterprise organized and financed by women. It insisted on fair labor practices and pay equal to male laborers' wages for its workers and taught women not only agricultural skills but also leadership and management techniques. Despite their initial skepticism, farmers became the WLA's loudest champions, and the farmerette was celebrated as an icon of American women's patriotism and pluck.The WLA's short but spirited life foreshadowed some of the most significant social issues of the twentieth century: women's changing roles, the problem of class distinctions in a democracy, and the physiological and psychological differences between men and women. The dramatic story of the WLA is vividly retold here using long-buried archival material, allowing a fascinating chapter of America's World War I experience to be rediscovered.
 

Cover ArtWomen and sustainable agriculture : interviews with 14 agents of change by Anderson, Anna

This book looks deeply into the American food system and closely examines the need for change in the way food is grown and distributed in the United States. It is composed of twelve interviews with dynamic women who work on issues surrounding modern agriculture. These women are producers, academicians, advocates and activists. Some work in agricultural law and policy. All are devoted to changing the current system. Within a framework that offers brief overviews of the development of U.S. agriculture, the interviews allow the reader to hear firsthand what has gone wrong and what we can do about it. Part One focuses on concepts of traditional agriculture, organic growing and market viability. Part Two discusses pioneering agriculture and the process of restoring our farms to thriving habitats of biodiversity with clean water and healthy soil. Part Three considers the issues of industrial agriculture, exploring the controversy of genetically modified foods, farm foreclosures and the 2002 Farm Bill. Part Four returns us to sustainable agriculture and how we can make sustainability work for us. It includes discussions of farmers' markets, co-ops and local food systems.
 

Cover ArtLiving off the land : women farmers of today by Russell, Josephine

Based on extensive interviews with twelve varied and representative women farmers in County Kerry, Josephine Russell's text provides a unique insight into farming women of all ages and types: dairy, sheep, and organic, from the four corners and the three peninsulas of Kerry. Some remember the old life of physical work; others are as familiar with the computer as the animals. All the stories are engaging and entertaining.
 
 
 
 
 
 
 

Cover ArtWorking the land : the stories of ranch and farm women in the modern American West by Schackel, Sandra

Helen Tiegs didn't take to driving a tractor when she became a farmer's wife, but after fifty years she considers herself the hub of the family operation. Lila Hill taught piano, then ultimately took a job off the farm to augment the family income during a period of rising costs. From Montana's cattle pastures to New Mexico's sagebrush mesas, women on today's ranches and farms have played a crucial role in a way of life that is slowly disappearing from the western landscape. Recalling her own family-farm ties, Sandra Schackel set out to learn how these women's lives have changed over the second half of the twentieth century. In Working the Land, she collects oral histories from more than forty women--in Arizona, Colorado, Idaho, New Mexico, Oregon, and Texas--recalling their experiences as ranchers and farmers in a modernizing West. Through this diverse group of women-white and Hispanic, rich and poor, ranging in age from 24 to 83--we gain a new perspective on their ties to the land. Although western ranch and farm women have often been portrayed as secondary figures who devoted themselves to housekeeping in support of their husbands' labors, Schackel's interviews reveal that these women have had a much more active role in defining what we know as the modern American West. As Schackel listened to their stories, she found several currents running through their recollections, such as the satisfaction found in living the rural lifestyle and the flexibility of gender roles. She also learned how resourceful women developed new ways to make their farms work--by including tourism, summer camps, and bed-and-breakfast operations--and how many have become activists for land-based issues. And while some like Lila made the difficult decision to work off the farm, such sacrifices have enabled families to hold onto their beloved land. Rich with memory and insight into what makes America's family farms and ranches tick, Working the Land provides a deeper understanding of the West's development over the last fifty years along with new perspectives on shifting attitudes toward women in the workforce. It is both a long-overdue documentation of the lives of hard-working farm women and a celebration of their contributions to a truly American way of life.

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National Eating Disorder Awareness Week is February 24 – March 2 and we have put together a reading list that explores topics related to anti-fat bias, body image, diet culture, and fat phobia. All of these books can be found in our collection and are on display at the Dana Health Sciences Library during this awareness week. See a full list with descriptions below.  


