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African Americans and Labor

02/03/2025
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This year's theme for Black History month, set by the Association for the Study of African American Life and History, is African Americans and Labor. Check-out this featured books lists for titles in Howe Library that highlight and celebrate this theme. 

 

“African Americans, and Labor, focuses on the various and profound ways that work and working of all kinds – free and unfree, skilled, and unskilled, vocational and voluntary – intersect with the collective experiences of Black people. Indeed, work is at the very center of much of Black history and culture.” Read more in the executive summary by the Association. 

 

Be sure to also visit our featured book list “New Fiction by Black Authors” and find these books and more at the Howe Library Lobby display. 


Cover ArtBlack folk : the roots of the Black working class by Kelley, Blair Murphy

An award-winning historian illuminates the adversities and joys of the Black working class in America through a stunning narrative centered on her forebears. There have been countless books, articles, and televised reports in recent years about the almost mythic 'white working class,' a tide of commentary that has obscured the labor, and even the very existence, of entire groups of working people, including everyday Black workers. In this brilliant corrective, Black Folk, acclaimed historian Blair LM Kelley restores the Black working class to the center of the American story.
 
 
 
 
 

Cover ArtSoft power for the journey : the life of a STEM trailblazer by Johnson, Sandra K.

This is a story of an African American woman working at the highest levels in STEM. Dr. Sandra K. Johnson earned a Ph.D. in electrical and computer engineering from Rice University in May 1988, the first black woman to do so.
 
 
 
 
 
 
 
 

Cover ArtFight like hell : the untold history of American labor by Kelly, Kim

Freed Black women organizing for protection in the Reconstruction-era South. Jewish immigrant garment workers braving deadly conditions for a sliver of independence. Asian American fieldworkers rejecting government-sanctioned indentured servitude across the Pacific. Incarcerated workers advocating for basic human rights and fair wages. The queer Black labor leader who helped orchestrate America's civil rights movement. These are only some of the working-class heroes who propelled American labor's relentless push for fairness and equal protection under the law. The names and faces of countless silenced, misrepresented, or forgotten leaders have been erased by time as a privileged few decide which stories get cut from the final copy: those of women, people of color, LGBTQIA people, disabled people, sex workers, prisoners, and the poor. In this volume, Kelly excavates that untold history and shows how the rights the American worker has today--the forty-hour workweek, workplace-safety standards, restrictions on child labor, protection from harassment and discrimination on the job--were earned with literal blood, sweat, and tears.
 

Cover ArtRacing the Great White Way : Black performance, Eugene O'Neill, and the transformation of Broadway by Johnson, Katie N

The early drama of Eugene O'Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O'Neill's dramatic text-changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism-theater artists of color have used O'Neill's dramatic texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O'Neill's plays such as The Emperor Jones and All God's Chillun Got Wings make ideal case studies because his work stimulated extraordinary, and underappreciated, traffic between Broadway and Harlem-between white and Black America. While it focuses on investigating Broadway productions of O'Neill, the book also attends to the vibrant transnational exchange in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.
 

Cover ArtDear Department Chair : letters from Black women leaders to the next generation

Practical and candid, this book offers actionable steps to help Black women leaders create meaningful success. The reflections and recommendations of the contributors forge a critical and transformative analysis of race, gender, and higher education leadership. With insights from humanities, social sciences, art, and STEM, this essential resource helps to redefine the academy to meet the challenges of the future. Dear Department Chair is comprised of personal letters from prominent Black women department chairs, deans, vice provosts, and university presidents, addressed to current and future Black women academic professionals, and offers a rich source of peer mentorship and professional development. These letters emerged from Chair at the Table, a research collective and peer-mentoring network of current and former Black women department chairs at colleges and universities across the U.S. and Canada. The collective's works, including this volume, serve as tools for faculty interested in administration, current chairs seeking mentorship, and upper-level administrators working to diversify their ranks.
 

Cover ArtHousehold workers unite : the untold story of African American women who built a movement by Nadasen, Premilla

Premilla Nadasen recounts in this powerful book a little-known history of organizing among African American household workers. She uses the stories of a handful of women to illuminate the broader politics of labor, organizing, race, and gender in late 20th-century America. At the crossroads of the emerging civil rights movement, a deindustrializing economy, a burgeoning women's movement, and increasing immigration, household worker activists, who were excluded from both labor rights and mainstream labor organizing, developed distinctive strategies for political mobilization and social change. We learn about their complicated relationship with their employers, who were a source of much of their anguish, but, also, potentially important allies. And equally important they articulated a profound challenge to unequal state policy. Household Workers Unite offers a window into this occupation from a perspective that is rarely seen. At a moment when the labor movement is in decline; as capital increasingly treats workers as interchangeable or dispensable; as the number of manufacturing jobs continues to dwindle and the number of service sector jobs expands; as workers in industrialized countries find themselves in an precarious situation and struggle hard to make ends meet without state support or protection--the lessons of domestic worker organizing recounted here might prove to be more important than just a correction of the historical record. The women in this book, as Nadasen demonstrates, were innovative labor organizers. As a history of poor women workers, it shatters countless myths and assumptions about the labor movement and proposes a very different vision.
 

Cover ArtWorkers on arrival : Black labor in the making of America by Trotter, Joe William

From the ongoing issues of poverty, health, housing and employment to the recent upsurge of lethal police-community relations, the black working class stands at the center of perceptions of social and racial conflict today. Journalists and public policy analysts often discuss the black poor as "consumers" rather than "producers," as "takers" rather than "givers," and as "liabilities" instead of "assets."In his engrossing new history, Workers on Arrival, Joe William Trotter, Jr. refutes these perceptions by charting the black working class's vast contributions to the making of America. Covering the last four hundred years since Africans were first brought to Virginia in 1619, Trotter traces black workers' complicated journey from the transatlantic slave trade through the American Century to the demise of the industrial order in the 21st century. At the center of this compelling, fast-paced narrative are the actual experiences of these African American men and women. A dynamic and vital history of remarkable contributions despite repeated setbacks, Workers on Arrival expands our understanding of America's economic and industrial growth, its cities, ideas, and institutions, and the real challenges confronting black urban communities today.
 

