Showing of Results

New Fiction by Black Authors

02/03/2025
No Subjects
decorative-image

Celebrate Black History Month with Howe Library by checking-out new fiction titles in our collection by Black authors. See also, our featured books post for “African Americans and Labor”, the theme selected for 2025 Black History Month by the Association for the Study of African American Life and History. 

 

Find these books and more at the Howe Library Lobby display. 


Cover ArtGreat expectations : a novel. by Cunningham, Vinson

I'd seen the Senator speak a few times before my life got caught up, however distantly, with his, but the first time I can remember paying real attention was when he delivered the speech announcing his run for the Presidency. When David first hears the Senator from Illinois speak, he feels deep ambivalence. Intrigued by the Senator's idealistic rhetoric, David also wonders how he'll balance the fervent belief and inevitable compromises it will take to become the United States's first Black president. Great Expectations is about David's eighteen months working for the Senator's presidential campaign. Along the way David meets a myriad of people who raise a set of questions-questions of history, art, race, religion, and fatherhood, all of which force David to look at his own life anew and come to terms with his identity as a young Black man and father in America.
 
 
 

Cover ArtLet us descend : a novel. by Ward, Jesmyn

Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is "[t]he literary equivalent of an open wound from which poetry pours" (NPR). Annis, sold south by the white enslaver who fathered her, is the reader's guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Annis leads readers through the descent, hers is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this "[s]earing and lyrical...raw, transcendent, and ultimately hopeful" ( The Atlanta Journal-Constitution ) novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward's most magnificent novel yet.
 

Cover ArtRedwood court by Dameron, DéLana R. A.

Mika, you sit at our feet all these hours and days, hearing us tell our tales. You have all these stories inside you: all the stories everyone in our family knows and all the stories everyone in our family tells. You write 'em in your books and show everyone who we are." So begins DéLana R.A. Dameron's stunning novel-in-stories, Redwood Court. The baby of the family, Mika Mosby spends much of her time in the care of loved ones, listening to their stories and secrets, witnessing their struggles. Growing up on Redwood Court, the cul-de-sac in the working-class suburb of Columbia, South Carolina where her grandparents live, Mika learns important, sometimes difficult lessons from the people who raise her: Her exhausted parents, who work long hours at multiple jobs while still making sure their kids experience the adventure of family vacations; her older sister, who, in a house filled with Motown would rather listen to Alanis Morrisette, and can't wait to taste real independence; her retired grandparents, children of Jim Crow, who realized their own vision of success when they bought their house on Redwood Court in the 1960s, imagining it filled with future generations; and the many neighbors on the Court who hold tight to the community they've built, committed to fostering joy and love in an America so insistent on seeing Black people stumble and fall.
 

Cover ArtChain gang all stars by Adjei-Brenyah, Nana Kwame

The explosive, hotly-anticipated debut novel from the New York Times-bestselling author of Friday Black, about two top women gladiators fighting for their freedom within a depraved private prison system not so far-removed from America's own. Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a "new and necessary American voice"
 

Cover ArtCome and get it by Reid, Kiley

It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.
 
 
 
 
 

Cover ArtWe are all so good at smiling by McBride, Amber

When hospitalized for her clinical depression, Whimsy connects with a boy named Faerry, who also suffers from the traumatic loss of a sibling, and together they work to unearth buried memories and battle the fantastical physical embodiment of their depression.
 
 
 
 
 
 
 

Cover ArtKin : rooted in hope by Weatherford, Carole Boston

A multi-generational family history told in the voices of the author's ancestors, spanning enslavement alongside Frederick Douglass at Maryland's Wye House plantation, service in the U.S. Colored Troops, and the founding of all-Black Reconstruction-era communities.
 
 
 
 
 
 

Cover ArtWhat Napoleon could not do by Nnuro, DK

One of the Books Barack Obama Is Reading This Summer One of Vulture's Best Books of 2023 One of Goodreads' Buzziest Debut Novels of 2023 One of Essence's 31 Books You Must Read One of the most anticipated books by Town & Country and Elle America is seen through the eyes and ambitions of three characters with ties to Africa in this gripping novel When siblings Jacob and Belinda Nti were growing up in Ghana, their goal was simple: to move to America. For them, the United States was both an opportunity and a struggle, a goal and an obstacle. Jacob, an awkward computer programmer who still lives with his father, wants a visa so he can move to Virginia to live with his wife--a request that the U.S. government has repeatedly denied. He envies his sister, Belinda, who achieved, as their father put it, "what Napoleon could not do": she went to college and law school in the United States and even managed to marry Wilder, a wealthy Black businessman from Texas. Wilder's view of America differs markedly from his wife's, as he's spent his life railing against the racism and marginalization that are part of life for every African American living here. For these three, their desires and ambitions highlight the promise and the disappointment that life in a new country offers. How each character comes to understand this and how each learns from both their dashed hopes and their fulfilled dreams lie at the heart of what makes What Napoleon Could Not Do such a compelling, insightful read.
 

Cover ArtCool. Awkward. Black by Strong, Karen (Editor)

A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school's production of The Sound of Music; a misunderstood magician of sorts with a power she doesn't quite understand. These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters. From contemporary to historical, fantasy to sci-fi, magical to realistic, and with contributions from a powerhouse list of self-proclaimed geeks and bestselling, award-winning authors, this life-affirming anthology celebrates and redefines the many facets of Blackness and geekiness--both in the real world and those imagined.
 