Cover ArtFat talk by Sole-Smith, Virginia

"By the time they reach kindergarten, most kids have learned that "fat" is bad. As they get older, kids learn to pursue thinness in order to survive in a world that ties our body size to our value. Multibillion-dollar industries thrive on consumers believing that we don't want to be fat. Our weight-centric medical system pushes "weight loss" as a prescription, while ignoring social determinants of health and reinforcing negative stereotypes about the motives and morals of people in larger bodies. And parents today, having themselves grown up in the confusion of modern diet culture, worry equally about the risks of our kids caring too much about being "thin" and about what happens if our kids are fat. Sole-Smith shows how the reverberations of this messaging and social pressures on young bodies continue well into adulthood--and what we can do to fight them. Fat Talk argues for a reclaiming of "fat," which is not synonymous with "unhealthy," "inactive," or "lazy." Talking to researchers and activists, as well as parents and kids across a broad swath of the country, Sole-Smith lays bare how America's focus on solving the "childhood obesity epidemic" has perpetuated a second crisis of disordered eating and body hatred for kids of all sizes. She exposes our society's internalized fatphobia and elucidates how and why we need to stop "preventing obesity" and start supporting kids in the bodies they have. Continuing conversations started by works like Girls & Sex, Under Pressure, and Essential Labor, Fat Talk is a stirring, deeply researched, and groundbreaking book that will help parents learn to reckon with their own body biases, identify diet culture messaging, and ultimately empower their kids to navigate this challenging landscape. Sole-Smith offers an alternative framework for parenting around food and bodies, and a way for us all to work toward a more weight-inclusive world--because it's not our kids, or their bodies, who need fixing"
 

Cover ArtWhat we don't talk about when we talk about fat by Gordon, Aubrey

Anti-fatness is everywhere. In What We Don't Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people's experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage readers to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, "I did not come to body positivity for self-esteem. I came to it for social justice." By sharing her experiences as well as those of others--from smaller fat to very fat people--she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27% of very fat women and 13% of very fat men attempt suicide; over 50% of doctors describe their fat patients as "awkward, unattractive, ugly and noncompliant"; and in 48 states, it's legal--even routine--to deny employment because of an applicant's size. Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don't Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike.
 

Cover ArtUnshrinking by Manne, Kate

The definitive takedown of fatphobia, drawing on personal experience as well as rigorous research to expose how size discrimination harms everyone, and how to combat it--from the acclaimed author of Down Girl and Entitled. For as long as she can remember, Kate Manne has wanted to be smaller. She can tell you what she weighed on any significant occasion: her wedding day, the day she became a professor, the day her daughter was born. She's been bullied and belittled for her size, leading to extreme dieting. As a feminist philosopher, she wanted to believe that she was exempt from the cultural gaslighting that compels so many of us to ignore our hunger. But she was not. Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except one: body size. Manne examines how anti-fatness operates--how it leads us to make devastating assumptions about a person's attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression. Fatphobia is responsible for wage gaps, medical neglect, and poor educational outcomes; it is a straitjacket, restricting our freedom, our movement, our potential. In this urgent call to action, Manne proposes a new politics of "body reflexivity"--a radical reevaluation of who our bodies exist in the world for: ourselves and no one else. When it comes to fatphobia, the solution is not to love our bodies more. Instead, we must dismantle the forces that control and constrain us, and remake the world to accommodate people of every size.
 

Cover ArtYou have the right to remain fat by Tovar, Virgie

Growing up as a fat girl, Virgie Tovar believed that her body was something to be fixed. But after two decades of dieting and constant guilt, she was over it--and gave herself the freedom to trust her own body again. Ever since, she's been helping others to do the same. Tovar is hungry for a world where bodies are valued equally, food is free from moral judgment, and you can jiggle through life with respect. In concise and candid language, she delves into unlearning fatphobia, dismantling sexist notions of fashion, and how to reject diet culture's greatest lie: that fat people need to wait before beginning their best lives.
 