Cover ArtRichard L. Davis and the color line in Ohio coal : a Hocking Valley Mine labor organizer, 1862-1900 by Doppen, Frans H.

Richard Davis wrote the first of many letters to the National Labor Tribune. One of the few African Americans at the founding convention of United Mine Workers of America in 1890, he served as one of the union's National Executive Board members. This biography provides a detailed portrait of one of America's more influential labor leaders.
 
 
 
 
 
 
 

Cover ArtSuccessful Black entrepreneurs : hidden histories, inspirational stories, and extraordinary business achievements : case studies by Harvard Business School by Rogers, Steven

A few years ago, while serving as a Professor at Harvard Business School, Rogers created a new course titled "Black Business Leaders and Entrepreneurship." After learning of the new course, a white professor asked, "Why do we need this course? What is the difference between Black and white entrepreneurs?" In response, Rogers identified the following differences: Black entrepreneurs cannot access capital from traditional financial institutions including banks and private equity firms Many Black entrepreneurs who want to sell to white customers must practice "racial concealment" to be successful Successful Black entrepreneurs who are not athletes or entertainers are virtually invisible in the minds of the general public All of these reasons have a negative impact on Black entrepreneurship which hurts the Black community and the entire country. Successful Black entrepreneurs create jobs for Black, white, and other racial groups. They also have created companies that provide products and services that has benefited society-at-large. For the Black community, Black entrepreneurship has been synonymous with freedom and self-sufficiency. For example, Black entrepreneurs are the largest private employers of Black people in the country. The government is the top public employer. The book will be largely comprised of case studies that Rogers wrote and have been published by Harvard Business School (HBS). These are all case studies that have been individually sold by Harvard Business Publishing, proving that there is a market for this content. A book made up primarily of HBS case studies about Black entrepreneurs has never been published
 

Cover ArtSouthern Labor and Black Civil Rights : Organizing Memphis Workers. by Honey, Michael K.

Widely praised upon publication and now considered a classic study,Southern Labor and Black Civil Rightschronicles the southern industrial union movement from the Great Depression to the Cold War, a history that created the context for the sanitation workers' strike that brought Dr. Martin Luther King, Jr. to Memphis in April 1968. Michael K. Honey documents the dramatic labor battles and sometimes heroic activities of workers and organizers that helped to set the stage for segregation's demise.Winner of the Charles S. Sydnor Award, given by the Southern Historical Association, 1994. Winner of the James A. Rawley Prize given by the Organization of American Historians, 1994. Winner of the Herbert G. Gutman Award for an outstanding book in American social history.
 
 

Cover ArtReverend Addie Wyatt faith and the fight for labor, gender, and racial equality by Walker-McWilliams, Marcia

Labor leader, civil rights activist, outspoken feminist, African American clergywoman--Reverend Addie Wyatt stood at the confluence of many rivers of change in twentieth century America. The first female president of a local chapter of the United Packinghouse Workers of America, Wyatt worked alongside Martin Luther King Jr. and Eleanor Roosevelt and appeared as one of Time magazine's Women of the Year in 1975. Marcia Walker-McWilliams tells the incredible story of Addie Wyatt and her times. What began for Wyatt as a journey to overcome poverty became a lifetime commitment to social justice and the collective struggle against economic, racial, and gender inequalities. Walker-McWilliams illuminates how Wyatt's own experiences with hardship and many forms of discrimination drove her work as an activist and leader. A parallel journey led her to develop an abiding spiritual faith, one that denied defeatism by refusing to accept such circumstances as immutable social forces
 

Cover ArtMarching together : women of the Brotherhood of Sleeping Car Porters by Chateauvert, Melinda

The Brotherhood of Sleeping Car Porters was the first national trade union for African Americans. Standard BSCP histories focus on the men who built the union: few acknowledge the important role of the Ladies' Auxiliary in shaping public debates over black manhood and unionization, setting political agendas for the black community, and crafting effective strategies to win racial and economic justice.
In this first book-length history of the women of the BSCP, Melinda Chateauvert brings to life an entire group of women ignored in previous histories of the Brotherhood and of working-class women, situating them in the debates among women's historians over the ways that race and class shape women's roles and gender relations. Chateauvert's work shows how the auxiliary, made up of the wives, daughters, and sisters of Pullman porters, used the Brotherhood to claim respectability and citizenship. Pullman maids, relegated to the auxiliary, found their problems as working women neglected in favor of the rhetoric of racial solidarity.
The auxiliary actively educated other women and children about the labor movement, staged consumer protests, and organized local and national civil rights campaigns ranging from the 1941 March on Washington to school integration to the Montgomery bus boycott.
 

Cover ArtReal role models successful African Americans beyond pop culture by Spearman, Joah

All young people need good role models, and black youth especially need positive and real examples beyond the famous and wealthy people they see on SportsCenter highlights and MTV Cribs. While success as a celebrity athlete or entertainer may seem like an achievable dream, the reality is that young African Americans have a much greater chance of succeeding in the professions through education and hard work--and a mentor to show them the path. Real Role Models introduces high school and college-age African Americans to twenty-three black professionals who have achieved a high level of success in their chosen fields and who tell their stories to inspire young people to pursue a professional career and do the work necessary to achieve their dreams.
 
 
 
 

Cover ArtBlack workers remember : an oral history of segregation, unionism, and the freedom struggle by Honey, Michael K.

The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. This work tells the hidden history of African American workers in their own words from the 1930s to the present. It provides first-hand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee, the place where Martin Luther King, Jr., was assassinated during a strike by black sanitation workers. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era.
Together, the stories demonstrate how black workers resisted apartheid in American industry and underscore the active role of black working people in history.
 