 
 
 

Cover ArtForever is now by Lockington, Mariama

When sixteen-year-old Sadie, a Black bisexual recluse, develops agoraphobia the summer before her junior year, she relies on her best friend, family, and therapist to overcome her fears.
"I'm safe here. That's how Sadie feels, on a perfect summer day, wrapped in her girlfriend's arms. School is out, and even though she's been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness an incident of police brutality, Sadie's whole world is upended in an instant. I'm not safe anywhere. That's how Sadie feels every day after -- vulnerable, uprooted. She retreats as the weeks slip by. When Sadie's therapist gives her a diagnosis for her debilitating panic -- agoraphobia -- she starts on a path of acceptance and healing. Meanwhile, protests are taking place all over the city. Sadie wants to be a part of it, to use her voice and effect change. But how do you show up for your community when you can't even leave your house? I can build a safe place inside myself. That's what Sadie learns over the course of one life-changing summer. From critically acclaimed and Stonewall Honor-winning author Mariama J. Lockington comes a powerful young adult novel in verse about mental health, love, family, Black joy, and finding your voice and power in an unforgiving world.
 

Cover ArtThe Davenports by Marquis, Krystal

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love--even where they're not supposed to. There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married... until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love--unless it's with her sister's suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business--and marrying the one man she could never be with, Olivia and Helen's brother, John. But Olivia's best friend, Ruby, also has her sights set on John Davenport, though she can't seem to keep his interest... until family pressure has her scheming to win his heart, just as someone else wins hers.
 

Cover ArtThe probability of everything by Everett, Sarah

When an asteroid has an 84.7% chance of colliding with the Earth in four days, eleven-year-old Kemi, who loves scientific facts and probability, assembles a time capsule to capture her family's truth as she tries to come to terms with saying goodbye.
 
 
 
 
 
 
 

Cover ArtThe Heaven and Earth grocery store by McBride, James

From James McBride, author of the bestselling Oprah's Book Club pick Deacon King Kong and the National Book Award-winning The Good Lord Bird, a novel about small-town secrets and the people who keep them In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us. Bringing his masterly storytelling skills and his deep faith in humanity to The Heaven & Earth Grocery Store, James McBride has written a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.
 

Cover ArtMoonrise over New Jessup by Minnicks, Jamila

It's 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. She falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup's status quo and could lead to the young couple's expulsion-or worse-from the home they hold dear. But as Raymond continues to push alternatives for enhancing New Jessup's political power, Alice must find a way to balance her undying support for his underground work with her desire to protect New Jessup from the rising pressure of upheavals both in and out of town.
 
 
 
 
 

Cover ArtMagic Enuff : poems by Stringfellow, Tara M.

An electrifying collection of poems that tells a universal tale of survival and revolution through the lens of Black femininity. Tara M. Stringfellow embraces complexity, grappling with the sometimes painful, sometimes wonderful way two conflicting things can be true at the same time. How it's possible to have a strong voice and also feel silenced. To be loyal to things and people that betray us. To burn as hot with rage as we do with love. Each poem asks how we can heal and sustain relationships with people, systems, and ourselves. How to reach for the kind of real love that allows for the truth of anger, disappointment, and grief. Unapologetic, unafraid, and glorious in its nuance, this collection argues that when it comes to living in our full humanity, we have-and we are-magic enough.
No Tags

Similar Posts

View All Posts
featured-image-152242

This year's theme for Black History month, set by the Association for the Study of African American Life and History, is African Americans and Labor. Check-out this featured books lists for titles in Howe Library that highlight and celebrate this theme. 

 

“African Americans, and Labor, focuses on the various and profound ways that work and working of all kinds – free and unfree, skilled, and unskilled, vocational and voluntary – intersect with the collective experiences of Black people. Indeed, work is at the very center of much of Black history and culture.” Read more in the executive summary by the Association. 

 

Be sure to also visit our featured book list “New Fiction by Black Authors” and find these books and more at the Howe Library Lobby display. 


Cover ArtBlack folk : the roots of the Black working class by Kelley, Blair Murphy

An award-winning historian illuminates the adversities and joys of the Black working class in America through a stunning narrative centered on her forebears. There have been countless books, articles, and televised reports in recent years about the almost mythic 'white working class,' a tide of commentary that has obscured the labor, and even the very existence, of entire groups of working people, including everyday Black workers. In this brilliant corrective, Black Folk, acclaimed historian Blair LM Kelley restores the Black working class to the center of the American story.
 
 
 
 
 

Cover ArtSoft power for the journey : the life of a STEM trailblazer by Johnson, Sandra K.

This is a story of an African American woman working at the highest levels in STEM. Dr. Sandra K. Johnson earned a Ph.D. in electrical and computer engineering from Rice University in May 1988, the first black woman to do so.
 
 
 
 
 
 
 
 

Cover ArtFight like hell : the untold history of American labor by Kelly, Kim

Freed Black women organizing for protection in the Reconstruction-era South. Jewish immigrant garment workers braving deadly conditions for a sliver of independence. Asian American fieldworkers rejecting government-sanctioned indentured servitude across the Pacific. Incarcerated workers advocating for basic human rights and fair wages. The queer Black labor leader who helped orchestrate America's civil rights movement. These are only some of the working-class heroes who propelled American labor's relentless push for fairness and equal protection under the law. The names and faces of countless silenced, misrepresented, or forgotten leaders have been erased by time as a privileged few decide which stories get cut from the final copy: those of women, people of color, LGBTQIA people, disabled people, sex workers, prisoners, and the poor. In this volume, Kelly excavates that untold history and shows how the rights the American worker has today--the forty-hour workweek, workplace-safety standards, restrictions on child labor, protection from harassment and discrimination on the job--were earned with literal blood, sweat, and tears.
 