 
 
 
 

Cover ArtFraming fat : competing constructions in contemporary culture by Kwan, Samantha

According to public health officials, obesity poses significant health risks and has become a modern-day epidemic. A closer look at this so-called epidemic, however, suggests that there are multiple perspectives on the fat body, not all of which view obesity as a health hazard. Alongside public health officials at the Centers for Disease Control and Prevention are advertisers of the fashion-beauty complex, food industry advocates at the Center for Consumer Freedom, and activists at the National Association to Advance Fat Acceptance. Framing Fat takes a bird's-eye view of how these multiple actors construct the fat body by identifying the messages these groups put forth, particularly where issues of beauty, health, choice and responsibility, and social justice are concerned. Samantha Kwan and Jennifer Graves examine how laypersons respond to these conflicting messages and illustrate the gendered, raced, and classed implications within them. In doing so, they shed light on how dominant ideas about body fat have led to the moral indictment of body nonconformists, essentially "framing" them for their fat bodies.
 
 

Cover ArtFat shame : stigma and the fat body in American culture by Farrell, Amy Erdman

Locating the origins of the cultural denigration of fatness in the mid 19th century, Amy Erdman Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physician's manuals to explore the link between our historic denigration of fatness and our contemporary concern over obesity. She explores the ways that those who seek to shed stigmatized identities, whether of gender, race, ethnicity or class, often take part in weight reduction schemes and fat mockery in order to validate themselves as "civilized."
 
 
 
 
 
 

Cover ArtThe body is not an apology : the power of radical self-love by Taylor, Sonya Renee

Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies. The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world--for us all. This second edition includes stories from Taylor's travels around the world combating body terrorism and shines a light on the path toward liberation guided by love. In a brand new final chapter, she offers specific tools, actions, and resources for confronting racism, sexism, ableism, homophobia, and transphobia. And she provides a case study showing how radical self-love not only dismantles shame and self-loathing in us but has the power to dismantle entire systems of injustice. Together with the accompanying workbook, Your Body Is Not an Apology, Taylor brings the practice of radical self-love to life.
 
 
 

Cover ArtFat girls in black bodies : creating communities of our own by Cox, Joy

Combatting fatphobia and racism to reclaim a space of belonging at the intersection of fat, Black, and female. into three sections--"belonging," "resistance," and "acceptance"--and informed by personal history, community stories, and deep research, Fat Girls in Black Bodies breaks down the myths, stereotypes, tropes, and outright lies we've been sold about race, body size, belonging, and health. Cox's razor-sharp cultural commentary exposes the racist roots of diet culture, healthism, and the ways we erroneously conflate body size with personal responsibility. She explores how to reclaim space and create belonging in a hostile world, pushing back against tired pressures of "going along just to get along," and dismantles the institutionally ingrained myths about race, size, gender, and worth that deny fat Black women their selfhood.
 
 
 
 
 

Cover ArtFearing the black body : the racial origins of fat phobia by Strings, Sabrina

There is an obesity epidemic in this country and poor black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals;where fat bodies were once praised;showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of "savagery" and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn't about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
 

Cover ArtThings no one will tell fat girls : a handbook for unapologetic living by Baker, Jes

Things No One Will Tell Fat Girls is a manifesto and call to arms for women of all sizes and ages. With smart and sassy eloquence, veteran blogger Jes Baker calls on women to be proud of their bodies, fight against fat-shaming, and embrace a body-positive worldview to change public perceptions and help women maintain mental health. With the same straightforward tone that catapulted her to national attention when she wrote a public letter addressing the sexist comments of Abercrombie & Fitch's CEO, Jes shares personal experiences along with in-depth research in a way that is approachable, digestible, and empowering. Featuring notable guest authors, Things No One Will Tell Fat Girls is an invitation for all women to reject fat prejudice, learn to love their bodies, and join the most progressive, and life-changing revolution there is: the movement to change the world by loving their bodies.
 
 
 

Cover ArtThe body liberation project : how understanding racism and diet culture helps cultivate joy and build collective freedom by King, Chrissy

When King first joined a gym, she fell into the all-too-common cycle of "not enough-ness": no matter what she achieves, there was always something she felt she needed to change about her body, her appearance, herself. She came to understand that diet and fitness industries rooted in white supremacy were the problem: Euro-centric beauty standards were the problem. Here King shares the wisdom, the tools, and the inspiration to motivate readers to find body liberation. Even more important, to pass it on.
 