Cover ArtBuilding the black metropolis African American entrepreneurship in Chicago by Weems, Robert E.; Chambers, Jason

From Jean Baptiste Point DuSable to Oprah Winfrey, Black entrepreneurship has helped define Chicago. Robert E. Weems, Jr. and Jason P. Chambers curate a collection of essays that place the city as the center of the Black business world in the United States. Ranging from titans like Anthony Overton and Jesse Binga to McDonald's operators to Black organized crime, the scholars shed light on the long-overlooked history of African American work and entrepreneurship since the Great Migration. Together they examine how factors like the influx of southern migrants and the city's unique segregation patterns made Chicago a prolific incubator of productive business development -- and made building a Black metropolis as much a necessity as an opportunity
 
 
 

Cover ArtFor jobs and freedom : selected speeches and writings of A. Philip Randolph by Randolph, A. Philip

As the head of the Brotherhood of Sleeping Car Porters and a tireless advocate for civil rights, A. Philip Randolph (1889-1979) served as a bridge between African Americans and the labor movement. During a public career that spanned more than five decades, he was a leading voice in the struggle for black freedom and social justice, and his powerful words inspired others to join him. This volume documents Randolph's life and work through his own writings. The editors have combed through the files of libraries, manuscript collections, and newspapers, selecting more than seventy published and unpublished pieces that shed light on Randolph's most significant activities. The book is organized thematically around his major interests--dismantling workplace inequality, expanding civil rights, confronting racial segregation, and building international coalitions. The editors provide a detailed biographical essay that helps to situate the speeches and writings collected in the book. In the absence of an autobiography, this volume offers the best available presentation of Randolph's ideas and arguments in his own words.
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National Eating Disorder Awareness Week is February 24 – March 2 and we have put together a reading list that explores topics related to anti-fat bias, body image, diet culture, and fat phobia. All of these books can be found in our collection and are on display at the Dana Health Sciences Library during this awareness week. See a full list with descriptions below.  


Cover ArtFat talk by Sole-Smith, Virginia

"By the time they reach kindergarten, most kids have learned that "fat" is bad. As they get older, kids learn to pursue thinness in order to survive in a world that ties our body size to our value. Multibillion-dollar industries thrive on consumers believing that we don't want to be fat. Our weight-centric medical system pushes "weight loss" as a prescription, while ignoring social determinants of health and reinforcing negative stereotypes about the motives and morals of people in larger bodies. And parents today, having themselves grown up in the confusion of modern diet culture, worry equally about the risks of our kids caring too much about being "thin" and about what happens if our kids are fat. Sole-Smith shows how the reverberations of this messaging and social pressures on young bodies continue well into adulthood--and what we can do to fight them. Fat Talk argues for a reclaiming of "fat," which is not synonymous with "unhealthy," "inactive," or "lazy." Talking to researchers and activists, as well as parents and kids across a broad swath of the country, Sole-Smith lays bare how America's focus on solving the "childhood obesity epidemic" has perpetuated a second crisis of disordered eating and body hatred for kids of all sizes. She exposes our society's internalized fatphobia and elucidates how and why we need to stop "preventing obesity" and start supporting kids in the bodies they have. Continuing conversations started by works like Girls & Sex, Under Pressure, and Essential Labor, Fat Talk is a stirring, deeply researched, and groundbreaking book that will help parents learn to reckon with their own body biases, identify diet culture messaging, and ultimately empower their kids to navigate this challenging landscape. Sole-Smith offers an alternative framework for parenting around food and bodies, and a way for us all to work toward a more weight-inclusive world--because it's not our kids, or their bodies, who need fixing"
 

Cover ArtWhat we don't talk about when we talk about fat by Gordon, Aubrey

Anti-fatness is everywhere. In What We Don't Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people's experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage readers to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, "I did not come to body positivity for self-esteem. I came to it for social justice." By sharing her experiences as well as those of others--from smaller fat to very fat people--she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27% of very fat women and 13% of very fat men attempt suicide; over 50% of doctors describe their fat patients as "awkward, unattractive, ugly and noncompliant"; and in 48 states, it's legal--even routine--to deny employment because of an applicant's size. Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don't Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike.
 

Cover ArtUnshrinking by Manne, Kate

The definitive takedown of fatphobia, drawing on personal experience as well as rigorous research to expose how size discrimination harms everyone, and how to combat it--from the acclaimed author of Down Girl and Entitled. For as long as she can remember, Kate Manne has wanted to be smaller. She can tell you what she weighed on any significant occasion: her wedding day, the day she became a professor, the day her daughter was born. She's been bullied and belittled for her size, leading to extreme dieting. As a feminist philosopher, she wanted to believe that she was exempt from the cultural gaslighting that compels so many of us to ignore our hunger. But she was not. Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except one: body size. Manne examines how anti-fatness operates--how it leads us to make devastating assumptions about a person's attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression. Fatphobia is responsible for wage gaps, medical neglect, and poor educational outcomes; it is a straitjacket, restricting our freedom, our movement, our potential. In this urgent call to action, Manne proposes a new politics of "body reflexivity"--a radical reevaluation of who our bodies exist in the world for: ourselves and no one else. When it comes to fatphobia, the solution is not to love our bodies more. Instead, we must dismantle the forces that control and constrain us, and remake the world to accommodate people of every size.
 

Cover ArtYou have the right to remain fat by Tovar, Virgie

Growing up as a fat girl, Virgie Tovar believed that her body was something to be fixed. But after two decades of dieting and constant guilt, she was over it--and gave herself the freedom to trust her own body again. Ever since, she's been helping others to do the same. Tovar is hungry for a world where bodies are valued equally, food is free from moral judgment, and you can jiggle through life with respect. In concise and candid language, she delves into unlearning fatphobia, dismantling sexist notions of fashion, and how to reject diet culture's greatest lie: that fat people need to wait before beginning their best lives.
 