Cover ArtRacing the Great White Way : Black performance, Eugene O'Neill, and the transformation of Broadway by Johnson, Katie N

The early drama of Eugene O'Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O'Neill's dramatic text-changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism-theater artists of color have used O'Neill's dramatic texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O'Neill's plays such as The Emperor Jones and All God's Chillun Got Wings make ideal case studies because his work stimulated extraordinary, and underappreciated, traffic between Broadway and Harlem-between white and Black America. While it focuses on investigating Broadway productions of O'Neill, the book also attends to the vibrant transnational exchange in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.
 

Cover ArtDear Department Chair : letters from Black women leaders to the next generation

Practical and candid, this book offers actionable steps to help Black women leaders create meaningful success. The reflections and recommendations of the contributors forge a critical and transformative analysis of race, gender, and higher education leadership. With insights from humanities, social sciences, art, and STEM, this essential resource helps to redefine the academy to meet the challenges of the future. Dear Department Chair is comprised of personal letters from prominent Black women department chairs, deans, vice provosts, and university presidents, addressed to current and future Black women academic professionals, and offers a rich source of peer mentorship and professional development. These letters emerged from Chair at the Table, a research collective and peer-mentoring network of current and former Black women department chairs at colleges and universities across the U.S. and Canada. The collective's works, including this volume, serve as tools for faculty interested in administration, current chairs seeking mentorship, and upper-level administrators working to diversify their ranks.
 

Cover ArtHousehold workers unite : the untold story of African American women who built a movement by Nadasen, Premilla

Premilla Nadasen recounts in this powerful book a little-known history of organizing among African American household workers. She uses the stories of a handful of women to illuminate the broader politics of labor, organizing, race, and gender in late 20th-century America. At the crossroads of the emerging civil rights movement, a deindustrializing economy, a burgeoning women's movement, and increasing immigration, household worker activists, who were excluded from both labor rights and mainstream labor organizing, developed distinctive strategies for political mobilization and social change. We learn about their complicated relationship with their employers, who were a source of much of their anguish, but, also, potentially important allies. And equally important they articulated a profound challenge to unequal state policy. Household Workers Unite offers a window into this occupation from a perspective that is rarely seen. At a moment when the labor movement is in decline; as capital increasingly treats workers as interchangeable or dispensable; as the number of manufacturing jobs continues to dwindle and the number of service sector jobs expands; as workers in industrialized countries find themselves in an precarious situation and struggle hard to make ends meet without state support or protection--the lessons of domestic worker organizing recounted here might prove to be more important than just a correction of the historical record. The women in this book, as Nadasen demonstrates, were innovative labor organizers. As a history of poor women workers, it shatters countless myths and assumptions about the labor movement and proposes a very different vision.
 

Cover ArtWorkers on arrival : Black labor in the making of America by Trotter, Joe William

From the ongoing issues of poverty, health, housing and employment to the recent upsurge of lethal police-community relations, the black working class stands at the center of perceptions of social and racial conflict today. Journalists and public policy analysts often discuss the black poor as "consumers" rather than "producers," as "takers" rather than "givers," and as "liabilities" instead of "assets."In his engrossing new history, Workers on Arrival, Joe William Trotter, Jr. refutes these perceptions by charting the black working class's vast contributions to the making of America. Covering the last four hundred years since Africans were first brought to Virginia in 1619, Trotter traces black workers' complicated journey from the transatlantic slave trade through the American Century to the demise of the industrial order in the 21st century. At the center of this compelling, fast-paced narrative are the actual experiences of these African American men and women. A dynamic and vital history of remarkable contributions despite repeated setbacks, Workers on Arrival expands our understanding of America's economic and industrial growth, its cities, ideas, and institutions, and the real challenges confronting black urban communities today.
 

Cover ArtRichard L. Davis and the color line in Ohio coal : a Hocking Valley Mine labor organizer, 1862-1900 by Doppen, Frans H.

Richard Davis wrote the first of many letters to the National Labor Tribune. One of the few African Americans at the founding convention of United Mine Workers of America in 1890, he served as one of the union's National Executive Board members. This biography provides a detailed portrait of one of America's more influential labor leaders.
 
 
 
 
 
 
 

Cover ArtSuccessful Black entrepreneurs : hidden histories, inspirational stories, and extraordinary business achievements : case studies by Harvard Business School by Rogers, Steven

A few years ago, while serving as a Professor at Harvard Business School, Rogers created a new course titled "Black Business Leaders and Entrepreneurship." After learning of the new course, a white professor asked, "Why do we need this course? What is the difference between Black and white entrepreneurs?" In response, Rogers identified the following differences: Black entrepreneurs cannot access capital from traditional financial institutions including banks and private equity firms Many Black entrepreneurs who want to sell to white customers must practice "racial concealment" to be successful Successful Black entrepreneurs who are not athletes or entertainers are virtually invisible in the minds of the general public All of these reasons have a negative impact on Black entrepreneurship which hurts the Black community and the entire country. Successful Black entrepreneurs create jobs for Black, white, and other racial groups. They also have created companies that provide products and services that has benefited society-at-large. For the Black community, Black entrepreneurship has been synonymous with freedom and self-sufficiency. For example, Black entrepreneurs are the largest private employers of Black people in the country. The government is the top public employer. The book will be largely comprised of case studies that Rogers wrote and have been published by Harvard Business School (HBS). These are all case studies that have been individually sold by Harvard Business Publishing, proving that there is a market for this content. A book made up primarily of HBS case studies about Black entrepreneurs has never been published
 

Cover ArtSouthern Labor and Black Civil Rights : Organizing Memphis Workers. by Honey, Michael K.