 
 
 
 
 

Cover ArtMore of you the fat girl's field guide to the modern world by Beck, Amanda Martinez

Too often, fatness has been viewed as a moral failing. Fat Christian women in particular are shamed and marginalized by the message that they are failing God because they can't change their bodies. More of You will challenge that status quo, teaching readers to resist the shame and guilt that is pressed onto them by the world and instead to embrace their bodies, take up space, and learn to navigate the world in ways that allow them to flourish. With wit and candor, Amanda Martinez Beck, a fat woman herself, compiles her hard-won wisdom to give the skinny on thriving in a fat body to others who have been pushed to the margins of acceptance. Offering helpful tools like The Fat Girl's Bill of Rights and a script for a weight-neutral doctor's visit, this book addresses real needs in the fat acceptance community, from how to find self-love in a thin-obsessed world, to navigating a world built for butts smaller than yours, to advocating for equality and justice for fat women's medical care.
 
 
 

Cover ArtUnashamed : musings of a fat, black Muslim by Vernon, Leah

Ever since she was little, Leah Vernon was told what to believe and how to act. There wasn't any room for imperfection. Good Muslim girls listened more than they spoke. They didn't have a missing father or a mother with mental illness. They didn't have fat bodies or grow up wishing they could be like the white characters they saw on TV. They didn't have husbands who abused and cheated on them. They certainly didn't have secret abortions. In Unashamed, Vernon takes to task the myth of the perfect Muslim woman with frank dispatches on her love-hate relationship with her hijab and her faith, race, weight, mental illness, domestic violence, sexuality, the millennial world of dating, and the process of finding her voice. She opens up about her tumultuous adolescence living at the poverty line with her fiercely loving but troubled mother, her deadbeat dad, and her siblings, and the violent dissolution of her 10-year marriage. Tired of the constant policing of her clothing in the name of Islam and Western beauty standards, Vernon reflects on her experiences with hustling paycheck to paycheck, body-shaming, and redefining what it means to be a "good" Muslim"
 
 
 
 

Cover ArtBody stories in and out and with and through fat

Body stories capture a nuanced, interconnected, interactive, and complex telling of our understanding, perception, and experience of and through our bodies. Plenty has been published on body image but image suggests a static fixed body, unmitigated through our social interactions and varying times and spaces. This book is not a "how-to" guide for fat confidence. It's not a compendium of fat suffering. It's simply a collection of narratives about what it's like to survive in a weight-hating world. It resists the ways that marginalized bodies are being written and researched and put into other people's ideas about our existence. The stories in this book are celebratory and are painful. They look at intersections of race and queerness; they destabilize womanhood by presenting a range of possible female embodiments. They explore issues of disability and madness. The full range of possibilities that are collected here give a picture of what it means to live in a society with strong and powerful messages about size, about normalcy, about what a moral and healthy life and body look like. This book is a snapshot of its place and time, but these stories remind us that we're here to stay. The body stories will change but we will keep owning our own narratives. While story, especially written by women, is often seen as outside the academic canon, these stories, these creative offerings, are theory, are research, and are activism. They are nothing less than the blueprint for liberation. Writing about fat and about bodies outside of medicalized narratives, without ignoring the impact of race, sexuality, class, ability, gender, fashion, appearance, and beyond, is radical and rigorous. It is impossible to think about the future without wishing for liberation. Liberation can come in many forms. It can mean an awareness, the ability to confront. The stories in this book display the ways that liberation isn't a finish line or a thing we can complete—rather it is a million small actions
 

Cover ArtThe full body project by Nimoy, Leonard

In his provocative new book, photographer and actor Leonard Nimoy captures images of full-bodied women, some of whom are involved in what is known as the "fat acceptance" movement. "The average American woman," Nimoy writes, "weighs 25 percent more than the models selling the clothes. There is a huge industry built up around selling women ways to get their bodies closer to the fantasy ideal. Pills, diets, surgery, workout programs. . . . The message is 'You don't look right. If you buy our product, you can get there.'" Leonard Nimoy, best known to the public from his role as Spock on Star Trek, has been a lifelong photographer. His work has been widely exhibited and is in numerous private and public collections. A previous book of his photographs, Shekhina, was published in 2002.
 