 
 
 
 

Cover ArtFraming fat : competing constructions in contemporary culture by Kwan, Samantha

According to public health officials, obesity poses significant health risks and has become a modern-day epidemic. A closer look at this so-called epidemic, however, suggests that there are multiple perspectives on the fat body, not all of which view obesity as a health hazard. Alongside public health officials at the Centers for Disease Control and Prevention are advertisers of the fashion-beauty complex, food industry advocates at the Center for Consumer Freedom, and activists at the National Association to Advance Fat Acceptance. Framing Fat takes a bird's-eye view of how these multiple actors construct the fat body by identifying the messages these groups put forth, particularly where issues of beauty, health, choice and responsibility, and social justice are concerned. Samantha Kwan and Jennifer Graves examine how laypersons respond to these conflicting messages and illustrate the gendered, raced, and classed implications within them. In doing so, they shed light on how dominant ideas about body fat have led to the moral indictment of body nonconformists, essentially "framing" them for their fat bodies.
 
 

Cover ArtFat shame : stigma and the fat body in American culture by Farrell, Amy Erdman

Locating the origins of the cultural denigration of fatness in the mid 19th century, Amy Erdman Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physician's manuals to explore the link between our historic denigration of fatness and our contemporary concern over obesity. She explores the ways that those who seek to shed stigmatized identities, whether of gender, race, ethnicity or class, often take part in weight reduction schemes and fat mockery in order to validate themselves as "civilized."
 
 
 
 
 
 

Cover ArtThe body is not an apology : the power of radical self-love by Taylor, Sonya Renee

Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies. The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world--for us all. This second edition includes stories from Taylor's travels around the world combating body terrorism and shines a light on the path toward liberation guided by love. In a brand new final chapter, she offers specific tools, actions, and resources for confronting racism, sexism, ableism, homophobia, and transphobia. And she provides a case study showing how radical self-love not only dismantles shame and self-loathing in us but has the power to dismantle entire systems of injustice. Together with the accompanying workbook, Your Body Is Not an Apology, Taylor brings the practice of radical self-love to life.
 
 
 

Cover ArtFat girls in black bodies : creating communities of our own by Cox, Joy

Combatting fatphobia and racism to reclaim a space of belonging at the intersection of fat, Black, and female. into three sections--"belonging," "resistance," and "acceptance"--and informed by personal history, community stories, and deep research, Fat Girls in Black Bodies breaks down the myths, stereotypes, tropes, and outright lies we've been sold about race, body size, belonging, and health. Cox's razor-sharp cultural commentary exposes the racist roots of diet culture, healthism, and the ways we erroneously conflate body size with personal responsibility. She explores how to reclaim space and create belonging in a hostile world, pushing back against tired pressures of "going along just to get along," and dismantles the institutionally ingrained myths about race, size, gender, and worth that deny fat Black women their selfhood.
 
 
 
 
 

Cover ArtFearing the black body : the racial origins of fat phobia by Strings, Sabrina

There is an obesity epidemic in this country and poor black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals;where fat bodies were once praised;showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of "savagery" and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn't about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
 

Cover ArtThings no one will tell fat girls : a handbook for unapologetic living by Baker, Jes

Things No One Will Tell Fat Girls is a manifesto and call to arms for women of all sizes and ages. With smart and sassy eloquence, veteran blogger Jes Baker calls on women to be proud of their bodies, fight against fat-shaming, and embrace a body-positive worldview to change public perceptions and help women maintain mental health. With the same straightforward tone that catapulted her to national attention when she wrote a public letter addressing the sexist comments of Abercrombie & Fitch's CEO, Jes shares personal experiences along with in-depth research in a way that is approachable, digestible, and empowering. Featuring notable guest authors, Things No One Will Tell Fat Girls is an invitation for all women to reject fat prejudice, learn to love their bodies, and join the most progressive, and life-changing revolution there is: the movement to change the world by loving their bodies.
 
 
 

Cover ArtThe body liberation project : how understanding racism and diet culture helps cultivate joy and build collective freedom by King, Chrissy

When King first joined a gym, she fell into the all-too-common cycle of "not enough-ness": no matter what she achieves, there was always something she felt she needed to change about her body, her appearance, herself. She came to understand that diet and fitness industries rooted in white supremacy were the problem: Euro-centric beauty standards were the problem. Here King shares the wisdom, the tools, and the inspiration to motivate readers to find body liberation. Even more important, to pass it on.
 
 
 
 
 
 

Cover ArtMore of you the fat girl's field guide to the modern world by Beck, Amanda Martinez

Too often, fatness has been viewed as a moral failing. Fat Christian women in particular are shamed and marginalized by the message that they are failing God because they can't change their bodies. More of You will challenge that status quo, teaching readers to resist the shame and guilt that is pressed onto them by the world and instead to embrace their bodies, take up space, and learn to navigate the world in ways that allow them to flourish. With wit and candor, Amanda Martinez Beck, a fat woman herself, compiles her hard-won wisdom to give the skinny on thriving in a fat body to others who have been pushed to the margins of acceptance. Offering helpful tools like The Fat Girl's Bill of Rights and a script for a weight-neutral doctor's visit, this book addresses real needs in the fat acceptance community, from how to find self-love in a thin-obsessed world, to navigating a world built for butts smaller than yours, to advocating for equality and justice for fat women's medical care.
 