Widely praised upon publication and now considered a classic study,Southern Labor and Black Civil Rightschronicles the southern industrial union movement from the Great Depression to the Cold War, a history that created the context for the sanitation workers' strike that brought Dr. Martin Luther King, Jr. to Memphis in April 1968. Michael K. Honey documents the dramatic labor battles and sometimes heroic activities of workers and organizers that helped to set the stage for segregation's demise.Winner of the Charles S. Sydnor Award, given by the Southern Historical Association, 1994. Winner of the James A. Rawley Prize given by the Organization of American Historians, 1994. Winner of the Herbert G. Gutman Award for an outstanding book in American social history.
 
 

Cover ArtReverend Addie Wyatt faith and the fight for labor, gender, and racial equality by Walker-McWilliams, Marcia

Labor leader, civil rights activist, outspoken feminist, African American clergywoman--Reverend Addie Wyatt stood at the confluence of many rivers of change in twentieth century America. The first female president of a local chapter of the United Packinghouse Workers of America, Wyatt worked alongside Martin Luther King Jr. and Eleanor Roosevelt and appeared as one of Time magazine's Women of the Year in 1975. Marcia Walker-McWilliams tells the incredible story of Addie Wyatt and her times. What began for Wyatt as a journey to overcome poverty became a lifetime commitment to social justice and the collective struggle against economic, racial, and gender inequalities. Walker-McWilliams illuminates how Wyatt's own experiences with hardship and many forms of discrimination drove her work as an activist and leader. A parallel journey led her to develop an abiding spiritual faith, one that denied defeatism by refusing to accept such circumstances as immutable social forces
 

Cover ArtMarching together : women of the Brotherhood of Sleeping Car Porters by Chateauvert, Melinda

The Brotherhood of Sleeping Car Porters was the first national trade union for African Americans. Standard BSCP histories focus on the men who built the union: few acknowledge the important role of the Ladies' Auxiliary in shaping public debates over black manhood and unionization, setting political agendas for the black community, and crafting effective strategies to win racial and economic justice.
In this first book-length history of the women of the BSCP, Melinda Chateauvert brings to life an entire group of women ignored in previous histories of the Brotherhood and of working-class women, situating them in the debates among women's historians over the ways that race and class shape women's roles and gender relations. Chateauvert's work shows how the auxiliary, made up of the wives, daughters, and sisters of Pullman porters, used the Brotherhood to claim respectability and citizenship. Pullman maids, relegated to the auxiliary, found their problems as working women neglected in favor of the rhetoric of racial solidarity.
The auxiliary actively educated other women and children about the labor movement, staged consumer protests, and organized local and national civil rights campaigns ranging from the 1941 March on Washington to school integration to the Montgomery bus boycott.
 

Cover ArtReal role models successful African Americans beyond pop culture by Spearman, Joah

All young people need good role models, and black youth especially need positive and real examples beyond the famous and wealthy people they see on SportsCenter highlights and MTV Cribs. While success as a celebrity athlete or entertainer may seem like an achievable dream, the reality is that young African Americans have a much greater chance of succeeding in the professions through education and hard work--and a mentor to show them the path. Real Role Models introduces high school and college-age African Americans to twenty-three black professionals who have achieved a high level of success in their chosen fields and who tell their stories to inspire young people to pursue a professional career and do the work necessary to achieve their dreams.
 
 
 
 

Cover ArtBlack workers remember : an oral history of segregation, unionism, and the freedom struggle by Honey, Michael K.

The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. This work tells the hidden history of African American workers in their own words from the 1930s to the present. It provides first-hand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee, the place where Martin Luther King, Jr., was assassinated during a strike by black sanitation workers. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era.
Together, the stories demonstrate how black workers resisted apartheid in American industry and underscore the active role of black working people in history.
 

Cover ArtBuilding the black metropolis African American entrepreneurship in Chicago by Weems, Robert E.; Chambers, Jason

From Jean Baptiste Point DuSable to Oprah Winfrey, Black entrepreneurship has helped define Chicago. Robert E. Weems, Jr. and Jason P. Chambers curate a collection of essays that place the city as the center of the Black business world in the United States. Ranging from titans like Anthony Overton and Jesse Binga to McDonald's operators to Black organized crime, the scholars shed light on the long-overlooked history of African American work and entrepreneurship since the Great Migration. Together they examine how factors like the influx of southern migrants and the city's unique segregation patterns made Chicago a prolific incubator of productive business development -- and made building a Black metropolis as much a necessity as an opportunity
 
 
 

Cover ArtFor jobs and freedom : selected speeches and writings of A. Philip Randolph by Randolph, A. Philip

As the head of the Brotherhood of Sleeping Car Porters and a tireless advocate for civil rights, A. Philip Randolph (1889-1979) served as a bridge between African Americans and the labor movement. During a public career that spanned more than five decades, he was a leading voice in the struggle for black freedom and social justice, and his powerful words inspired others to join him. This volume documents Randolph's life and work through his own writings. The editors have combed through the files of libraries, manuscript collections, and newspapers, selecting more than seventy published and unpublished pieces that shed light on Randolph's most significant activities. The book is organized thematically around his major interests--dismantling workplace inequality, expanding civil rights, confronting racial segregation, and building international coalitions. The editors provide a detailed biographical essay that helps to situate the speeches and writings collected in the book. In the absence of an autobiography, this volume offers the best available presentation of Randolph's ideas and arguments in his own words.
No Subjects
featured-image-150448

Join UVM Libraries as we celebrate Native American Heritage Month (November) with our latest New Books Spotlight. Check-out print and eBooks available through the Library featuring indigenous perspectives, stories, and activism. 


