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New Fiction by Black Authors

02/03/2025
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Celebrate Black History Month with Howe Library by checking-out new fiction titles in our collection by Black authors. See also, our featured books post for “African Americans and Labor”, the theme selected for 2025 Black History Month by the Association for the Study of African American Life and History. 

 

Find these books and more at the Howe Library Lobby display. 


Cover ArtGreat expectations : a novel. by Cunningham, Vinson

I'd seen the Senator speak a few times before my life got caught up, however distantly, with his, but the first time I can remember paying real attention was when he delivered the speech announcing his run for the Presidency. When David first hears the Senator from Illinois speak, he feels deep ambivalence. Intrigued by the Senator's idealistic rhetoric, David also wonders how he'll balance the fervent belief and inevitable compromises it will take to become the United States's first Black president. Great Expectations is about David's eighteen months working for the Senator's presidential campaign. Along the way David meets a myriad of people who raise a set of questions-questions of history, art, race, religion, and fatherhood, all of which force David to look at his own life anew and come to terms with his identity as a young Black man and father in America.
 
 
 

Cover ArtLet us descend : a novel. by Ward, Jesmyn

Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is "[t]he literary equivalent of an open wound from which poetry pours" (NPR). Annis, sold south by the white enslaver who fathered her, is the reader's guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Annis leads readers through the descent, hers is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this "[s]earing and lyrical...raw, transcendent, and ultimately hopeful" ( The Atlanta Journal-Constitution ) novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward's most magnificent novel yet.
 

Cover ArtRedwood court by Dameron, DéLana R. A.

Mika, you sit at our feet all these hours and days, hearing us tell our tales. You have all these stories inside you: all the stories everyone in our family knows and all the stories everyone in our family tells. You write 'em in your books and show everyone who we are." So begins DéLana R.A. Dameron's stunning novel-in-stories, Redwood Court. The baby of the family, Mika Mosby spends much of her time in the care of loved ones, listening to their stories and secrets, witnessing their struggles. Growing up on Redwood Court, the cul-de-sac in the working-class suburb of Columbia, South Carolina where her grandparents live, Mika learns important, sometimes difficult lessons from the people who raise her: Her exhausted parents, who work long hours at multiple jobs while still making sure their kids experience the adventure of family vacations; her older sister, who, in a house filled with Motown would rather listen to Alanis Morrisette, and can't wait to taste real independence; her retired grandparents, children of Jim Crow, who realized their own vision of success when they bought their house on Redwood Court in the 1960s, imagining it filled with future generations; and the many neighbors on the Court who hold tight to the community they've built, committed to fostering joy and love in an America so insistent on seeing Black people stumble and fall.
 

Cover ArtChain gang all stars by Adjei-Brenyah, Nana Kwame

The explosive, hotly-anticipated debut novel from the New York Times-bestselling author of Friday Black, about two top women gladiators fighting for their freedom within a depraved private prison system not so far-removed from America's own. Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a "new and necessary American voice"
 

Cover ArtCome and get it by Reid, Kiley

It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.
 
 
 
 
 

Cover ArtWe are all so good at smiling by McBride, Amber

When hospitalized for her clinical depression, Whimsy connects with a boy named Faerry, who also suffers from the traumatic loss of a sibling, and together they work to unearth buried memories and battle the fantastical physical embodiment of their depression.
 
 
 
 
 
 
 

Cover ArtKin : rooted in hope by Weatherford, Carole Boston

A multi-generational family history told in the voices of the author's ancestors, spanning enslavement alongside Frederick Douglass at Maryland's Wye House plantation, service in the U.S. Colored Troops, and the founding of all-Black Reconstruction-era communities.
 
 
 
 
 
 

Cover ArtWhat Napoleon could not do by Nnuro, DK

One of the Books Barack Obama Is Reading This Summer One of Vulture's Best Books of 2023 One of Goodreads' Buzziest Debut Novels of 2023 One of Essence's 31 Books You Must Read One of the most anticipated books by Town & Country and Elle America is seen through the eyes and ambitions of three characters with ties to Africa in this gripping novel When siblings Jacob and Belinda Nti were growing up in Ghana, their goal was simple: to move to America. For them, the United States was both an opportunity and a struggle, a goal and an obstacle. Jacob, an awkward computer programmer who still lives with his father, wants a visa so he can move to Virginia to live with his wife--a request that the U.S. government has repeatedly denied. He envies his sister, Belinda, who achieved, as their father put it, "what Napoleon could not do": she went to college and law school in the United States and even managed to marry Wilder, a wealthy Black businessman from Texas. Wilder's view of America differs markedly from his wife's, as he's spent his life railing against the racism and marginalization that are part of life for every African American living here. For these three, their desires and ambitions highlight the promise and the disappointment that life in a new country offers. How each character comes to understand this and how each learns from both their dashed hopes and their fulfilled dreams lie at the heart of what makes What Napoleon Could Not Do such a compelling, insightful read.
 

Cover ArtCool. Awkward. Black by Strong, Karen (Editor)

A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school's production of The Sound of Music; a misunderstood magician of sorts with a power she doesn't quite understand. These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters. From contemporary to historical, fantasy to sci-fi, magical to realistic, and with contributions from a powerhouse list of self-proclaimed geeks and bestselling, award-winning authors, this life-affirming anthology celebrates and redefines the many facets of Blackness and geekiness--both in the real world and those imagined.
 
 
 
 

Cover ArtForever is now by Lockington, Mariama

When sixteen-year-old Sadie, a Black bisexual recluse, develops agoraphobia the summer before her junior year, she relies on her best friend, family, and therapist to overcome her fears.
"I'm safe here. That's how Sadie feels, on a perfect summer day, wrapped in her girlfriend's arms. School is out, and even though she's been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness an incident of police brutality, Sadie's whole world is upended in an instant. I'm not safe anywhere. That's how Sadie feels every day after -- vulnerable, uprooted. She retreats as the weeks slip by. When Sadie's therapist gives her a diagnosis for her debilitating panic -- agoraphobia -- she starts on a path of acceptance and healing. Meanwhile, protests are taking place all over the city. Sadie wants to be a part of it, to use her voice and effect change. But how do you show up for your community when you can't even leave your house? I can build a safe place inside myself. That's what Sadie learns over the course of one life-changing summer. From critically acclaimed and Stonewall Honor-winning author Mariama J. Lockington comes a powerful young adult novel in verse about mental health, love, family, Black joy, and finding your voice and power in an unforgiving world.
 

Cover ArtThe Davenports by Marquis, Krystal

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love--even where they're not supposed to. There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married... until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love--unless it's with her sister's suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business--and marrying the one man she could never be with, Olivia and Helen's brother, John. But Olivia's best friend, Ruby, also has her sights set on John Davenport, though she can't seem to keep his interest... until family pressure has her scheming to win his heart, just as someone else wins hers.
 

Cover ArtThe probability of everything by Everett, Sarah

When an asteroid has an 84.7% chance of colliding with the Earth in four days, eleven-year-old Kemi, who loves scientific facts and probability, assembles a time capsule to capture her family's truth as she tries to come to terms with saying goodbye.
 
 
 
 
 
 
 

Cover ArtThe Heaven and Earth grocery store by McBride, James

From James McBride, author of the bestselling Oprah's Book Club pick Deacon King Kong and the National Book Award-winning The Good Lord Bird, a novel about small-town secrets and the people who keep them In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us. Bringing his masterly storytelling skills and his deep faith in humanity to The Heaven & Earth Grocery Store, James McBride has written a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.
 