 
 

Cover ArtUnashamed : musings of a fat, black Muslim by Vernon, Leah

Ever since she was little, Leah Vernon was told what to believe and how to act. There wasn't any room for imperfection. Good Muslim girls listened more than they spoke. They didn't have a missing father or a mother with mental illness. They didn't have fat bodies or grow up wishing they could be like the white characters they saw on TV. They didn't have husbands who abused and cheated on them. They certainly didn't have secret abortions. In Unashamed, Vernon takes to task the myth of the perfect Muslim woman with frank dispatches on her love-hate relationship with her hijab and her faith, race, weight, mental illness, domestic violence, sexuality, the millennial world of dating, and the process of finding her voice. She opens up about her tumultuous adolescence living at the poverty line with her fiercely loving but troubled mother, her deadbeat dad, and her siblings, and the violent dissolution of her 10-year marriage. Tired of the constant policing of her clothing in the name of Islam and Western beauty standards, Vernon reflects on her experiences with hustling paycheck to paycheck, body-shaming, and redefining what it means to be a "good" Muslim"
 
 
 
 

Cover ArtBody stories in and out and with and through fat

Body stories capture a nuanced, interconnected, interactive, and complex telling of our understanding, perception, and experience of and through our bodies. Plenty has been published on body image but image suggests a static fixed body, unmitigated through our social interactions and varying times and spaces. This book is not a "how-to" guide for fat confidence. It's not a compendium of fat suffering. It's simply a collection of narratives about what it's like to survive in a weight-hating world. It resists the ways that marginalized bodies are being written and researched and put into other people's ideas about our existence. The stories in this book are celebratory and are painful. They look at intersections of race and queerness; they destabilize womanhood by presenting a range of possible female embodiments. They explore issues of disability and madness. The full range of possibilities that are collected here give a picture of what it means to live in a society with strong and powerful messages about size, about normalcy, about what a moral and healthy life and body look like. This book is a snapshot of its place and time, but these stories remind us that we're here to stay. The body stories will change but we will keep owning our own narratives. While story, especially written by women, is often seen as outside the academic canon, these stories, these creative offerings, are theory, are research, and are activism. They are nothing less than the blueprint for liberation. Writing about fat and about bodies outside of medicalized narratives, without ignoring the impact of race, sexuality, class, ability, gender, fashion, appearance, and beyond, is radical and rigorous. It is impossible to think about the future without wishing for liberation. Liberation can come in many forms. It can mean an awareness, the ability to confront. The stories in this book display the ways that liberation isn't a finish line or a thing we can complete—rather it is a million small actions
 

Cover ArtThe full body project by Nimoy, Leonard

In his provocative new book, photographer and actor Leonard Nimoy captures images of full-bodied women, some of whom are involved in what is known as the "fat acceptance" movement. "The average American woman," Nimoy writes, "weighs 25 percent more than the models selling the clothes. There is a huge industry built up around selling women ways to get their bodies closer to the fantasy ideal. Pills, diets, surgery, workout programs. . . . The message is 'You don't look right. If you buy our product, you can get there.'" Leonard Nimoy, best known to the public from his role as Spock on Star Trek, has been a lifelong photographer. His work has been widely exhibited and is in numerous private and public collections. A previous book of his photographs, Shekhina, was published in 2002.
 

Cover ArtSupporting fat birth supporting body positive birth by Silver, A. J.

This pioneering guide provides birth professionals, pregnant people, and advocates with comprehensive insight into navigating conception, pregnancy, birth, and the perinatal period whilst fat. Drawing on the author's decade of experience as well as evidence-based research and case studies from people sharing their own perspectives and stories, this authoritative and compassionate book provides practical and effective advice on how to improve quality of care for fat parents. It covers a wide range of topics across the birth journey and beyond including interviews with a number of high-profile people including Nicola Salmon and Amber Marshall and empowers readers to feel reassured and confident in their choices and rights. This ground-breaking resource challenges the pervasive bias against fat service users in the birthing world and acts as a call to action to dismantle the fatphobic stigma present in our healthcare systems in order to create an environment that is inclusive of all bodies.
 
 
 
 
 

Cover ArtIt's always been ours : rewriting the story of Black women's bodies by Wilson, Jessica

A dietitian, storyteller, and community organizer offers a cultural discussion of body image, food, health and wellness by focusing on the bodies of Black women and how our culture's obsession with thin, white women reinforces racist ideas and ideals.
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Cozy Reads are fiction books with an upbeat, optimistic and light-hearted tone. They often feature a desirable location the reader may like to imagine themselves, hobbies or occupations relatable to the reader, and sometimes romance. Some popular sub-categories include: murder mysteries, craft and hobby mysteries, and culinary mysteries.

Our feature contains perhaps a few books outside this subgenre that we determined complimentary, such as nonfiction works on the Cozy Reads subgenre itself, books on tea, coffee, other new popular fiction titles. Visit the Howe Library Lobby for even more Cozy Reads on display. 


 

Cover ArtVera Wong's unsolicited advice for murderers by Sutanto, Jesse Q.

Knives Out meets Kim's Convenience in this captivating mystery by Jesse Q. Sutanto, bestselling author of Dial A for Aunties. Vera Wong is a lonely little old lady-ah, lady of a certain age-who lives above her forgotten tea shop in the middle of San Francisco's Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her college-aged son is up to. Then one morning, Vera trudges downstairs to find a curious thing-a dead man in the middle of her tea shop. In his outstretched hand, a flash drive. Vera doesn't know what comes over her, but after calling the cops like any good citizen would, she sort of . . . swipes the flash drive from the body and tucks it safely into the pocket of her apron. Why? Because Vera is sure she would do a better job than the police possibly could, because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands. Vera knows the killer will be back for the flash drive; all she has to do is watch the increasing number of customers at her shop and figure out which one among them is the killer. What Vera does not expect is to form friendships with her customers and start to care for each and every one of them. As a protective mother hen, will she end up having to give one of her newfound chicks to the police?
 
 

 

Cover ArtReading the cozy mystery : critical essays on an underappreciated subgenre by Betz, Phyllis M. (Editor)

With their intimate settings, subdued action and likeable characters, cozy mysteries are rarely seen as anything more than light entertainment. The cozy, a subgenre of crime fiction, has been historically misunderstood and often overlooked as the subject of serious study. This anthology brings together a groundbreaking collection of essays that examine the cozy mystery from a range of critical viewpoints. The authors engage with the standard classification of a cozy, the characters who appear in its pages, the environment where the crime occurs and how these elements reveal the cozy story's complexity in surprising ways. Essays analyze cozy mysteries to argue that Agatha Christie is actually not a cozy writer; that Columbo fits the mold of the cozy detective; and that the stories' portrayals of settings like the quaint English village reveal a more complicated society than meets the eye.
 