 

Cover ArtWe Will Be Jaguars by Nemonte Nenquimo; Mitch Anderson

From a fearless, internationally acclaimed activist comes an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nenquimo is a winner of TIME magazine's Earth Award, and MS. magazine named this book among the Most Anticipated Feminist Books of 2024. Born into the Waorani tribe of Ecuador's Amazon rainforest--one of the last to be contacted by missionaries in the 1950s--Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. At age fourteen, she left the forest for the first time to study with an evangelical missionary group in the city. Eventually, her ancestors began appearing in her dreams, pleading with her to return and embrace her own culture. She listened. Two decades later, Nemonte has emerged as one of the most forceful voices in climate change activism. She has spearheaded the alliance of indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. Her message is as sharp as a spear--honed by her experiences battling loggers, miners, oil companies and missionaries. In We Will Be Jaguars, she partners with her husband, Mitch Anderson, founder of Amazon Frontlines, digging into generations of oral history, uprooting centuries of conquest, hacking away at racist notions of indigenous peoples, and ultimately revealing a life story as rich, harsh, and vital as the Amazon rainforest herself.
 

Cover ArtBirds Through Indigenous Eyes by Dennis Gaffin

An intimate and personal account of the profound roles birds play in the lives of some Indigenous people For many hours over a period of years, white anthropologist Dennis Gaffin and two Indigenous friends, Michael Bastine and John Volpe, recorded their conversations about a shared passion: the birds of upstate New York and southern Ontario. In these lively, informal talks, Bastine (a healer and naturalist of Algonquin descent) and Volpe (a naturalist and animal rehabilitator of Ojibwe and Métis descent) shared their experiences of, and beliefs about, birds, describing the profound spiritual, psychological, and social roles of birds in the lives of some Indigenous people. Birds through Indigenous Eyes presents highlights of these conversations, placing them in context and showing how Native understandings of birds contrast with conventional Western views. Bastine and Volpe bring to life Algonquin, Ojibwe, and Haudenosaunee (Iroquois) beliefs about birds. They reveal how specific birds and bird species are seamlessly integrated into spirituality and everyday thought and action, how birds bring important messages to individual people, how a bird species can become associated with a person, and how birds provide warnings about our endangered environment. Over the course of the book, birds such as the house sparrow, Eastern phoebe, Northern flicker, belted kingfisher, gray catbird, cedar waxwing, and black-capped chickadee are shown in a new light--as spiritual and practical helpers that can teach humans how to live well. An original work of ethno-ornithology that offers a rare close-up look at some Native views on birds, Birds through Indigenous Eyes opens rich new perspectives on the deep connections between birds and humans.
 
 

Cover ArtWarrior Girl Unearthed by Angeline Boulley

Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she's stuck working to pay back her Auntie Daunis for repairs to the Jeep. Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn't feel so lost after all. But when she attends a meeting at a local university, Perry learns about the "Warrior Girl", an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors' remains, and Perry and the Misfits won't let it go on any longer. Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline's perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right--for the ancestors and for their community
 
 
 
 

Cover ArtWandering Stars by Tommy Orange

Colorado, 1864, Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison-castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star's son, Charles, is sent to the school, where he is brutalized by the man who was once his father's jailer. Under Pratt's harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines. In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in 'There There' -- warriors, drunks, outlaws, addicts -- asking what it means to be the children and grandchildren of massacre. 'Wandering Stars' is a novel about epigenetic and generational trauma that has the force and vision of a modern epic, an exceptionally powerful new book from one of the most exciting writers at work today and soaring confirmation of Tommy Orange's monumental gifts.
 
 
 
 
 

Cover ArtBeing Indian and walking proud : American Indian identity and reality. by Fixico, Donald L.

This book explores the identity of American Indians from an Indigenous perspective and how outside influences throughout history, from the arrival of Columbus in 1492 to the twenty-first century, have affected Native people. Non-Native writers, boarding school teachers, movie directors, bureaucrats, churches, and television have all heavily impacted how Indians are viewed in the United States. Drawing on the life experiences of many American Indian men and women, this volume reveals how American Indian identity comprises multiple identities, including the noble savage, wild savage, Hollywood Indian, church-going Indian, rez Indian, urban Indian, Native woman, Indian activist, casino Indian, and tribal leader. Indigenous people, in their own voices, share their experiences of discrimination, being treated as outsiders in their own country, and the intersections of gender, culture, and politics in Indian-white relations. Yet the book also highlights the resilience of being Indian and the pride felt from being a member of a tribe(s), knowing your relatives, and feeling connected to the earth. Being Indian and Walking Proud is a compelling resource for any reader interested in Indigenous history, including students and scholars in Native American and Indigenous studies, anthropology, and American history.
 
 

Cover ArtAmerican Indian women of proud nations by Jolivette, Andrew (Series edited by); Wiethaus, Ulrike (Editor); Beasley, Cherry Maynor (Editor); Jacobs, Mary Ann (Editor)

At its onset, the American Indian Women of Proud Nations Organization set out to create a space that would uplift Native American women, children, and families because of their central roles in the continuation of Native communities. The contributors to the second edition continue to document and reflect on the organization's initiative and the efforts of Southeastern Native women and their allies to center women, children and families in protecting and strengthening kinship, land, and language as enduring aspects of Native American cultures. The second edition offers updated research on language revitalization, adolescents and their parental caregivers, Indigenous issues in higher education, and new work on matrilineality, the Missing and Murdered People crisis, and the continuation of healing traditions in a contemporary context.
 