Cover ArtMoonrise over New Jessup by Minnicks, Jamila

It's 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. She falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup's status quo and could lead to the young couple's expulsion-or worse-from the home they hold dear. But as Raymond continues to push alternatives for enhancing New Jessup's political power, Alice must find a way to balance her undying support for his underground work with her desire to protect New Jessup from the rising pressure of upheavals both in and out of town.
 
 
 
 
 

Cover ArtMagic Enuff : poems by Stringfellow, Tara M.

An electrifying collection of poems that tells a universal tale of survival and revolution through the lens of Black femininity. Tara M. Stringfellow embraces complexity, grappling with the sometimes painful, sometimes wonderful way two conflicting things can be true at the same time. How it's possible to have a strong voice and also feel silenced. To be loyal to things and people that betray us. To burn as hot with rage as we do with love. Each poem asks how we can heal and sustain relationships with people, systems, and ourselves. How to reach for the kind of real love that allows for the truth of anger, disappointment, and grief. Unapologetic, unafraid, and glorious in its nuance, this collection argues that when it comes to living in our full humanity, we have-and we are-magic enough.
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October is the perfect time for fairy tales. Check out our feature list for some of the newest books in Howe Library on the topic of fairy tales! Visit the Howe Library Lobby display to borrow a book and check out even more titles like these. And on Thursday, October 23rd from 3:00 PM - 4:30 PM, be sure to attend our author talk below!

 

UVM Libraries’ Chats in the Stacks: Once Upon a Tale -  

Join three UVM faculty (Maria Hummel, Eve Alexandra, and Cristina Mazzoni), for a discussion on the enduring power and possibilities of folk and fairy tales. A scholar, poet, and novelist will each introduce a figure in a tale that is thematically impactful to their work and talk about how it reverberates with an age-old story. Authors will share some of their own writing and then invite the audience into a dialogue about the pleasures, challenges, and wishes in revisiting and reimagining fairy tales. You can find and borrow their books on the Howe Library Lobby display table. 

 


Cover Art East of the sun and west of the moon : old tales from the North by Daniel, Noel (Editor) 

The fifteen tales in this reprint are replications of those that appeared in the original 1914 East of the sun and west of the moon with minor corrections and updates. Thirteen come from the first English translation of the Norwegian tales, Popular tales from the Norse from 1859 by Sir George Webbe Dasent. Two additional tales, not translated by Dasent, were added: "Prince Lindworm" (a Danish folktale collected by Danish historian Svend Grundtvig in 1855 and translated into English in 1914 by an unknown translator) and "The three princesses in the blue mountain" (by Asbjørnsen and Moe, translated by H.L. Brœkstad, and published in 1897 by publisher David Nutt).
 
 
 

Cover Art Women writing wonder : an anthology of subversive nineteenth-century British, French, and German fairy tales 

Women Writing Wonder: An Anthology of Subversive Nineteenth-Century British, French, and German Fairy Tales is a translation and critical edition that fills a current gap in fairy-tale scholarship by making accessible texts written by nineteenth-century British, French, and German women authors who used the genre of the fairy tale to address issues such as class, race, and female agency. These shared themes crossed national borders are due to both communication among these writers and changes in nineteenth-century European societies that similarly affected women in Western Europe. In effect, the combined texts reveal a common, transnational tradition of fairy tales by women writers who grapple with gender, sexual, social, and racial issues in a post-French Revolution Europe. The anthology provides insight into the ways the fairy tale served as a vehicle for women writers-often marginalized and excluded from more official or public genres-to engage in very serious debates. Women Writing Wonder, divided into three parts by country, features tales that depict relationships that cross class and racial divides, thus challenging normative marriage practices; critically examine traditional fairy-tale tropes, such as happily ever after and the need for a woman to marry; challenge the perception that fairy-tale collecting, editing, and creation was male work, associated particularly with the Grimms; and demonstrate the role of women in the development of the emerging field of children's literature and moral tales. Through their tales, these women question, among other issues, the genre of the fairy tale itself, playing with the conventional fairy-tale narrative to compose their proto-feminist tales. By bringing these tales together, editors and translators Julie L.J. Koehler, Shandi Lynne Wagner, Anne E. Duggan, and Adrion Dula hope both to foreground women writers' important contributions to the genre and to challenge common assumptions about what a fairy tale is for scholars, students, and general readers.
 

Cover Art Buried treasures: the power of political fairy tales by Zipes, Jack 

Fascinating profiles of modern writers and artists who tapped the political potential of fairy tales Jack Zipes has spent decades as a "scholarly scavenger," discovering forgotten fairy tales in libraries, flea markets, used bookstores, and internet searches, and he has introduced countless readers to these remarkable works and their authors. In Buried Treasures , Zipes describes his special passion for uncovering political fairy tales of the nineteenth and twentieth centuries, offers fascinating profiles of more than a dozen of their writers and illustrators, and shows why they deserve greater attention and appreciation. These writers and artists used their remarkable talents to confront political oppression and economic exploitation by creating alternative, imaginative worlds that test the ethics and morals of the real world and expose hidden truths. Among the figures we meet here are Édouard Laboulaye, a jurist who wrote acute fairy tales about justice; Charles Godfrey Leland, a folklorist who found other worlds in tales of Native Americans, witches, and Roma; Kurt Schwitters, an artist who wrote satirical, antiauthoritarian stories; Mariette Lydis, a painter who depicted lost-and-found souls; Lisa Tetzner, who dramatized exploitation by elites; Felix Salten, who unveiled the real meaning of Bambi's dangerous life in the forest; and Gianni Rodari, whose work showed just how political and insightful fantasy stories can be. Demonstrating the uncanny power of political fairy tales, Buried Treasures also shows how their fictional realities not only enrich our understanding of the world but even give us tools to help us survive.
 

Cover Art Fairy tales of Appalachia by Sivinski, Stacy (Editor) 

This new collection of fairy tales, drawn from the Archives of Appalachia at East Tennessee State University and the special collections at Berea College, celebrates a lively current of storytelling going back centuries in Appalachia. The volume's editor, Stacy Sivinski, has written an introduction contextualizing the regional oral tradition that produced these adaptations and retellings of well-known tales. She explains what makes the stories distinctively Appalachian, and, indeed, readers will find traces of "Cinderella," "Beauty and the Beast," and "Snow White," all with a distinctly Appalachian flavor. The brave and clever women characters, so strong in Sivinski's selection, are given additional emphasis in specially commissioned photographs by local artist Jamie Sivinski. In contrast to a previous era of skeptical folklore criticism, this volume encourages readers to enter the fairy tale with a sense of wonder that is not less contemporary for being fantastic.
 
 
 

Cover Art A calabash of cowries : ancient wisdom for modern times by Teish, Luisah 

A Calabash of Cowries: Ancient Wisdom for Modern Times is a collection of tales featuring the Orishas and the wonders of the natural world. Suitable for adults and children, artists and teachers, readers of all cultures will discover in these retellings of traditional tales a resource that illuminates the mythic and the real, the ancient past and the emerging present. An offering of spiritual wisdom and cultural celebration through stories that have and will continue to endure the test of time.
 