 
 
 
 
 

Cover ArtThe Christmas jigsaw murders by Benedict, Alexandra

A puzzling new Christmas mystery from USA Today bestselling author Alexandra Benedict! Rest. In. Pieces. On 1st of December, renowned puzzle setter, loner, and Christmas curmudgeon Edie O'Sullivan finds a hand-delivered present on her doorstep. Unwrapping it, she finds a jigsaw box and, inside, six jigsaw pieces. When fitted together, the pieces show part of a crime scene - blood-spattered black and white tiles and part of an outlined body. Included in the parcel is a message: 'Four, maybe more, people will be dead by midnight on Christmas Eve, unless you can put all the pieces together and stop me.' It's signed, Rest In Pieces. Edie contacts her nephew, DI Sean Brand-O'Sullivan, and together they work to solve the clues. But when a man is found near death with a jigsaw piece in his hand, Sean fears that Edie might be in danger and shuts her out of the investigation. As the body count rises, however, Edie knows that only she has the knowledge to put together the killer's murderous puzzle. Only by fitting all the pieces together will Edie be able to stop a killer - and finally lay her past to rest.
 



 
 

Cover ArtKrampus confidential by Sullivan, Kyle

It's almost Christmas, but the nights in Tinseltown are anything but silent. In this hardboiled parody of The Maltese Falcon, Ruprecht, a twelve-year-old krampus and wannabe detective, gets more than he bargained for when he takes the case of a terrified elf. Finding himself at the top of the Tinseltown Police Department's naughty list, Ruprecht is joined by his best friend, a ghost named Marley, to explore the underbelly of this festive but gritty metropolis, solve the mystery, and clear his name for good.
 
 
 
 
 
 
 
 
 

Cover ArtBefore the coffee gets cold by Kawaguchi, Toshikazu

In a small back alley in Tokyo at a century-old coffee shop rumored to offer patrons the chance to travel back in time, four customers reevaluate their formative life choices.
In a small back alley of Tokyo, there is a café that has been serving carefully brewed coffee for more than one hundred years. Local legend says that this shop offers coffee-- and the chance to travel back in time. Over the course of one summer, four customers visit the café in the hopes of making that journey. There are rules that must be followed. And the most important one: the trip can last only as long as it takes for the coffee to get cold.
 
 
 
 
 
 
 

Cover ArtHeartstopper by Oseman, Alice

Boy meets boy. Boys become friends. Boys fall in love. A sweet and charming coming-of-age story that explores friendship, love, and coming out. This edition features beautiful two-color artwork. Absolutely delightful. Sweet, romantic, kind. Beautifully paced. I loved this book. -- Rainbow Rowell, author of Carry On. Shy and softhearted Charlie Spring sits next to rugby player Nick Nelson in class one morning. A warm and intimate friendship follows, and that soon develops into something more for Charlie, who doesn't think he has a chance. But Nick is struggling with feelings of his own, and as the two grow closer and take on the ups and downs of high school, they come to understand the surprising and delightful ways in which love works.
 
 
 
 
 
 
 

Cover ArtTea : a global history by Saberi, Helen

From chai to oolong to sencha, tea is one of the world's most popular beverages. Perhaps that is because it is a unique and adaptable drink, consumed in many different varieties by cultures across the globe and in many different settings, from the intricate traditions of Japanese teahouses to the elegant tearooms of Britain to the verandas of the deep South. In Tea food historian Helen Saberi explores this rich and fascinating history. Saberi looks at the economic and social uses of tea, such as its use as a currency during the Tang Dynasty and the 1913 creation of a tea dance called "Thé Dansant.
 
 
 
 
 
 
 
 
 

Cover ArtCoffee : a global history by Morris, Jonathan

Most of us can't make it through morning without our cup (or cups) of joe, and we're not alone. Coffee is a global beverage: it's grown commercially on four continents and consumed enthusiastically on all seven--and there is even an Italian espresso machine on the International Space Station. Coffee's journey has taken it from the forests of Ethiopia to the fincas of Latin America, from Ottoman coffee houses to "Third Wave" cafés, and from the simple coffee pot to the capsule machine. In Coffee: A Global History, Jonathan Morris explains both how the world acquired a taste for this humble bean, and why the beverage tastes so differently throughout the world. Sifting through the grounds of coffee history, Morris discusses the diverse cast of caffeinated characters who drank coffee, why and where they did so, as well as how it was prepared and what it tasted like. He identifies the regions and ways in which coffee has been grown, who worked the farms and who owned them, and how the beans were processed, traded, and transported. Morris also explores the businesses behind coffee--the brokers, roasters, and machine manufacturers--and dissects the geopolitics linking producers to consumers. Written in a style as invigorating as that first cup of Java, and featuring fantastic recipes, images, stories, and surprising facts, Coffee will fascinate foodies, food historians, baristas, and the many people who regard this ancient brew as a staple of modern life.
 
 

 

Cover ArtThe Kamogawa food detectives by Kashiwai, Hisashi ; Kirkwood, Jesse (Translator)

What's the one dish you'd do anything to taste just one more time? Down a quiet backstreet in Kyoto exists a very special restaurant. Run by Koishi Kamogawa and her father Nagare, the Kamogawa Diner serves up deliciously extravagant meals. But that's not the main reason customers stop by . . . The father-daughter duo are 'food detectives'. Through ingenious investigations, they are able to recreate dishes from a person's treasured memories - dishes that may well hold the keys to their forgotten past and future happiness. The restaurant of lost recipes provides a link to vanished moments, creating a present full of possibility. A bestseller in Japan, The Kamogawa Food Detectives is a celebration of good company and the power of a delicious meal.
 