 
 
 
 
 
 
 
 

Cover ArtInvisible no more by Foxworth, Raymond (Editor); Dubb, Steve (Editor)

For too long, Native American people in the United States have been stereotyped as vestiges of the past, invisible citizens in their own land obliged to remind others, “We are still here!” Yet today, Native leaders are at the center of social change, challenging philanthropic organizations that have historically excluded Native people, and fighting for economic and environmental justice. Edited by Raymond Foxworth of First Nations Development Institute and Steve Dubb of The Nonprofit Quarterly, Invisible No More is a groundbreaking collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations, including communities in Alaska and Hawaiʻi. Chapters are grouped by themes of challenging philanthropy, protecting community resources, environmental justice, and economic justice. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism, reminding readers how philanthropic wealth often stems from the theft of Native land and resources, as well as how major national parks such as Yosemite were “conserved” by forcibly expelling Native residents. At the same time, the authors detail ways that readers might imagine the world differently, presenting stories of Native community building that offer benefits for all. Accepting this invitation to reset assumptions can be at once profound and pragmatic. For instance, wildfires in large measure result from recent Western land mismanagement; Native techniques practiced for thousands of years can help manage fire for everyone's benefit. In a world facing a mounting climate crisis and record economic inequality, Invisible No More exposes the deep wounds of a racist past while offering a powerful call to care for one another and the planet. Indigenous communities have much to offer, not the least of which are solutions gleaned from cultural knowledge developed over generations.
 
 

Cover ArtCarving space : a collection of prose and poetry from emerging indigenous writers in lands claimed by Canada.

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon. Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada. Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga'a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favorites.
 
 
 
 

Cover ArtRise up! : Indigenous music in North America by Harris, Craig

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America's most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa "Bear" Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.
 
 
 
 
 
 
 

Cover ArtBuffalo dreamer by Duncan, Violet

When twelve-year-old Summer visits her family on a reservation in Alberta, Canada, she begins experiencing vivid dreams of running away from a residential school like the one her grandfather attended as a child and learns about unmarked children's graves, prompting her to seek answers about her community's painful past.
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtFuneral songs for dying girls by Dimaline, Cherie

Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack. Her habit of wandering the graveyard at all hours has started a rumor that Winterson Cemetery might be haunted. It's welcome news since the crematorium is on the verge of closure and her father's job being outsourced. Now that the ghost tours have started, Winifred just might be able to save her father's job and the only home she's ever known, not to mention being able to stay close to where her mother is buried. All she has to do is get help from her con-artist cousin to keep up the rouse and somehow manage to stop her father from believing his wife has returned from the grave. But when an actual ghost of a teen girl, Phil, who lived and died in the ravine next to the cemetery, starts showing up, Winifred begins to question everything she believes about life, love and death--and, most importantly, love.
 
 
 
 
 

Cover ArtIwigara by Salmon, Enrique

Tap into Thousands of Years of Plant Knowledge The belief that all life-forms are interconnected and share the same breath'known in the RarAmuri tribe as iwigara'has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique SalmOn builds on this concept of connection and highlights 80 plants revered by North America's indigenous peoples. SalmOn teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwigara can enhance your own kinship with the natural world.
 
 
 
 

Cover ArtBecoming kin an indigenous call to unforgetting the past and reimagining our future by Krawec, Patty

Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to 'unforget' our history.
 
 
 
 
 
 
 

Cover ArtTo shape a dragon's breath by Blackgoose, Moniquill

A young, Indigenous woman enters a colonizer-run dragon academy after bonding with a hatchling--and quickly finds herself at odds with the "approved" way of doing things--in the first book of a brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations--until fifteen-year-old Anequs finds a dragon's egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered: a Person Who Belongs to a Dragon. Unfortunately for Anequs, the Anglish conquerors of her land have a quite different opinion. They have a very specific idea on how a dragon should be raised--and who should be doing the raising--and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, then her dragon will be destroyed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land challenges abound--both socially and academically. But Anequs is smart and determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. For the world needs changing--and Anequs and her dragon are less coming of age in this bold new world than coming to power
 
 
 

Cover ArtBerry song by Goade, Michaela

Caldecott Medalist Michaela Goade's first self-authored picture book is a gorgeous celebration of the land she knows well and the powerful wisdom of elders. On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Snowberry, Strawberry, Crowberry. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all. Michaela Goade's luminous rendering of water and forest, berries and jams glows with her love of the land and offers an invitation to readers to deepen their own relationship with the earth.
 
 
 
 
 

Cover ArtElapultiek : (we are looking towards) by Joudry, Shalan

Set in contemporary times, a young Mi'kmaw drum singer and a Euro-Nova Scotian biologist meet at dusk each day to count a population of endangered Chimney Swifts (kaktukopnji'jk). They quickly struggle with their differing views of the world. Through humour and story, the characters must come to terms with their own gifts and challenges as they dedicate efforts to the birds. Each "count night" reveals a deeper complexity of connection to land and history on a personal level. Inspired by real-life species at risk work, Shalan Joudry originally wrote this story for an outdoor performance. Elapultiek calls on all of us to take a step back from our routine lives and question how we may get to understand our past and work better together. The ideal of weaving between Indigenous and non-Indigenous worlds involves taking turns to speak and to listen, even through the most painful of stories, in order for us all to heal. We are in a time when sharing cultural, ecological, and personal stories is vital in working towards a peaceful shared territory, co-existing between peoples and nature. "It's a crucial time to have these conversations," offers Joudry. "The power of story can engage audience and readers in ways that moves them to ask more questions about the past and future.
 
 
No Subjects
featured-image-150444

Celebrate Hispanic Heritage Month with Howe Library. See our latest Books Spotlight for fiction, nonfiction, English, and Spanish language books featuring Hispanic and Latinx voices. Be sure to visit our display on the first floor of Howe Library for even more books!  