 
 
 
 
 
 

Cover Art The pomegranates and other modern Italian fairy tales by Mazzoni, Cristina (Edited and Translated by) 

A collection of magical Italian folk and fairy tales-most appearing here in English for the first time The Pomegranates and Other Modern Italian Fairy Tales presents twenty magical stories published between 1875 and 1914, following Italy's political unification. In those decades of political and social change, folklorists collected fairy tales from many regions of the country while influential writers invented original narratives in standard Italian, drawing on traditional tales in local dialects, and translated others from France. This collection features a range of these entertaining jewels from such authors as Carlo Collodi, most celebrated for the novel Pinocchio, and Domenico Comparetti, regarded as the Italian Grimm, to Grazia Deledda, the only Italian woman to have received the Nobel Prize in Literature. With one exception, all of these tales are appearing in English for the first time.The stories in this volume are linked by themes of metamorphosis: a man turns into a lion, a dove, and an ant; a handsome youth emerges from a pig's body; and three lovely women rise out of the rinds of pomegranates. There are also more introspective transformations: a self-absorbed princess learns about manners, a melancholy prince finds joy again, and a complacent young woman discovers gratitude. Cristina Mazzoni provides a comprehensive introduction that situates the tales in their cultural and historical context. The collection also includes period illustrations and biographical notes about the authors.Filled with adventures, supernatural and fantastic events, and brave and flawed protagonists, The Pomegranates and Other Modern Italian Fairy Tales will delight, surprise, and astonish.
 
 

Cover Art Roman folktales by Mazzoni, Cristina (Editor); Jackson, J. K. (General Editor) 

The fables, folklore and fairy tales of Rome are definitely not the more familiar myths and legends with their pantheon of gods. Within these pages you'll find stories and fears of the everyday, observations on the world around us, often poking fun at those in authority, and laughing at the proud and haughty including, The King Who Goes Out to Dinner, The Enchanted Rose Tree, The Wooing Of Cassandro, The Beggar and the Chick-Pea, The Bad-Tempered Queen, The Old Miser, Why Cats and Dogs Always Quarrel and The Value of Salt. Tricksters and simpletons, animal tales, food stories, tales of love and marriage, and narratives imbued with religion and magic are accompanied by a complementary selection of classical tales from antiquity and the middle ages, such as Cupid and Psyche, that reveal the ancient roots of these stories that have passed down orally over the ages. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.
 
 

Cover Art The original folk & fairy tales of the Brothers Grimm : the complete first edition by Grimm, Jacob; Grimm, Wilhelm; Zipes, Jack (Edited and Translated by); Dezsö, Andrea (Illustrator) 

When Jacob and Wilhelm Grimm published their 'Children's and Household Tales' in 1812, followed by a second volume in 1815, they had no idea that such stories as 'Rapunzel, ' 'Hansel and Gretel, ' and 'Cinderella' would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, 'The Original Folk and Fairy Tales of the Brothers Grimm' makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö. From 'The Frog King' to 'The Golden Key, ' wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes. A delight to read, 'The Original Folk and Fairy Tales of the Brothers Grimm' presents these peerless stories to a whole new generation of readers.
 

Cover Art Classic fairy tales and modern retellings : a guide for librarians, teachers, and readers 

Drawing on the popularity of fairy-tale literature and its retellings, this guide provides insightful annotations to all the major picture books and novels for children and teens.

Although popular fairy tales such as "Cinderella" are familiar, the broader genre of fairy-tale literature is less well known. This genre includes traditional fairy tales (often compiled in book collections), picture-book retellings of single fairy tales, fractured fairy tales, and fairy-tale-inspired novels for both children and teens.

Designed to help librarians, teachers, and reading partners feel more confident in selecting and suggesting fairy-tale books for children and teens, this comprehensive guide offers themes, read-alikes, reading levels, awards, and curricular tie-ins for each book. Readers will learn about the distinguishing characteristics of fairy tales, key authors (contemporary and historical), major trends, and significant changes in the genre. They will also discover the therapeutic power of fairy tales, their empowering impact on children and teens, and the reasons that fairy tales continue to attract young readers. Insightful and engaging annotations of each book will increase their knowledge of the riches of the genre.
 

Cover Art The lost princess : women writers and the history of classic fairy tales by Duggan, Anne E. 

People often associate fairy tales with Disney films, and with the male authors from whom Disney often drew inspiration -- notably Charles Perrault, the Brothers Grimm and Hans Christian Andersen. In these portrayals the princess is a passive, compliant figure. By contrast, "The Lost Princess" shows that classic fairy tales such as 'Cinderella', "Rapunzel" and "Beauty and the Beast" have a much richer, more complex history than Disney's saccharine depictions. Anne E. Duggan recovers the voices of women writers such as Marie-Catherine d'Aulnoy, Marie-Jeanne L'Héritier and Charlotte-Rose de La Force, who penned popular tales about ogre-killing, pregnant, cross-dressing, dynamic heroines who saved the day. This new history will appeal to anyone who wants to know more about the lost, plucky heroines of historic fairy tales.
 
 
 
 

Cover Art A cultural history of fairy tales by Duggan, Anne E. 

How have the fairy tales of different cultures changed over the centuries? What do they tell us about our fears and hopes? In a work that spans 2,500 years these ambitious questions are addressed by over 50 experts, each contributing their overview of a theme applied to a period in history. With the help of a broad range of case material they illustrate broad trends and nuances of the fairy tale in Western culture from antiquity to the present. Individual volume editors ensure the cohesion of the whole, and to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1 - Antiquity (500 BCE to 800 CE); 2 - Medieval Age (800 to 1450); 3 - The Age of the Marvelous (1450 to 1650); 4 - The Long Eighteenth Century (1650 to 1800); 5 - The Long Nineteenth Century (1800 to 1920); 6 - The Modern Age (1920 to the present). Themes (and chapter titles) are: Forms of the Marvelous; Adaptation; Gender and Sexuality; Humans and Non-Humans; Monsters and the Monstrous; Spaces; Socialization; and Power. 
 
 

Cover Art Needle at the bottom of the sea : Bengali tales from the land of the eighteen tides 

What would you do if that white fly buzzing around your head landed on the wall and started giving you marriage advice? Or what could possibly be your response if the mendicant Sufi you often see at prayers should in the blink of an eye shapeshift into a giant ogre, enormous fangs bulging from a bloody maw? These events, and many more like them are not uncommon in the stories (kathās) of miracle-working Sufi saints (pīrs) that have circulated in the Bangla-speaking world for most of the last millennium. The stories are romances filled with wondrous marvels where tigers talk, rocks float and waters part, and færies carry a sleeping Sufi holy man into the bedroom of a Hindu princess with whom the god of fate, Bidhātā, has ordained marriage. Each of the five stories in this anthology feature unlikely heroes and heroines, intrepid ocean-going traders, fickle gods and goddesses, prophets and holy men, and the royal whimsy of kings and zamindars. The protagonists encounter predicaments faced by every human being, but the presence of marvels beyond the ordinary signal creative solutions that are magnified to heroic scale. They revel in the skillful navigation of the quirks of everyday life, adroitly maneuvering through the obligations of pressing kinship, juggling the tensions of conflicting allegiances, cleverly satisfying competing social and religious demands which are inevitably political. While the protagonists are nominally religious, Sufi saints, both men and women, the texts are in no way sectarian statements or theology. They are literature, adventure stories of survival that underscore the necessity of people from all social and religious ranks to work together in hostile environments. They explore ways to overcome the physical challenges of living in the Sundarban mangrove swamps of southern Bengal which are rife with natural resources but teeming with myriad tigers, crocodiles, and dread diseases; and to ameliorate the occasional hostilities born of social differences of caste and economic class.
 