 
 
 
 
 
 

Cover ArtSomeone you can build a nest in by Wiswell, John

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human. Homily is kind and nurturing and would make an excellent coparent: an ideal place to lay Shesheshen's eggs so their young could devour Homily from the inside out. But as they grow close, she realizes humans don't think about love that way. Shesheshen hates keeping her identity secret from Homily, but just as she's about to confess, Homily reveals why she's in the area: she's hunting a shapeshifting monster that supposedly cursed her family. Shesheshen didn't curse anyone, but to give herself and Homily a chance at happiness, she has to figure out why Homily's twisted family thinks she did. As the hunt for the monster becomes increasingly deadly, Shesheshen must unearth the truth quickly, or soon both of their lives will be at risk. And the bigger challenge remains: surviving her toxic in-laws long enough to learn to build a life with, rather than in, the love of her life.
 

Cover ArtThe great when by Moore, Alan

The year is 1949, the city London. Amidst the smog of the capital stumbles Dennis Knuckleyard, a hapless eighteen year-old employed by a second-hand bookshop. One day, on an errand to acquire books for sale, Dennis discovers a novel that simply does not exist. It is a fictitious book, a figment from another novel. Yet it is physically there in his hands. How? Dennis has stumbled on a book from the Great When, a magical version of London beyond time and space, where reality blurs with fiction and concepts such as Crime and Poetry are incarnated as wondrous, terrible beings. But this other, magical London must remain a secret: if Dennis cannot find a way to return this book to where it belongs, he risks repercussions, such as his body being turned inside out (or worse). So begins a journey delving deep into the city's occult underbelly and tarrying with an eccentric cast of sorcerers, gangsters, and murderers - some from legend, some all too real, and all with plans of their own. Soon Dennis finds himself at the centre of an explosive series of events that may alter and endanger both Londons forever...
 
 
 
 
 
 

Cover ArtWriting the cozy mystery : authors' perspectives on their craft by Betz, Phyllis M.

This book brings together essays written by a number of well-known writers of cozy mysteries, including Sherry Harris, Amanda Flower, Leslie Budewitz, and Edith Maxwell, among others, who provide insight into their approaches to writing. Topics covered include how they work with the form, develop characters and settings, and utilize the particular hook, skill or business that establishes the protagonist's ability to solve crimes. In addition to discussing these traditional aspects of writing, several authors focus on how they have expanded the direction the contemporary cozy mystery has taken with the inclusion of more diverse characters and social issues.
 
 
 
 
 
 
 
 

Cover ArtHow to write a mystery : a handbook from Mystery Writers of America by Mystery Writers of America; Child, Lee (Editor); King, Laurie R. (Editor)

From some of the most successful mystery writers in the business, an invaluable guide to crafting mysteries, from character development and plot to procedurals and thrillers.
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtThe book of tea by Okakura, Kakuzō

A description of the Japanese tea ceremony that evokes Eastern culture as a whole.
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtThe book that wouldn't burn by Lawrence, Mark

Two strangers find themselves connected by a mysterious and vast library, which contains many wonders and even more secrets, in the powerfully moving first book in a new series from the international bestselling author of Red Sister and Prince of Thorns. On a used-up world where civilisations have risen and retreated in an endless tide, leaving a dusty wasteland in their wake, there is one constant: an ancient library, the repository of all knowledge and art. It also contains a multitude of lives, including those of Evar and Livira.
 
 
 
 
 
 
 
 
 
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This month we are highlighting new graphic novels in Howe Library! Check out our latest additions in fictional and non-fictional graphic novels.


 

Cover ArtHuda F cares? by Fahmy, Huda

This summer's exercise in Fahmy family sisterly bonding involves a trip to Disney World--which seems like it is headed for disaster when Huda gets into a fight with a boy making fun of her hijab.
 
 
 
 
 
 
 
 
 
 
 

Cover ArtStamped from the beginning : a graphic history of racist ideas in America by Gill, Joel Christian

A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists.
 
 
 
 
 
 
 
 
 
 

Cover ArtThe great turkey walk by Bischoff, Léonie

Kathleen Karr's classic American story of grit, friendship, and turkeys finally reimagined as a sensational graphic novel. Missouri 1860: Simon Green is a bad student. His mother is dead and his father has disappeared. But he's daring, and so when he hears that turkeys fetch a higher price in Denver, he borrows his teacher's life savings and buys a herd of a thousand birds. Then he sets off on the thousand-mile trek with his dog and a pair of mules. To survive the odyssey that follows, Simon will need grit, luck, and smarts--and a colorful cast of friends.
 
 
 
 
 
 
 

Cover ArtThe mythmakers by Hendrix, John

The rich worlds of C.S. Lewis's The Chronicles of Narnia and J.R.R. Tolkien's The Hobbit and The Lord of the Rings have enchanted readers both young and old for generations. But before they created these literary landmarks, Lewis and Tolkien were simply two friends who shared a love of stories. The Mythmakers chronicles their lives, from their horrific tour in the trenches of World War I, their first meeting at Oxford in 1929, and the literary discussions of the Inklings, to World War II, the publications of their works, and their legacies. Their personal stories are so intertwined that neither can be easily told without the other....The Mythmakers reveals how these remarkably creative minds influenced each other--their world-building philosophies, their ideas of mythology and faith, and their belief in the truth behind the human imagination. The Mythmakers is a masterful work capturing the extraordinary lives and literary contributions of Liews and Tolkien, two of the most important and influential writers of the 20th century.
 
 
 
 
 

Cover ArtToxic : a tour of the Ecuadorian Amazon by Fiske, Amelia

This graphic novel ethnography takes the reader on a "toxic tour" of the Ecuadorian Amazon and reveals the struggles for environmental justice in everyday life.
 