Cover ArtSupporting fat birth supporting body positive birth by Silver, A. J.

This pioneering guide provides birth professionals, pregnant people, and advocates with comprehensive insight into navigating conception, pregnancy, birth, and the perinatal period whilst fat. Drawing on the author's decade of experience as well as evidence-based research and case studies from people sharing their own perspectives and stories, this authoritative and compassionate book provides practical and effective advice on how to improve quality of care for fat parents. It covers a wide range of topics across the birth journey and beyond including interviews with a number of high-profile people including Nicola Salmon and Amber Marshall and empowers readers to feel reassured and confident in their choices and rights. This ground-breaking resource challenges the pervasive bias against fat service users in the birthing world and acts as a call to action to dismantle the fatphobic stigma present in our healthcare systems in order to create an environment that is inclusive of all bodies.
 
 
 
 
 

Cover ArtIt's always been ours : rewriting the story of Black women's bodies by Wilson, Jessica

A dietitian, storyteller, and community organizer offers a cultural discussion of body image, food, health and wellness by focusing on the bodies of Black women and how our culture's obsession with thin, white women reinforces racist ideas and ideals.
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Join UVM Libraries as we celebrate Native American Heritage Month (November) with our latest New Books Spotlight. Check-out print and eBooks available through the Library featuring indigenous perspectives, stories, and activism. 


 

Cover ArtWe Will Be Jaguars by Nemonte Nenquimo; Mitch Anderson

From a fearless, internationally acclaimed activist comes an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nenquimo is a winner of TIME magazine's Earth Award, and MS. magazine named this book among the Most Anticipated Feminist Books of 2024. Born into the Waorani tribe of Ecuador's Amazon rainforest--one of the last to be contacted by missionaries in the 1950s--Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. At age fourteen, she left the forest for the first time to study with an evangelical missionary group in the city. Eventually, her ancestors began appearing in her dreams, pleading with her to return and embrace her own culture. She listened. Two decades later, Nemonte has emerged as one of the most forceful voices in climate change activism. She has spearheaded the alliance of indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. Her message is as sharp as a spear--honed by her experiences battling loggers, miners, oil companies and missionaries. In We Will Be Jaguars, she partners with her husband, Mitch Anderson, founder of Amazon Frontlines, digging into generations of oral history, uprooting centuries of conquest, hacking away at racist notions of indigenous peoples, and ultimately revealing a life story as rich, harsh, and vital as the Amazon rainforest herself.
 

Cover ArtBirds Through Indigenous Eyes by Dennis Gaffin

An intimate and personal account of the profound roles birds play in the lives of some Indigenous people For many hours over a period of years, white anthropologist Dennis Gaffin and two Indigenous friends, Michael Bastine and John Volpe, recorded their conversations about a shared passion: the birds of upstate New York and southern Ontario. In these lively, informal talks, Bastine (a healer and naturalist of Algonquin descent) and Volpe (a naturalist and animal rehabilitator of Ojibwe and Métis descent) shared their experiences of, and beliefs about, birds, describing the profound spiritual, psychological, and social roles of birds in the lives of some Indigenous people. Birds through Indigenous Eyes presents highlights of these conversations, placing them in context and showing how Native understandings of birds contrast with conventional Western views. Bastine and Volpe bring to life Algonquin, Ojibwe, and Haudenosaunee (Iroquois) beliefs about birds. They reveal how specific birds and bird species are seamlessly integrated into spirituality and everyday thought and action, how birds bring important messages to individual people, how a bird species can become associated with a person, and how birds provide warnings about our endangered environment. Over the course of the book, birds such as the house sparrow, Eastern phoebe, Northern flicker, belted kingfisher, gray catbird, cedar waxwing, and black-capped chickadee are shown in a new light--as spiritual and practical helpers that can teach humans how to live well. An original work of ethno-ornithology that offers a rare close-up look at some Native views on birds, Birds through Indigenous Eyes opens rich new perspectives on the deep connections between birds and humans.
 