 

Cover Art How the hedgehog married : and other Croatian fairy tales 

The fairy tale occurs both in oral and in literary form. The focus in the book has been on preserving the elemental structure of oral tradition without embellishment. But this is a distinctive literary collection that gathers a dozen fairy tales which come from the Croatian national folklore tradition, and in this bilingual edition the Croatian and English-in-translation are presented together - accompanied by a dozen original colour artworks by the cover artist, Josip Botteri Dini. And, as these are oral-come-literary tales, they freely derive plots, motifs, and elements so that the fairy tale itself is its own best explanation; that is, its meaning is contained in the totality of its motifs connected by the thread of the story. And these are 12 great stories! The book also includes a detailed introduction to Croatian fairy tales, and, in a historical and cultural sense, to the wider genre of fairy tales.
 
 

Cover Art The midnight washerwoman and other tales of lower Brittany by Luzel, François-Marie 

The French folklorist and Breton-language poet François-Marie Luzel (1826-1895) published several volumes of Breton tales that he collected in Brittany and translated into French. Unlike many nineteenth-century folklorists, including the Brothers Grimm, who relied on correspondents to conduct much of their scholarly research, Luzel and his sister Perrine transcribed nearly all of the tales they collected by spending many winter nights at Breton veillees, social gatherings that took place in houses and cottages throughout Brittany during the winter months of darkness, where communities of family and neighbors would come together to tell traditional stories and share news, gossip, and songs. The folklorist Michael Wilson has translated 29 of Luzel's French tales into English for this volume. Many of these tales have never appeared in English; others have not been translated into English for nearly a century. The tales are organized into a series of five veillees to capture the full context of the tales' original performance at these gatherings. Introductory material provides historical and literary context about Luzel, his surprisingly modern approach to collecting and publishing folk tales, and the Breton culture he worked throughout his life to preserve.
 
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May is Asian American and Pacific Islander heritage month. Check out these new titles featuring AAPI voices in fiction, non-fiction, and poetry. These titles and more can be found on display in the Howe Library lobby. 


Cover ArtCat and bird : a memoir by Mori, Kyoko

A “sweet, touching” memoir about animals, loss, and finding a home in the world by the author of Shizuko’s Daughter and Yarn ( Kirkus Reviews ). Cat and Bird , a “memoir in animals,” is anchored around Kyoko Mori’s relationship with the six house cats who defined the major eras of her life as a writer: Dorian, Oscar, Ernest, Algernon, Miles, and Jackson. As she details the rhythms and routines of their days together, she weaves a narrative tapestry out of her past: the deep family tragedy and resilience that marked her childhood in Japan, her move to the American Midwest as a young adult, her experiences as a bird rehabilitator and cat trainer, her marriage and divorce, and the joys and profound heartbreaks that come with pet ownership. Full of razor-sharp observations and generous prose, Cat and Bird whirls into a moving meditation about grief, writing, the imagination, the solitary life, and the wonders of companionship with creatures both domestic and wild.
 
 

Cover ArtAsian American is not a color : conversations on race, affirmative action, and family

A mother and race scholar seeks to answer her daughter's many questions about race and racism with an earnest exploration into race relations and affirmative action from the perspectives of Asian American.
 
 
 
 
 
 
 

Cover ArtWhen the hibiscus falls : stories by Galang, M. Evelina

Seventeen stories traverse borderlines, mythic and real, in the lives of Filipino and Filipino American women and their ancestors. Moving from small Philippine villages of the past to the hurricane-beaten coast of near-future Florida, When the Hibiscus Falls examines the triumphs and sorrows that connect generations of women. Daughters, sisters, mothers, aunties, cousins, and lolas commune with their ancestors and their descendants, mourning what is lost when an older generation dies, celebrating what is gained when we safeguard their legacy for those who come after us. Featuring figures familiar from M. Evelina Galang's other acclaimed and richly imagined novels and stories, When the Hibiscus Falls dwells within the complexity of family, community, and Filipino American identity. Each story is an offering, a bloom that unfurls its petals and holds space in the sun.
 
 

Cover ArtNature unfurled : Asian American environmental histories by Chiang, Connie Y.

As immigrants and laborers, gardeners and artists, activists and vacationers, Asian Americans have played, worked, and worshipped in nature for almost two centuries, forging enduring relationships with diverse places and people. In the process, their actual or perceived ties to the environment have added to and amplified xenophobia and racist tropes. Indeed, white constructions of Asian Americans as the yellow peril, the perpetual foreigner, and the model minority were often intertwined with their environmental activities. At the same time, Asian Americans also harnessed environmental resources for their own needs, challenging restrictions and outmaneuvering their detractors in the process. This volume examines the links between Asian American and environmental history from the late nineteenth to the early twenty-first century. With essays on topics such as health in urban Chinatowns, Japanese oysters on Washington tidelands, American Indian and Japanese American experiences at the Leupp boarding school and isolation center, Southeast Asian community gardens, and contemporary Asian American outdoor recreation, this collection underscores the vibrancy of the field of Asian American environmental history.
 
 

Cover ArtCrying in H Mart : a memoir

From the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity. In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.
 

Cover ArtThe immortal King Rao : a novel by Vara, Vauhini

Will you, dear Shareholder, set Athena free? Athena Rao must reckon with the memory of her father, King Rao-literally. Through biotechnological innovation, he has given her his memories. His Dalit childhood on an Indian coconut plantation in the 1950s is as alive to her as her own existence in a prison cell, accused of her father's murder. Egocentric, brilliant, a little damaged, King Rao had a visionary idea: the personal computer known as the Coconut. His wife, Margie, was an artist with a marketing genius. Together they created a new world order, led by a corporate-run government. Athena's future is now in the hands of its Shareholders--unless she can rejoin the Exes, a resistance group sustaining tech-free lifestyles on low-lying islands. Lyrical, satirical, and profound, The Immortal King Rao obliterates genre to confront the digital age. This gripping, brilliant debut poses an urgent question: can anyone--peasant laborers, convention-destroying entrepreneurs, radical anarchists, social-media followers--ever get free?
 
 

Cover ArtFamily style : memories of an American from Vietnam by Pham, Thien

Thien's first memory isn't a sight or a sound. It's the sweetness of watermelon and the saltiness of fish. It's the taste of the foods he ate while adrift at sea as his family fled Vietnam. After the Pham family arrives at a refugee camp in Thailand, they struggle to survive. Things don't get much easier once they resettle in California. And through each chapter of their lives, food takes on a new meaning. Strawberries come to signify struggle as Thien's mom and dad look for work. Potato chips are an indulgence that bring Thien so much joy that they become a necessity. Behind every cut of steak and inside every croissant lies a story. And for Thien Pham, that story is about a search-- for belonging, for happiness, for the American dream"-- Back cover.
"A moving young adult graphic memoir about a Vietnamese immigrant boy's search for belonging in America, perfect for fans of American Born Chinese and The Best We Could Do! Thien's first memory isn't a sight or a sound. It's the sweetness of watermelon and the saltiness of fish. It's the taste of the foods he ate while adrift at sea as his family fled Vietnam. After the Pham family arrives at a refugee camp in Thailand, they struggle to survive. Things don't get much easier once they resettle in California. And through each chapter of their lives, food takes on a new meaning. Strawberries come to signify struggle as Thien's mom and dad look for work. Potato chips are an indulgence that bring Thien so much joy that they become a necessity. Behind every cut of steak and inside every croissant lies a story. And for Thien Pham, that story is about a search-- for belonging, for happiness, for the American dream.
 

