Join UVM Libraries as we celebrate Native American Heritage Month (November) with our latest New Books Spotlight. Check-out print and eBooks available through the Library featuring indigenous perspectives, stories, and activism.
From a fearless, internationally acclaimed activist comes an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nenquimo is a winner of TIME magazine's Earth Award, and MS. magazine named this book among the Most Anticipated Feminist Books of 2024. Born into the Waorani tribe of Ecuador's Amazon rainforest--one of the last to be contacted by missionaries in the 1950s--Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. At age fourteen, she left the forest for the first time to study with an evangelical missionary group in the city. Eventually, her ancestors began appearing in her dreams, pleading with her to return and embrace her own culture. She listened. Two decades later, Nemonte has emerged as one of the most forceful voices in climate change activism. She has spearheaded the alliance of indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. Her message is as sharp as a spear--honed by her experiences battling loggers, miners, oil companies and missionaries. In We Will Be Jaguars, she partners with her husband, Mitch Anderson, founder of Amazon Frontlines, digging into generations of oral history, uprooting centuries of conquest, hacking away at racist notions of indigenous peoples, and ultimately revealing a life story as rich, harsh, and vital as the Amazon rainforest herself.
Birds Through Indigenous Eyes by
An intimate and personal account of the profound roles birds play in the lives of some Indigenous people For many hours over a period of years, white anthropologist Dennis Gaffin and two Indigenous friends, Michael Bastine and John Volpe, recorded their conversations about a shared passion: the birds of upstate New York and southern Ontario. In these lively, informal talks, Bastine (a healer and naturalist of Algonquin descent) and Volpe (a naturalist and animal rehabilitator of Ojibwe and Métis descent) shared their experiences of, and beliefs about, birds, describing the profound spiritual, psychological, and social roles of birds in the lives of some Indigenous people. Birds through Indigenous Eyes presents highlights of these conversations, placing them in context and showing how Native understandings of birds contrast with conventional Western views. Bastine and Volpe bring to life Algonquin, Ojibwe, and Haudenosaunee (Iroquois) beliefs about birds. They reveal how specific birds and bird species are seamlessly integrated into spirituality and everyday thought and action, how birds bring important messages to individual people, how a bird species can become associated with a person, and how birds provide warnings about our endangered environment. Over the course of the book, birds such as the house sparrow, Eastern phoebe, Northern flicker, belted kingfisher, gray catbird, cedar waxwing, and black-capped chickadee are shown in a new light--as spiritual and practical helpers that can teach humans how to live well. An original work of ethno-ornithology that offers a rare close-up look at some Native views on birds, Birds through Indigenous Eyes opens rich new perspectives on the deep connections between birds and humans.
Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she's stuck working to pay back her Auntie Daunis for repairs to the Jeep. Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn't feel so lost after all. But when she attends a meeting at a local university, Perry learns about the "Warrior Girl", an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors' remains, and Perry and the Misfits won't let it go on any longer. Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline's perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right--for the ancestors and for their community
Colorado, 1864, Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison-castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star's son, Charles, is sent to the school, where he is brutalized by the man who was once his father's jailer. Under Pratt's harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines. In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in 'There There' -- warriors, drunks, outlaws, addicts -- asking what it means to be the children and grandchildren of massacre. 'Wandering Stars' is a novel about epigenetic and generational trauma that has the force and vision of a modern epic, an exceptionally powerful new book from one of the most exciting writers at work today and soaring confirmation of Tommy Orange's monumental gifts.
Being Indian and walking proud : American Indian identity and reality. by
This book explores the identity of American Indians from an Indigenous perspective and how outside influences throughout history, from the arrival of Columbus in 1492 to the twenty-first century, have affected Native people. Non-Native writers, boarding school teachers, movie directors, bureaucrats, churches, and television have all heavily impacted how Indians are viewed in the United States. Drawing on the life experiences of many American Indian men and women, this volume reveals how American Indian identity comprises multiple identities, including the noble savage, wild savage, Hollywood Indian, church-going Indian, rez Indian, urban Indian, Native woman, Indian activist, casino Indian, and tribal leader. Indigenous people, in their own voices, share their experiences of discrimination, being treated as outsiders in their own country, and the intersections of gender, culture, and politics in Indian-white relations. Yet the book also highlights the resilience of being Indian and the pride felt from being a member of a tribe(s), knowing your relatives, and feeling connected to the earth. Being Indian and Walking Proud is a compelling resource for any reader interested in Indigenous history, including students and scholars in Native American and Indigenous studies, anthropology, and American history.
American Indian women of proud nations by
At its onset, the American Indian Women of Proud Nations Organization set out to create a space that would uplift Native American women, children, and families because of their central roles in the continuation of Native communities. The contributors to the second edition continue to document and reflect on the organization's initiative and the efforts of Southeastern Native women and their allies to center women, children and families in protecting and strengthening kinship, land, and language as enduring aspects of Native American cultures. The second edition offers updated research on language revitalization, adolescents and their parental caregivers, Indigenous issues in higher education, and new work on matrilineality, the Missing and Murdered People crisis, and the continuation of healing traditions in a contemporary context.