 

Cover ArtWild Tongues Can't Be Tamed by Saraciea J. Fennell (Editor)

In Wild Tongues Can't Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community
 
 
 
 
 
 
 
 
 

Cover ArtThe Belly of the Whale by Claudia Prado; Rebecca Gayle Howell (Translator)

In this South American epic, poet Claudia Prado imagines her ancestors? nineteenth-century migration from the Basque Country into Argentina and, ultimately, southward into the oceanic desert. At its original publication in 2000, El interior de la ballena received Argentina's National Fund for the Arts prize, helping usher in a poetics of Patagonia. Prado's poetry honors her homeland's wide open desert and its ancient silences, offering a vision that braids intergenerational migrations into a chorus of monologues and intimate voices, all looking for home. Here speaks a woman who, against her will, is taken to that desert; here is revealed the thoughts of an orphan laborer; here, a chicken thief celebrates his sad prize. In El interior de la ballena, Prado uses her page to privilege the often unseen and unheard, composing in silence as much as sound. When read together, the poems quilt a place, time, and lineage through a story of strong women, wounded and wounding men, and a rural and unforgiving landscape from which hardscrabble labor is the origin of survival. El interior de la ballena | The belly of the whale is now rendered into English for the first time by award-winning poet and translator Rebecca Gayle Howell. In this completely bilingual edition, readers of either language can immerse themselves in Prado?s Patagonia, as well as this unique collaboration between Prado and Howell that begs us to ask if language itself is our endless migration.

 
 

Cover ArtThe Cemetery of Untold Stories by Julia Alvarez

When celebrated writer Alma Cruz inherits a small plot of land in the Dominican Republic, she turns it into a place to bury her untold stories--literally. She creates a graveyard for manuscript drafts and revisions and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace, but they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives.
 
 
 
 
 

 
 
 
 

Cover ArtOur Migrant Souls by Héctor Tobar; Héctor Tobar

"Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen Latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation.
 
 
 
 
 
 
 

Cover ArtEn el nombre de Salomé by Alvarez, Julia

En el verano de 1960, Camila Henríquez Ureña está a punto de viajar desde Poughkeepsie a Cuba para unirse a la revolución de Fidel Castro. Como hija de Solomé Ureña, la poeta revolucionaria dominicana del siglo XIX, el activismo es parte de la herencia de Camila. Sin embargo, también conoce la confusión del exilio y una dolorosa curiosidad por la madre que nunca conoció. Ahora, mientras retoma el legado de su madre, profundiza en los hechos públicos de la vida de su madre y reconstruye la historia de la Solomé privada y, por tanto, su propia historia.

translation: It the summer of 1960, Camila Henríquez Urena is about to travel from Poughkeepsie to Cuba to join Fidel Castro's revolution. As the daughter of Solomé Urena-the 19th -century revolutionary Dominicana poet-activism is part of Camila's inheritance. Yet she also knows the confusion of exile and a painful curiosity about the mother she never knew. Now, as she takes up her mother's legacy, she delves behind the public facts of her mother's life and pieces together the story of the private Solomé-and thus her own story.
 
 
 
 

Cover ArtLatinx belonging : community building and resilience in the United States by Deeb-Sossa, Natalia (Editor); Mendez, Jennifer Bickham (Editor)

What does it mean to be Latinx? This pressing question forms the core of Latinx Belonging, which brings together cutting-edge research to discuss the multilayered ways this might be answered. Latinx Belonging is anchored in the claim that Latinx people are not defined by their marginalization but should instead be understood as active participants in their communities and contributors to U.S. society. The volume's overarching analytical approach recognizes the differences, identities, and divisions among people of Latin American origin in the United States, while also attending to the power of mainstream institutions to shape their lives and identities. Contributors to this volume view "belonging" as actively produced through struggle, survival, agency, resilience, and engagement. This work positions Latinxs' struggles for recognition and inclusion as squarely located within intersecting power structures of gender, race, sexuality, and class and as shaped by state-level and transnational forces such as U.S. immigration policies and histories of colonialism. From the case of Latinxs' struggles for recognition in the arts, to queer Latinx community resilience during COVID-19 and in the wake of mass shootings, to Indigenous youth's endurance and survival as unaccompanied minors in Los Angeles, the case studies featured in this collection present a rich and textured picture of the diversity of the U.S. Latinx experience in the twenty-first century.

 
 

Cover ArtAlma and how she got her name by Martinez-Neal, Juana

When Alma Sofia Esperanza José Pura Candela asks her father why she has so many names, she hears the story of her name and learns about her grandparents.
 

Cover ArtDominicana by Cruz, Angie

Fifteen-year-old Ana Canción never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she must say yes. It doesn't matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year's Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape. But at the bus terminal, she is stopped by César, Juan's free-spirited younger brother, who convinces her to stay. As the Dominican Republic slides into political turmoil, Juan returns to protect his family's assets, leaving César to take care of Ana. Suddenly, Ana is free to take English lessons at a local church, lie on the beach at Coney Island, dance with César at the Audubon Ballroom, and imagine the possibility of a different kind of life in America. When Juan returns, Ana must decide once again between her heart and her duty to her family. In bright, musical prose that reflects the energy of New York City, Dominicana is a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world.

 
 
 

Cover ArtThe five wounds : a novel by Quade, Kirstin Valdez

It's Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans. Their reunion sets her own life down a startling path. Vivid, tender, darkly funny, and beautifully rendered, The Five Wounds spans the baby's first year as five generations of the Padilla family converge: Amadeo's mother, Yolanda, reeling from a recent discovery; Angel's mother, whom Angel isn't speaking to; and disapproving Tío Tíve, keeper of the family's history. In the absorbing, realist tradition of Elizabeth Strout and Jonathan Franzen, Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

 
 
 
 
 

Cover ArtChicano-Chicana Americana : pop culture pluralism starring Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros by Macias, Anthony F.