 
 
 
 
 
 
 
 
 

Cover ArtZodiac : a graphic memoir by Ai, Weiwei

As a child living in exile during the Cultural Revolution, Ai Weiwei often found himself with nothing to read but government-approved comic books. Although they were restricted by the confines of political propaganda, Ai Weiwei was struck by the artists' ability to express their thoughts on art and humanity through graphic storytelling. Now, decades later, Ai Weiwei and Italian comic artist Gianluca Costantini present Zodiac, Ai Weiwei's first graphic memoir. Inspired by the twelve signs of the Chinese zodiac and their associated human characteristics, Ai Weiwei masterfully interweaves ancient Chinese folklore with stories of his life, family, and career. The narrative shifts back and forth through the years--at once in the past, present, and future--mirroring memory and our relationship to time. As readers delve deeper into the beautifully illustrated pages of Zodiac, they will find not only a personal history of Ai Weiwei and an examination of the sociopolitical climate in which he makes his art, but a philosophical exploration of what it means to find oneself through art and freedom of expression.
 
 
 
 

Cover ArtThe Puerto Rican War : a graphic history by Mejias, John Vasquez

Rendered in gorgeously carved wood blocks and buffeted with historical supplemental material, John Vasquez Mejias's The Puerto Rican War tells the story of the the 1950 insurrection on the island that resulted in 38 deaths and a failed assassination attempt against President Harry S. Truman. Told as a fable, in which the leaders of the movement are visited by the ghosts of Michael Collins and Gandhi, this book showcases an important and often overlooked moment in American history and a historical touchstone for the Puerto Rican independence movement.
 
 
 
 
 
 
 

Cover ArtLies my teacher told me : a graphic adaptation by Loewen, James W.

A graphic adaptation of the bestselling book about what most American history textbooks get wrong.
 
 
 
 
 
 
 
 
 
 

Cover ArtComics and modernism : history, form, and culture by Najarian, Jonathan (Editor)

Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and
 movements.
 
 

Cover ArtForecasts by Schuster, Caroline; Bernardou, Enrique (Illustrator); Bueno, David (Illustrator)

Based in the agrarian world of commercial sesame farming in northern Paraguay, Forecasts tells a story about what happens when global insurance companies promise financial safety nets to local farmers struggling with the effects of climate change. This striking graphic novel brings together original ethnographic research and Paraguayan gothic art to confront the limitations of finance to respond to a deteriorating environment. Taking a human-centered approach to complex weather and financial models, Forecasts offers new ways of looking at overlapping speculative futures in a more-than-human landscape. Based on more than a year of fieldwork in Paraguay, the book follows one man's possible journeys through a season of planting and harvesting, buffeted by losses and sustained by the hope that he can cultivate conditions that will help his family thrive. Forecasts makes a sweeping account of environmental and financial risk accessible through the intimate story of one family's triumphs, heartbreaks, and hopes for the future. The graphic novel is followed by appendices that provide historical, anthropological, and methodological insights, as well as classroom guides, exercises, and questions that make this book ideal for teaching.
 
 
 

Cover ArtUndesirables by Boum, Aomar; Berber, Nadjib (Illustrator)

In this gripping graphic novel, a Jewish journalist encounters an extension of the horrors of the Holocaust in North Africa. In the lead-up to World War II, the rising tide of fascism and antisemitism in Europe foreshadowed Hitler's genocidal campaign against Jews. But the horrors of the Holocaust were not limited to the concentration camps of Europe: antisemitic terror spread through Vichy French imperial channels to France's colonies in North Africa, where in the forced labor camps of Algeria and Morocco, Jews and other "undesirables" faced brutal conditions and struggled to survive in an unforgiving landscape quite unlike Europe. In this richly historical graphic novel, historian Aomar Boum and illustrator Nadjib Berber take us inside this lesser-known side of the traumas wrought by the Holocaust by following one man's journey as a Holocaust refugee. Hans Frank is a Jewish journalist covering politics in Berlin, who grows increasingly uneasy as he witnesses the Nazi Party consolidate power and decides to flee Germany. Through connections with a transnational network of activists organizing against fascism and anti-Semitism, Hans ultimately lands in French Algeria, where days after his arrival, the Vichy regime designates all foreign Jews as "undesirables" and calls for their internment. On his way to Morocco, he is detained by Vichy authorities and interned first at Le Vernet, then later transported to different camps in the deserts of Morocco and Algeria. With memories of his former life as a political journalist receding like a dream, Hans spends the next year and a half in forced labor camps, hearing the stories of others whose lives have been upended by violence and war. Through bold, historically inflected illustrations that convey the tension of the coming war and the grimness of the Vichy camps, Aomar Boum and Nadjib Berber capture the experiences of thousands of refugees through the fictional Hans, chronicling how the traumas of the Holocaust extended far beyond the borders of Europe.
 
 

Cover ArtVisions of the crow by John-Kehewin, Wanda

A new girl at school. A mysterious crow. Weird visions he can't explain. Grade 12 just got a lot more complicated for Damon Quinn... "Your ancestors have called us to help you." "I think you have the wrong number." Damon Quinn just wants to get through his senior year unscathed. His mom struggles with alcohol and is barely coping with the day-to-day. Marcus and his cronies at school are forever causing him trouble. The new girl, Journey, won't mind her own business. To make matters worse, now a mysterious crow is following him everywhere. After he is seized by a waking dream in the middle of a busy street, he's forced to confront his mom with some hard questions: Why haven't I met my dad? Where did we come from? Who am I? Damon must look within himself, mend the bond with his mother, and rely on new friends to find the answers he so desperately needs. Travelling through time and space, Damon will have to go back before he can move forward. The Dreams series of graphic novels explores cultural connection as a path to healing. Volume 1, Visions of the Crow, explores urban Indigenous experiences through the eyes of a Cree-Métis teen as he learns about his identity and finding home. Ultimately, Damon will learn what it takes to be a good leader for his people.
 
 
 
 

Cover ArtA first time for everything : a true story by Santat, Dan

Dan is used to feeling invisible. After being bullied in middle school, Dan has low expectations about everything, including the class trip to Europe with the same girls who love to make fun of him. But during his travels, a series of firsts begin to change him -- first Fanta, first fondue, and maybe even... first girlfriend? Funny, heartfelt, and embarrassingly true, this graphic novel memoir is based on Caldecott Medal Winner Dan Santat's most awkward middle school memories.
 
 
 
 
 
 
 
 
 
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