 

Cover ArtWarrior Girl Unearthed by Angeline Boulley

Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she's stuck working to pay back her Auntie Daunis for repairs to the Jeep. Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn't feel so lost after all. But when she attends a meeting at a local university, Perry learns about the "Warrior Girl", an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors' remains, and Perry and the Misfits won't let it go on any longer. Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline's perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right--for the ancestors and for their community
 
 
 
 

Cover ArtWandering Stars by Tommy Orange

Colorado, 1864, Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison-castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star's son, Charles, is sent to the school, where he is brutalized by the man who was once his father's jailer. Under Pratt's harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines. In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in 'There There' -- warriors, drunks, outlaws, addicts -- asking what it means to be the children and grandchildren of massacre. 'Wandering Stars' is a novel about epigenetic and generational trauma that has the force and vision of a modern epic, an exceptionally powerful new book from one of the most exciting writers at work today and soaring confirmation of Tommy Orange's monumental gifts.
 
 
 
 
 

Cover ArtBeing Indian and walking proud : American Indian identity and reality. by Fixico, Donald L.

This book explores the identity of American Indians from an Indigenous perspective and how outside influences throughout history, from the arrival of Columbus in 1492 to the twenty-first century, have affected Native people. Non-Native writers, boarding school teachers, movie directors, bureaucrats, churches, and television have all heavily impacted how Indians are viewed in the United States. Drawing on the life experiences of many American Indian men and women, this volume reveals how American Indian identity comprises multiple identities, including the noble savage, wild savage, Hollywood Indian, church-going Indian, rez Indian, urban Indian, Native woman, Indian activist, casino Indian, and tribal leader. Indigenous people, in their own voices, share their experiences of discrimination, being treated as outsiders in their own country, and the intersections of gender, culture, and politics in Indian-white relations. Yet the book also highlights the resilience of being Indian and the pride felt from being a member of a tribe(s), knowing your relatives, and feeling connected to the earth. Being Indian and Walking Proud is a compelling resource for any reader interested in Indigenous history, including students and scholars in Native American and Indigenous studies, anthropology, and American history.
 
 

Cover ArtAmerican Indian women of proud nations by Jolivette, Andrew (Series edited by); Wiethaus, Ulrike (Editor); Beasley, Cherry Maynor (Editor); Jacobs, Mary Ann (Editor)

At its onset, the American Indian Women of Proud Nations Organization set out to create a space that would uplift Native American women, children, and families because of their central roles in the continuation of Native communities. The contributors to the second edition continue to document and reflect on the organization's initiative and the efforts of Southeastern Native women and their allies to center women, children and families in protecting and strengthening kinship, land, and language as enduring aspects of Native American cultures. The second edition offers updated research on language revitalization, adolescents and their parental caregivers, Indigenous issues in higher education, and new work on matrilineality, the Missing and Murdered People crisis, and the continuation of healing traditions in a contemporary context.
 
 
 
 
 
 
 
 
 

Cover ArtInvisible no more by Foxworth, Raymond (Editor); Dubb, Steve (Editor)

For too long, Native American people in the United States have been stereotyped as vestiges of the past, invisible citizens in their own land obliged to remind others, “We are still here!” Yet today, Native leaders are at the center of social change, challenging philanthropic organizations that have historically excluded Native people, and fighting for economic and environmental justice. Edited by Raymond Foxworth of First Nations Development Institute and Steve Dubb of The Nonprofit Quarterly, Invisible No More is a groundbreaking collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations, including communities in Alaska and Hawaiʻi. Chapters are grouped by themes of challenging philanthropy, protecting community resources, environmental justice, and economic justice. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism, reminding readers how philanthropic wealth often stems from the theft of Native land and resources, as well as how major national parks such as Yosemite were “conserved” by forcibly expelling Native residents. At the same time, the authors detail ways that readers might imagine the world differently, presenting stories of Native community building that offer benefits for all. Accepting this invitation to reset assumptions can be at once profound and pragmatic. For instance, wildfires in large measure result from recent Western land mismanagement; Native techniques practiced for thousands of years can help manage fire for everyone's benefit. In a world facing a mounting climate crisis and record economic inequality, Invisible No More exposes the deep wounds of a racist past while offering a powerful call to care for one another and the planet. Indigenous communities have much to offer, not the least of which are solutions gleaned from cultural knowledge developed over generations.
 