For too long, Native American people in the United States have been stereotyped as vestiges of the past, invisible citizens in their own land obliged to remind others, “We are still here!” Yet today, Native leaders are at the center of social change, challenging philanthropic organizations that have historically excluded Native people, and fighting for economic and environmental justice. Edited by Raymond Foxworth of First Nations Development Institute and Steve Dubb of The Nonprofit Quarterly, Invisible No More is a groundbreaking collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations, including communities in Alaska and Hawaiʻi. Chapters are grouped by themes of challenging philanthropy, protecting community resources, environmental justice, and economic justice. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism, reminding readers how philanthropic wealth often stems from the theft of Native land and resources, as well as how major national parks such as Yosemite were “conserved” by forcibly expelling Native residents. At the same time, the authors detail ways that readers might imagine the world differently, presenting stories of Native community building that offer benefits for all. Accepting this invitation to reset assumptions can be at once profound and pragmatic. For instance, wildfires in large measure result from recent Western land mismanagement; Native techniques practiced for thousands of years can help manage fire for everyone's benefit. In a world facing a mounting climate crisis and record economic inequality, Invisible No More exposes the deep wounds of a racist past while offering a powerful call to care for one another and the planet. Indigenous communities have much to offer, not the least of which are solutions gleaned from cultural knowledge developed over generations.
To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon. Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada. Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga'a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favorites.
Rise up! : Indigenous music in North America by
Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America's most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa "Bear" Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.
When twelve-year-old Summer visits her family on a reservation in Alberta, Canada, she begins experiencing vivid dreams of running away from a residential school like the one her grandfather attended as a child and learns about unmarked children's graves, prompting her to seek answers about her community's painful past.
Funeral songs for dying girls by
Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack. Her habit of wandering the graveyard at all hours has started a rumor that Winterson Cemetery might be haunted. It's welcome news since the crematorium is on the verge of closure and her father's job being outsourced. Now that the ghost tours have started, Winifred just might be able to save her father's job and the only home she's ever known, not to mention being able to stay close to where her mother is buried. All she has to do is get help from her con-artist cousin to keep up the rouse and somehow manage to stop her father from believing his wife has returned from the grave. But when an actual ghost of a teen girl, Phil, who lived and died in the ravine next to the cemetery, starts showing up, Winifred begins to question everything she believes about life, love and death--and, most importantly, love.
Tap into Thousands of Years of Plant Knowledge The belief that all life-forms are interconnected and share the same breath'known in the RarAmuri tribe as iwigara'has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique SalmOn builds on this concept of connection and highlights 80 plants revered by North America's indigenous peoples. SalmOn teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwigara can enhance your own kinship with the natural world.
Becoming kin an indigenous call to unforgetting the past and reimagining our future by
Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to 'unforget' our history.
A young, Indigenous woman enters a colonizer-run dragon academy after bonding with a hatchling--and quickly finds herself at odds with the "approved" way of doing things--in the first book of a brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations--until fifteen-year-old Anequs finds a dragon's egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered: a Person Who Belongs to a Dragon. Unfortunately for Anequs, the Anglish conquerors of her land have a quite different opinion. They have a very specific idea on how a dragon should be raised--and who should be doing the raising--and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, then her dragon will be destroyed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land challenges abound--both socially and academically. But Anequs is smart and determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. For the world needs changing--and Anequs and her dragon are less coming of age in this bold new world than coming to power
Caldecott Medalist Michaela Goade's first self-authored picture book is a gorgeous celebration of the land she knows well and the powerful wisdom of elders. On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Snowberry, Strawberry, Crowberry. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all. Michaela Goade's luminous rendering of water and forest, berries and jams glows with her love of the land and offers an invitation to readers to deepen their own relationship with the earth.
Elapultiek : (we are looking towards) by
Set in contemporary times, a young Mi'kmaw drum singer and a Euro-Nova Scotian biologist meet at dusk each day to count a population of endangered Chimney Swifts (kaktukopnji'jk). They quickly struggle with their differing views of the world. Through humour and story, the characters must come to terms with their own gifts and challenges as they dedicate efforts to the birds. Each "count night" reveals a deeper complexity of connection to land and history on a personal level. Inspired by real-life species at risk work, Shalan Joudry originally wrote this story for an outdoor performance. Elapultiek calls on all of us to take a step back from our routine lives and question how we may get to understand our past and work better together. The ideal of weaving between Indigenous and non-Indigenous worlds involves taking turns to speak and to listen, even through the most painful of stories, in order for us all to heal. We are in a time when sharing cultural, ecological, and personal stories is vital in working towards a peaceful shared territory, co-existing between peoples and nature. "It's a crucial time to have these conversations," offers Joudry. "The power of story can engage audience and readers in ways that moves them to ask more questions about the past and future.