ISBN: 9780816547234
Chicano-Chicana Americana is a cultural history of Mexican Americans in film, television, and theater. Each chapter presents an in-depth case study analyzing the lives and creative careers of four underappreciated actors--Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros-to answer the question: How do racially and socio-economically marginalized Latino-Latina subjects contribute to U.S. culture, beyond the black-white binary? Drawing on methods borrowed from cultural studies, Macías argues that these performers, neither assimilationists nor nationalists, expressed a dynamic, complex ethnic identity, created an alternative strategy for how Latinos and Latinas are seen in popular culture, and carved out a space for imagining a polycultural America. These artists altered cinematic representations and audience expectations of ethnic Mexicans by challenging, undermining, and surpassing stereotypes. By documenting their presence in motion picture studio-era movies, and public, network, and cable TV, Chicano-Chicana Americana demonstrates how Chicanas and Chicanos made their mark on Americana.

 

 

Cover ArtSí, se puede : the Latino heroes who changed the United States by Anta, Julio

ISBN: 9781984860910
From community activism to the halls of government, pop-culture, arts, and beyond, Latinos have shaped every aspect of American life. Nevertheless, these significant figures and their contributions are often left out of our textbooks. Sí, Se Puede, named after the "Yes, We Can" motto of the United Farm Workers, brings Latino history in the U.S. to the forefront. The book follows a group of Hispanic-Americans as they embark on an interactive museum tour to meet Latino heroes they may not have learned about in school. The high tech, immersive exhibit allows the tour group to virtually travel through time, visiting the Hispanic Union soldiers of the Civil War; marching with César Chávez and Dolores Huerta in the farmworkers struggle; going to space with Ellen Ochoa, the first Latina to leave Earth's atmosphere; meeting the youngest woman to ever serve in Congress, Alexandria Ocasio-Cortez; and more. This ensemble of unlikely friends discover the rich history of Latinos in the United States, and gain new insights into their own American experiences.
 


 
 

Cover ArtIllustrating Spain in the US by Merino, Ana (Editor); Gonzalez-Cutre, Marta (Translator)

ISBN: 9781683965084
A combination of comics and essays sheds light on the rich but often overlooked contributions of Spanish immigrants to the political, cultural, and scientific history of the US.
 
 
 
 
 
 
 
 
 

Cover ArtIsla to island by Castellanos, Alexis

A wordless graphic novel in which twelve-year-old Marisol must adapt to a new life [in] 1960s Brooklyn after her parents send her to the United States from Cuba to keep her safe during Castro's regime.
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtFrizzy by Ortega, Claribel A.; Bousamra, Rose (Illustrator)

Marlene loves three things: art, her cool tía Ruby and hanging out with her best friend, Camilla. But according to her mother, Paola, the only things she needs to focus on are school and growing up. That means straightening her hair every weekend so she can have "presentable," "good" hair. But Marlene hates being in the salon and doesn't understand why her curls are not considered pretty by those around her. With a few hiccups, a dash of embarrassment, and the much-needed help of Camila and Tía Ruby -- she slowly starts a journey to learn to appreciate and proudly wear her curly hair.
 
 
 
 
 
 
 
 

Cover ArtDesolación by Mistral, Gabriela

Gabriela Mistral was the first Latin American to receive the Nobel Prize in Literature, which she was awarded in 1945. Mistral has fascinated scholars, writers, and artists, who have tried to piece together the variegated layers of her persona and her "emotionally outspoken verses," as Langston Hughes described them. Sundial House's centenary edition commemorates Mistral's debut anthology, Desolación (1922), edited by Federico de Onís at Columbia University. This bilingual edition, featuring 37 poems translated by Langston Hughes, breathes new life into the Mistral's first anthology and makes available in English an intimate portrait of an ardent observer of life. Desolación is an evocative collection of poems and haunting poetic prose that explore desire, grief, motherhood, childhood, nature, and spirituality with radical sensibility.
 
 
 
 
 
 

Cover ArtEl viento conoce mi nombre by Allende, Isabel

Traza el efecto dominó de la guerra y la inmigración en dos niños: Samuel, de cinco años, cuya madre lo mete en un tren Kindertransport desde la Austria ocupada por los nazis a Inglaterra en 1938, y Anita, de siete años, que aborda otro tren ocho décadas más tarde a los EE.UU., donde se separa de su madre.

translation: Traces the ripple effects of war and immigration on two children--five-year-old Samuel, whose mother puts him on a Kindertransport train out of Nazi-occupied Austria to England in 1938, and seven-year-old Anita, who boards another train eight decades later to the U.S., where she is separated from her mother.
 
 
 
 
 
 
 

Cover ArtEn agosto nos vemos by García Márquez, Gabriel

Cada mes de agosto Ana Magdalena Bach toma el transbordador hasta la isla donde está enterrada su madre para visitar la tumba en la que yace. Esas visitas acaban suponiendo una irresistible invitación a convertirse en una persona distinta durante una noche al año. Escrita en el inconfundible y fascinante estilo de García Márquez, En agosto nos vemos es un canto a la vida, a la resistencia del goce pese al paso del tiempo y al deseo femenino. Un regalo inesperado de uno de los escritores más queridos de nuestra lengua.

translation: The extraordinary rediscovered novel from the Nobel Prize-winning author of Love in the Time of Cholera and One Hundred Years of Solitude. Sitting alone beside the languorous blue waters of the lagoon, Ana Magdalena Bach contemplates the men at the hotel bar. She has been happily married for twenty-seven years and has no reason to escape the life she has made with her husband and children. And yet, every August, she travels by ferry here to the island where her mother is buried, and for one night takes a new lover. Across sultry Caribbean evenings full of salsa and boleros, lotharios and conmen, Ana journeys further each year into the hinterland of her desire and the fear hidden in her heart. Constantly surprising, joyously sensual, Until August is a profound meditation on freedom, regret, self-transformation, and the mysteries of love--an unexpected gift from one of the greatest writers the world has ever known.
 
No Subjects