 

Cover ArtCarving space : a collection of prose and poetry from emerging indigenous writers in lands claimed by Canada.

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon. Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada. Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga'a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favorites.
 
 
 
 

Cover ArtRise up! : Indigenous music in North America by Harris, Craig

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America's most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa "Bear" Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.
 
 
 
 
 
 
 

Cover ArtBuffalo dreamer by Duncan, Violet

When twelve-year-old Summer visits her family on a reservation in Alberta, Canada, she begins experiencing vivid dreams of running away from a residential school like the one her grandfather attended as a child and learns about unmarked children's graves, prompting her to seek answers about her community's painful past.
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtFuneral songs for dying girls by Dimaline, Cherie

Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack. Her habit of wandering the graveyard at all hours has started a rumor that Winterson Cemetery might be haunted. It's welcome news since the crematorium is on the verge of closure and her father's job being outsourced. Now that the ghost tours have started, Winifred just might be able to save her father's job and the only home she's ever known, not to mention being able to stay close to where her mother is buried. All she has to do is get help from her con-artist cousin to keep up the rouse and somehow manage to stop her father from believing his wife has returned from the grave. But when an actual ghost of a teen girl, Phil, who lived and died in the ravine next to the cemetery, starts showing up, Winifred begins to question everything she believes about life, love and death--and, most importantly, love.
 
 
 
 
 

Cover ArtIwigara by Salmon, Enrique

Tap into Thousands of Years of Plant Knowledge The belief that all life-forms are interconnected and share the same breath'known in the RarAmuri tribe as iwigara'has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique SalmOn builds on this concept of connection and highlights 80 plants revered by North America's indigenous peoples. SalmOn teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwigara can enhance your own kinship with the natural world.
 
 
 
 

Cover ArtBecoming kin an indigenous call to unforgetting the past and reimagining our future by Krawec, Patty

Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to 'unforget' our history.
 
 
 
 
 
 
 

Cover ArtTo shape a dragon's breath by Blackgoose, Moniquill

A young, Indigenous woman enters a colonizer-run dragon academy after bonding with a hatchling--and quickly finds herself at odds with the "approved" way of doing things--in the first book of a brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations--until fifteen-year-old Anequs finds a dragon's egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered: a Person Who Belongs to a Dragon. Unfortunately for Anequs, the Anglish conquerors of her land have a quite different opinion. They have a very specific idea on how a dragon should be raised--and who should be doing the raising--and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, then her dragon will be destroyed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land challenges abound--both socially and academically. But Anequs is smart and determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. For the world needs changing--and Anequs and her dragon are less coming of age in this bold new world than coming to power
 
 
 

Cover ArtBerry song by Goade, Michaela

Caldecott Medalist Michaela Goade's first self-authored picture book is a gorgeous celebration of the land she knows well and the powerful wisdom of elders. On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Snowberry, Strawberry, Crowberry. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all. Michaela Goade's luminous rendering of water and forest, berries and jams glows with her love of the land and offers an invitation to readers to deepen their own relationship with the earth.
 
 
 
 
 

Cover ArtElapultiek : (we are looking towards) by Joudry, Shalan

Set in contemporary times, a young Mi'kmaw drum singer and a Euro-Nova Scotian biologist meet at dusk each day to count a population of endangered Chimney Swifts (kaktukopnji'jk). They quickly struggle with their differing views of the world. Through humour and story, the characters must come to terms with their own gifts and challenges as they dedicate efforts to the birds. Each "count night" reveals a deeper complexity of connection to land and history on a personal level. Inspired by real-life species at risk work, Shalan Joudry originally wrote this story for an outdoor performance. Elapultiek calls on all of us to take a step back from our routine lives and question how we may get to understand our past and work better together. The ideal of weaving between Indigenous and non-Indigenous worlds involves taking turns to speak and to listen, even through the most painful of stories, in order for us all to heal. We are in a time when sharing cultural, ecological, and personal stories is vital in working towards a peaceful shared territory, co-existing between peoples and nature. "It's a crucial time to have these conversations," offers Joudry. "The power of story can engage audience and readers in ways that moves them to ask more questions about the past and future.
 
 
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