Cover ArtStay true : a memoir by Hsu, Hua

From the New Yorker staff writer Hua Hsu, a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art. In the eyes of 18-year-old Hua Hsu, the problem with Ken-with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity-is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, a first-generation Taiwanese American who has a 'zine and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them. But despite his first impressions, Hua and Ken become best friends, a friendship built of late-night conversations over cigarettes, long drives along the California coast, and the textbook successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet. Determined to hold on to all that was left of his best friend-his memories-Hua turned to writing. Stay True is the book he's been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.
 
 

Cover ArtAsian American histories of the United States by Choy, Catherine Ceniza

Asian American Histories of the United States illuminates how an over-century-long history of Asian migration, labor, and community formation in the United States is fundamental to understanding the American experience and its existential crises of the early twenty-first century"--Provided by publisher.
"Original and expansive, Asian American Histories of the United States is a nearly 200-year history of Asian migration, labor, and community formation in the US. Reckoning with the onset of the COVID-19 pandemic and the surge in anti-Asian hate and violence, award-winning historian Catherine Ceniza Choy presents an urgent social history of the fastest growing group of Americans. The book features the lived experiences and diverse voices of immigrants, refugees, US-born Asian Americans, multiracial Americans, and workers from industries spanning agriculture to healthcare. Despite significant Asian American breakthroughs in American politics, arts, and popular culture in the 21st century, a profound lack of understanding of Asian American history permeates American culture. Choy traces how anti-Asian violence and its intersection with misogyny and other forms of hatred, the erasure of Asian American experiences and contributions, and Asian American resistance to what has been omitted are prominent themes in Asian American history. This ambitious book is fundamental to understanding the American experience and its existential crises of the early 21st century.
 

Cover ArtEverything we never had by Ribay, Randy

The Maghabol family journey begins with sixteen-year-old Francisco, who has left everything behind in the Philippines to seek his fortune in California. Following this life-changing decision, each generation of Maghabol boys must forge a path forward while contending with the past. Watsonville, CA, 1930. Francisco barely ekes out a living picking apples. As he spends what little he earns at dance halls and faces increasing violence from white men in town, Francisco wonders if he should've never left the Philippines. Stockton, CA, 1965. Emil works hard and keeps his head down despite the prejudice he faces at school and the long shifts he takes at a restaurant to make ends meet. He refuses to be like his unreliable labor organizer father, Francisco. He's going to make it in this country, no matter what or who he has to leave behind. Denver, CO, 1983. Chris is determined to prove that his overbearing father, Emil, can't control him. But when an assignment on family roots sends Chris out of the football field and into the library, he discovers a hunger to know more about Filipino history -- even if his father dismisses his interest as un-American and unimportant. Philadelphia, PA, 2020. Enzo struggles with anxiety as a global pandemic breaks out and his abrasive grandfather moves in. While tensions are high between his dad and his lolo, Enzo's daily walks with Lolo Emil have him wondering if maybe he can help bridge the decades-long rift between the two men. From National Book Award finalist Randy Ribay comes a poignant intergenerational saga about Filipino American men passing down flaws, values, and virtues until it's up to Enzo to see how he can braid all those strands and stories together.
 

Cover ArtThis book won't burn by Ahmed, Samira

While still coping with her parents' sudden divorce and having to start at a new school midway through her senior year, Noor and two new friends take a stand against book bans at their small-town Illinois high school.
"I'm Noor. And I read banned books. After her dad abruptly abandons her family and her mom moves them far from their Chicago home, Noor Khan is forced to start the last quarter of her senior year at a new school, away from everything and everyone she knows and loves. Reeling from being uprooted and deserted, Noor is certain the key to survival is to keep her head down and make it to graduation. But things aren't so simple. At school, Noor discovers that hundreds of books have been labeled "obscene" or "pornographic" and are being removed from the library in accordance with a new school board policy. Even worse, virtually all the banned books are by queer and BIPOC authors. Noor can't sit back and do nothing, because that goes against everything she believes in, but challenging the status quo just might put a target on her back. Can she effect change by speaking up? Or will small-town politics -- and small-town love -- be her downfall? This Book Won't Burn is a timely and gripping social-suspense novel about the American book-banning movement.
 
 

Cover ArtTime is a mother by Vuong, Ocean

Ocean Vuong's second collection of poetry looks inward, on the aftershocks of his mother's death, and the struggle - and rewards - of staying present in the world. Time Is a Mother moves outward and onward, in concert with the themes of On Earth We're Briefly Gorgeous, as Vuong continues, through his work, his profound exploration of personal trauma, of what it means to be the product of an American war in America, and how to circle these fragmented tragedies to find not a restoration, but the epicenter of the break.
 
 
 
 
 
 
 

Cover ArtThe apology by Han, Jimin

In South Korea, a 105-year-old woman receives a letter. Ten days later, she has been thrust into the afterlife, fighting to head off a curse that will otherwise devastate generations to come. Hak Jeonga has always shouldered the burden of upholding the family name. When she sent her daughter-in-law to America to cover up an illegitimate birth, she was simply doing what was needed to preserve the reputations of her loved ones. How could she have known that decades later, this decision would return to haunt her--threatening to tear apart her bond with her beloved son, her relationship with her infuriatingly insolent sisters, and the future of the family she has worked so hard to protect? Part ghost story and part family epic, The Apology is an incisive tale of sisterhood and diaspora, reaching back to the days of Japanese colonialism and the Korean War, and told through the singular voice of a defiant, funny, and unforgettable centenarian.
 
 

Cover ArtMade in Asia/America : why video games were never (really) about us

Made in Asia/America explores the key role video games play within the race-makings of Asia/America. Each of its fourteen critical essays on games, ranging from Death Stranding to Animal Crossing, and five roundtables with twenty Asian/American game makers, examine the historical entanglements of games, Asia, and America, and reveal the ways games offer new modes of imagining imperial violence, racial difference, and coalition. Shifting away from Eurocentric, white, masculinist takes on gaming, the contributors focus on minority and queer experiences, practices, and innovative scholarly methods, to better account for the imperial circulation of games. Encouraging ambiguous and contextual ways of understanding games, the editors offer an "interactive" editorial method, a genre-expanding approach that encourages hybrid works of auto-theory, queer of color theory, and conversation among game makers and scholars to generate divergent meanings of games, play, and “Asian America.”
 
 
 

Cover ArtFake Chinese sounds by Tsong, Jing Jing

Between homework, studying, and Chinese school, Měi Yīng's summer is shaping up to be a boring one. Her only bright spots are practice with her soccer team, the Divas, and the time spent with her năi nai, who is visiting from Taiwan. Although Měi Yīng's Mandarin isn't the best and Năi Nai doesn't speak English, they find other ways to connect, like cooking guōtiē together and doing tai chi in the mornings. By the end of the summer, Měi Yīng is sad to see Năi Nai go-she's the com­plete opposite of Měi Yīng serious professor mother-but excited to start fifth grade. Until new kid Sid starts making her the butt of racist jokes. Her best friend, Kirra, says to ignore him, but does everyone else's silence about the harassment mean they're also ignoring Sid . . . or her? As Sid's bullying fuels Měi Yīng's feelings of invisibility, she must learn to reclaim her identity and her voice.
 
 
 
 

Cover ArtMonstrous : a transracial adoption story by Myer, Sarah

Bullied by her classmates, Sarah, a Korean American girl growing up in a rural community with few Asian neighbors, channels her rage into her art and cosplay until it threatens to explode.
"Sarah has always struggled to fit in. Born in South Korea and adopted at birth by a white couple, she grows up in a rural community with few Asian neighbors. People whisper in the supermarket. Classmates bully her. She has trouble containing her anger in these moments--but through it all, she has her art. She's always been a compulsive drawer, and when she discovers anime, her hobby becomes an obsession. Though drawing and cosplay offer her an escape, she still struggles to connect with others. And in high school, the bullies are louder and meaner. Sarah's bubbling rage is threatening to burst.
 
 
 

Cover ArtAmerican betiya by Rajurkar, Anuradha D.

Rani Kelkar never lied to her parents-- until she meets Oliver. The same qualities that draw her in-- his tattoos, his charisma, his passion for art-- make him her mother's worst nightmare. When Oliver's troubled home life unravels, he starts to ask more of Rani than she knows how to give. When a twist of fate leads Rani from Evanston, Illinois to Pune, India for a summer, she has a reckoning with herself... and what's really brewing beneath the surface of her first love.
 
 
 
 
 
 

Cover ArtI would meet you anywhere : a memoir by Ito, Susan

A memoir about one woman's search for her birth parents, exploring complicated relationships with family, the legacy of WWII internment on generations of Japanese Americans, and the challenges adoptees often face in learning their own histories.
 
 
 
 
 
 
 
 
 

Cover ArtLunar boy by Wibowo, Jessica

Indu, a boy from the moon, feels like he doesn't belong. He hasn't since he and his adoptive mom disembarked from their spaceship -- their home -- to live on Earth with their new blended family. The kids at school think he's weird; he has a crush on his pen pal, who might not like him back; and his stepfamily doesn't seem to know what to do with him. Worst of all, Indu can't even talk to his mom about how he's feeling because she's so busy. In a moment of loneliness, Indu calls out to the moon, begging them to take him back. And against all odds, the moon hears him and agrees to bring him home of the first day of the New Year. But as the promised day draws nearer, Indu finds friendship in unlikely places and discovers that home is more than where you come from. And when the moon calls again, Indu must decide: is he willing to give up what he's just found?
 
 
 
When Shek Yeung sees a Portuguese sailor slay her husband, a feared pirate, she knows she must act swiftly or die. Instead of mourning, Shek Yeung launches a new plan: immediately marrying her husband's second-in-command, and agreeing to bear him a son and heir, in order to retain power over her half of the fleet. But as Shek Yeung vies for control over the army she knows she was born to lead, larger threats loom. The Chinese Emperor has charged a brutal, crafty nobleman with ridding the South China Seas of pirates, and the Europeans--tired of losing ships, men, and money to Shek Yeung's alliance--have new plans for the area. Even worse, Shek Yeung's cutthroat retributions create problems all their own. As Shek Yeung navigates new motherhood and the crises of leadership, she must decide how long she is willing to fight, and at what price, or risk losing her fleet, her new family, and even her life.
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This Women’s History Month, learn about female farmers here in Vermont and beyond. In collaboration with Fleming Museum’s Vermont Female Farmers exhibit, UVM Libraries is featuring Women in Agriculture. Explore this book display in order to learn more about the history of women farmers, their stories, and how women are leading innovation in the field of agriculture. Find these titles and more by visiting the display located in the Howe Library lobby. 
 

Vermont Female Farmers
On view February 4 – May 17, 2025, at the Fleming Museum of Art

Passion, labor, and grit abound in this striking portrait series from Vermont-based photographer JuanCarlos González. Whether capturing moments of intense concentration or joyous pride, the 45 works are an intimate look at the daily life and livelihoods of the women whose hands shape farming in Vermont.


 

Cover ArtVermont female farmers by González, JuanCarlos

This project focuses on the meaningful and impactful contributions that female farmers are making to Vermont's culture, identity, and economy yet who may be overlooked compared to their male counterparts. For Vermont Female Farmers, I visited 38 farmers and photographed them at work during their daily life on the farm. I attempt to center their livelihood, labor, and passion. Each is different and has a unique story, working with chickens, goats, cows, produce, saffron, flowers, and much more.
 
 
 

Cover ArtWomen in agriculture : professionalizing rural life in North America and Europe, 1880-1965

Women have always been skilled at feeding their families, and historians have often studied the work of rural women on farms and in their homes. However, the stories of women who worked as agricultural researchers, producers, marketers, educators, and community organizers have not been told until now. Taking readers into the rural hinterlands of the rapidly urbanizing societies of the United States, Canada, Great Britain, and the Netherlands, the essays in Women in Agriculture tell the stories of a cadre of professional women who acted to bridge the growing rift between those who grew food and those who only consumed it. The contributors to Women in Agriculture examine how rural women's expertise was disseminated and how it was received. Through these essays, readers meet subversively lunching ladies in Ontario and African American home demonstration agents in Arkansas. The rural sociologist Emily Hoag made a place for women at the US Department of Agriculture as well as in agricultural research. Canadian rural reformer Madge Watt, British radio broadcaster Mabel Webb, and US ethnobotanists Mary Warren English and Frances Densmore developed new ways to share and preserve rural women's knowledge. These and the other women profiled here updated and expanded rural women's roles in shaping their communities and the broader society. Their stories broaden and complicate the history of agriculture in North America and Western Europe.
 

Cover ArtWomen who dig : farming, feminism, and the fight to feed the world by Moyles, Trina

Weaving together the narratives of female farmers from across three continents, Women Who Dig offers a critical look at how women are responding to and increasingly rising up against the injustices of the global food system. Beautifully written with spectacular photos, it examines gender roles, access to land, domestic violence, maternal health, political and economic marginalization, and a rapidly changing climate. It also shows the power of collective action. With women from Guatemala, Nicaragua, the United States, Canada, Uganda, the Democratic Republic of Congo, India, and Cuba included, this book explores the ways women are responding, both individually and collectively, to the barriers they face in providing the world a healthy diet.
 
 
 
 
 

Cover ArtOn behalf of the family farm : Iowa farm women's activism since 1945 by Devine, Jenny Barker

In on behalf of the family farm, Jenny Baker Devine demonstrates that in an era where technology, depopulation and rapid economic change dramatically altered rural life, Midwestern women met those challenges with an activism that reflected their own feminine vision of farm life. Focusing on women in four national farm organizations in Iowa -- the Farm Bureau, the Farmers Union, the National Farmers Organization, and the Porkettes -- Devine highlights specific movements in time when farm women had to reassess their roles and strategies for preserving and improving their way of life.
 
 
 
 
 

Cover ArtWild mares : my lesbian back-to-the-land life by Hunter, Dianna

Dianna Hunter was a softball-loving, working-class tomboy in North Dakota, surviving the threat of the Cuban Missile Crisis and Mutually Assured Destruction in the shadow of a strategic air command base. Communists and antiwar hippies were the enemy, but lesbians were a threat, too: they were unhealthy, criminal, and downright insane. It took Dianna a while to figure out that she was one, a little longer to discover how she fit in with her new communities in the city and the countryside. This is her story-a frank account by turns comic and painful of a well-behaved Midwestern girl finding her way through polite denial and repression and running head-on into the eye-opening events of the 1960s and '70s before landing on a dairy farm. A bumpy route takes Dianna to the Twin Cities, then to rural Minnesota and Wisconsin as-by way of the antiwar movement, women's liberation, and a dose of lesbian feminism-she and her friends try to establish a rural utopia free of sexual oppression, violence, materialism, environmental degradation-and men. They dream big, love as they see fit, and make do until they don't. Dianna buys a dairy farm and, with it, a new set of problems thanks to the Reagan-era farm crisis. A firsthand account of the lesbian feminist movement at its inception, Wild Mares is a deeply personal, wryly wise, and always engaging view of identity politics lived and learned in real life and, literally, on the ground, flourishing in the fertile soil of a struggling dairy farm in the American heartland.
 
 

Cover ArtPig years by Gaydos, Ellyn

This captivating memoir is a "startling testimony to the glories and sorrows of raising and harvesting plants and animals" (Anthony Doerr, best-selling author of All the Light We Cannot See), as an itinerant farmhand chronicles the wonders hidden within the ever-blooming seasons of life, death, and rebirth. Pig Years catapults American nature writing into the 21st century, and has been hailed by Lydia Davis and Aimee Nezhukumatathil as "engrossing" and "a marvel." As a farmer in Upstate New York and Vermont, Ellyn Gaydos lives on the knife edge between loss and gain. Her debut memoir draws us into this precarious world, conjuring with stark simplicity the lifeblood of the farm: its livestock and stark full moons, the sharp cold days lives near to the land. Joy and tragedy are frequent bedfellows. Fields go barren and animals meet their end too soon, but then their bodies become food in a time-old human ritual. Seasonal hands are ground down by the hard work, but new relationships are formed, love blossoms and Gaydos yearns to become a mother. As winter's dark descends, Pig Years draws us into a violent and gorgeous world where pigs are star-bright symbols of hope and beauty surfaces in the furrows, the sow, even in the slaughter. In hardy, lyrical prose that recalls the agrarian writing of Annie Dillard and Wendell Berry, Gaydos asks us to bear witness to the work that sustains us all and to reconsider what we know of survival and what saves us. Pig Years is a rapturous reckoning of love, labor, and loss within a landscape given to flux.
 

Cover ArtEveryday sustainability : gender justice and fair trade tea in Darjeeling by Sen, Debarati

Everyday Sustainability takes readers to ground zero of market-based sustainability initiatives--Darjeeling, India--where Fair Trade ostensibly promises gender justice to minority Nepali women engaged in organic tea production. These women tea farmers and plantation workers have distinct entrepreneurial strategies and everyday practices of social justice that at times dovetail with and at other times rub against the tenets of the emerging global morality market. The author questions why women beneficiaries of transnational justice-making projects remain skeptical about the potential for economic and social empowerment through Fair Trade while simultaneously seeking to use the movement to give voice to their situated demands for mobility, economic advancement, and community level social justice.
 
 
 

Cover ArtTurn here sweet corn : organic farming works by Diffley, Atina

When the hail starts to fall, Atina Diffley doesn't compare it to golf balls. She's a farmer. It's "as big as a B-size potato." As her bombarded land turns white, she and her husband Martin huddle under a blanket and reminisce: the one-hundred-mile-per-hour winds; the eleven-inch rainfall ("that broccoli turned out gorgeous"); the hail disaster of 1977. The romance of farming washed away a long time ago, but the love? Never. In telling her story of working the land, coaxing good food from the fertile soil, Atina Diffley reminds us of an ultimate truth: we live in relationships--with the earth, plants and animals, families and communities. A memoir of making these essential relationships work in the face of challenges as natural as weather and as unnatural as corporate politics, her book is a firsthand history of getting in at the "ground level" of organic farming. One of the first certified organic produce farms in the Midwest, the Diffleys' Gardens of Eagan helped to usher in a new kind of green revolution in the heart of America's farmland, supplying their roadside stand and a growing number of local food co-ops. This is a story of a world transformed--and reclaimed--one square acre at a time. And yet, after surviving punishing storms and the devastating loss of fifth-generation Diffley family land to suburban development, the Diffleys faced the ultimate challenge: the threat of eminent domain for a crude oil pipeline proposed by one of the largest privately owned companies in the world, notorious polluters Koch Industries. As Atina Diffley tells her David-versus-Goliath tale, she gives readers everything from expert instruction in organic farming to an entrepreneur's manual on how to grow a business to a legal thriller about battling corporate arrogance to a love story about a single mother falling for a good, big-hearted man.
 

Cover ArtBeyond the kitchen table : Black women and global food systems

Over the last decade, there has been an increasing amount of scholarship focused on race and food inequity. Much of this research is focused on the United States and its densely populated urban centers. Looking deeply into Black women?s roles?economically, environmentally, and socially?in food and agriculture systems in the Caribbean, Africa, and the United States, the contributors address the ways Black women, both now and in the past, have used food as a part of community building and sustenance. They also examine matrilineal food-based education; the importance of Black women?s social, cultural, and familial networks in addressing nutrition and food insecurity; the ways gender intersects with class and race globally when thinking about food; and how women-led science and technology initiatives can be used to create healthier and more just food systems. Contributors include Agnes Atia Apusigah, Neela Badrie, Kenia-Rosa Campo, Dara Cooper, Kelsey Emard, Claudia J. Ford, Hanna Garth, Shelene Gomes, Veronica Gordon, Wendy-Ann Isaac, Lydia Kwoyiga, Gloria Sanders McCutcheon, Eveline M. F. W. Sawadogo/Compaore, Ashanté M. Reese, Sakiko Shiratori, shakara tyler, and Marquitta Webb.

Cover ArtThe rise of women farmers and sustainable agriculture by Sachs, Carolyn E.

A profound shift is occurring among women working in agriculture--they are increasingly seeing themselves as farmers, not only as the wives or daughters of farmers. The authors draw on more than a decade of research to document and analyze the reasons for the transformation. As their sense of identity changes, many female farmers are challenging the sexism they face in their chosen profession. In this book, farm women in the northeastern United States describe how they got into farming and became successful entrepreneurs despite the barriers they encountered in agricultural institutions, farming communities, and even their own families. Their strategies for obtaining land and labor and developing successful businesses offer models for other aspiring farmers. Pulling down the barriers that women face requires organizations and institutions to become informed by what the authors call a feminist agrifood systems theory (FAST). This framework values women's ways of knowing and working in agriculture: emphasizing personal, economic, and environmental sustainability, creating connections through the food system, and developing networks that emphasize collaboration and peer-to-peer education. The creation and growth of a specific organization, the Pennsylvania Women's Agricultural Network, offers a blueprint for others seeking to incorporate a feminist agrifood systems approach into agricultural programming. The theory has the potential to shift how farmers, agricultural professionals, and anyone else interested in farming think about gender and sustainability, as well as to change how feminist scholars and theorists think about agriculture. 
 

Cover ArtThe Midwest farmer's daughter : in search of an American icon by Jack, Zachary Michael

The Midwest Farmer's Daughter presents the untold history and renewed cultural currency of an American icon at a time when fully 30 percent of new farms in the United States are woman-owned. It ranges widely from Jane Smiley's Pulitzer Prize-winning A Thousand Acres to Laura Ingalls Wilder's commentaries for the Missouri Ruralist; from the critical importance of rural girls and young women to organizations such as the Farm Bureau, 4-H, and FFA to the entrepreneurial role today's female agriculturalists and sustainable farm advocates play in farmers' markets, urban farms, and community-supported agriculture.

Cover ArtPutting the barn before the house : women and family farming in early-twentieth-century New York by Osterud, Nancy Grey

Putting the Barn Before the House features the voices and viewpoints of women born before World War I who lived on family farms in south-central New York. As she did in her previous book, Bonds of Community, for an earlier period in history, Grey Osterud explores the flexible and varied ways that families shared labor and highlights the strategies of mutuality that women adopted to ensure they had a say in family decision making. Sharing and exchanging work also linked neighboring households and knit the community together. Indeed, the culture of cooperation that women espoused laid the basis for the formation of cooperatives that enabled these dairy farmers to contest the power of agribusiness and obtain better returns for their labor. Osterud recounts this story through the words of the women and men who lived it and carefully explores their views about gender, labor, and power, which offered an alternative to the ideas that prevailed in American society. Most women saw "putting the barn before the house" - investing capital and labor in productive operations rather than spending money on consumer goods or devoting time to mere housework - as a necessary and rational course for families who were determined to make a living on the land and, if possible, to pass on viable farms to the next generation. Some women preferred working outdoors to what seemed to them the thankless tasks of urban housewives, while others worked off the farm to support the family. Husbands and wives, as well as parents and children, debated what was best and negotiated over how to allocate their limited labor and capital and plan for an uncertain future. Osterud tells the story of an agricultural community in transition amid an industrializing age with care and skill.
 

Cover ArtVermont farm women by Miller, Peter

Photographs and text of farm women'dairy, pigs, sheep, goats, emus, christmas trees, horses, beef cattle, cheese who work the small farm as owners and are passionate about their responsibility to the land, the animals and their community.

Cover ArtQueen of American agriculture : a biography of Virginia Claypool Meredith by Whitford, Fred

Virginia Claypool Meredith's role in directly managing the affairs of a large and prosperous farm in east-central Indiana opened doors that were often closed to women in late nineteenth century America. Her status allowed her to campaign for the education of women, in general, and rural women, in particular. While striving to change society's expectations for women, she also gave voice to the important role of women in the home. A lifetime of dedication made Virginia Meredith "the most remarkable woman in Indiana" and the "Queen of American Agriculture." Meredith was also an integral part of the history of Purdue University. She was the first woman appointed to serve on the university's board of trustees, had a residence hall named in her honor, and worked with her adopted daughter, Mary L. Matthews, in creating the School of Home Economics, the predecessor of today's College of Consumer and Family Sciences.
 
 

Cover ArtMore than a farmer's wife : voices of American farm women, 1910-1960 by Lauters, Amy Mattson

Examining how women were presented in farming and mainstream magazines over fifty years and interviewing more than 180 women who lived on farms, Lauters reveals that, rather than being victims of patriarchy, most farm women were astute businesswomen, working as partners with their husbands and fundamental to the farming industry.
 
 
 
 
 
 

Cover ArtFruits of victory : the Woman's Land Army of America in the Great War by Weiss, Elaine F.

Imagine a more controversial Rosie the Riveter--a generation older and more outlandish for her time. She was the "farmerette" of the Woman's Land Army of America (WLA), doing a man's job on the home front during World War I. From 1917 to 1920 the WLA sent more than twenty thousand urban women into rural America to take over farm work after the men went off to war and food shortages threatened the nation. These women, from all social and economic strata, lived together in communal camps and did what was considered "men's work": plowing fields, driving tractors, planting, harvesting, and hauling lumber. The Land Army was a civilian enterprise organized and financed by women. It insisted on fair labor practices and pay equal to male laborers' wages for its workers and taught women not only agricultural skills but also leadership and management techniques. Despite their initial skepticism, farmers became the WLA's loudest champions, and the farmerette was celebrated as an icon of American women's patriotism and pluck.The WLA's short but spirited life foreshadowed some of the most significant social issues of the twentieth century: women's changing roles, the problem of class distinctions in a democracy, and the physiological and psychological differences between men and women. The dramatic story of the WLA is vividly retold here using long-buried archival material, allowing a fascinating chapter of America's World War I experience to be rediscovered.
 

Cover ArtWomen and sustainable agriculture : interviews with 14 agents of change by Anderson, Anna

This book looks deeply into the American food system and closely examines the need for change in the way food is grown and distributed in the United States. It is composed of twelve interviews with dynamic women who work on issues surrounding modern agriculture. These women are producers, academicians, advocates and activists. Some work in agricultural law and policy. All are devoted to changing the current system. Within a framework that offers brief overviews of the development of U.S. agriculture, the interviews allow the reader to hear firsthand what has gone wrong and what we can do about it. Part One focuses on concepts of traditional agriculture, organic growing and market viability. Part Two discusses pioneering agriculture and the process of restoring our farms to thriving habitats of biodiversity with clean water and healthy soil. Part Three considers the issues of industrial agriculture, exploring the controversy of genetically modified foods, farm foreclosures and the 2002 Farm Bill. Part Four returns us to sustainable agriculture and how we can make sustainability work for us. It includes discussions of farmers' markets, co-ops and local food systems.
 

Cover ArtLiving off the land : women farmers of today by Russell, Josephine

Based on extensive interviews with twelve varied and representative women farmers in County Kerry, Josephine Russell's text provides a unique insight into farming women of all ages and types: dairy, sheep, and organic, from the four corners and the three peninsulas of Kerry. Some remember the old life of physical work; others are as familiar with the computer as the animals. All the stories are engaging and entertaining.
 
 
 
 
 
 
 

Cover ArtWorking the land : the stories of ranch and farm women in the modern American West by Schackel, Sandra

Helen Tiegs didn't take to driving a tractor when she became a farmer's wife, but after fifty years she considers herself the hub of the family operation. Lila Hill taught piano, then ultimately took a job off the farm to augment the family income during a period of rising costs. From Montana's cattle pastures to New Mexico's sagebrush mesas, women on today's ranches and farms have played a crucial role in a way of life that is slowly disappearing from the western landscape. Recalling her own family-farm ties, Sandra Schackel set out to learn how these women's lives have changed over the second half of the twentieth century. In Working the Land, she collects oral histories from more than forty women--in Arizona, Colorado, Idaho, New Mexico, Oregon, and Texas--recalling their experiences as ranchers and farmers in a modernizing West. Through this diverse group of women-white and Hispanic, rich and poor, ranging in age from 24 to 83--we gain a new perspective on their ties to the land. Although western ranch and farm women have often been portrayed as secondary figures who devoted themselves to housekeeping in support of their husbands' labors, Schackel's interviews reveal that these women have had a much more active role in defining what we know as the modern American West. As Schackel listened to their stories, she found several currents running through their recollections, such as the satisfaction found in living the rural lifestyle and the flexibility of gender roles. She also learned how resourceful women developed new ways to make their farms work--by including tourism, summer camps, and bed-and-breakfast operations--and how many have become activists for land-based issues. And while some like Lila made the difficult decision to work off the farm, such sacrifices have enabled families to hold onto their beloved land. Rich with memory and insight into what makes America's family farms and ranches tick, Working the Land provides a deeper understanding of the West's development over the last fifty years along with new perspectives on shifting attitudes toward women in the workforce. It is both a long-overdue documentation of the lives of hard-working farm women and a celebration of their contributions to a truly American way of life.

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