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World Press Freedom Day

04/24/2025
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World Press Freedom Day is May 3rd. The United Nations declared World Press Freedom Day to raise awareness of the importance of a free press and the right to freedom of expression as enshrined in the Universal Declaration of Human Rights. This selection of books and eBooks from our collection look at freedom of press, journalistic ethics, local and global news, and the impact of “fake news” and disinformation in the digital age. For many more great titles, visit our book display at the new “News Hub” on the first floor of Howe Library. 


Cover ArtAttacks on the press : the new face of censorship by Committee to Protect Journalists (CPJ)

The latest, definitive assessment of the state of free press around the world Attacks on the Press is a comprehensive, annual account of press conditions worldwide, focusing this year on the new face of censorship perpetrated by governments and non-state actors. Compiled by the Committee to Protect Journalists (CPJ), the 2017 edition documents new dangers and threats to journalists and to the free and independent media. The risks are a combination of familiar censorship tactics applied in novel ways, and the exertion of pressure through unconventional means or at unprecedented levels. These censorship efforts range from withholding advertising to online trolling, website blocking to physical harassment, imprisonment to the murder of journalists. In the Americas, governments and non-state actors use new, sometimes subtle ways to limit journalists' ability to investigate wrongdoing. In Europe, authorities deploy intelligence services to intimidate the press in the name of national security. In Asia, governments block access to information online, and in some cases, punish those who manage to get around the obstacles. And throughout the world, terror groups are using the threat of targeted murder to compel journalists to refrain from covering crucial stories or otherwise self-censor. Attacks on the Press documents how these new forms of censorship are perpetrated and provides journalists with guidance on how to work around them, when possible, and how to ensure their own safety as well as the safety of their sources and people with whom they work. The book enables readers to: Examine the state of free media around the world Learn which nations violate press freedom with impunity Discover the most dangerous beats and regions Delve inside specific, increasingly complex challenges CPJ's mission is to defend the rights of journalists to report the news without fear of reprisal. Attacks on the Press provides a platform for direct advocacy with governments and the diplomatic community, for giving voice to journalists globally, and for ensuring that those journalists have a seat in discussions at the United Nations, the Organization of American States, the European Union, the African Union, and others.
 

Cover ArtNews literacy now : how to "read" the news by Eisenstock, Bobbie

Real news. Fake news. Alternative Facts. We are living in the Digital Age of Disinformation where factual news, opinion and disinformation exist side-by-side in the media culture. How do we know who and what to believe? News Literacy Now introduces a new way to "read" the news. Based on the intersection of media literacy, news literacy, information and web literacy skills, this hybrid strategy adapts the media literacy framework developed by the Center for Media Literacy to analyse the nature of news, explain professional journalism practices and standards, and apply lateral reading to verify facts and empower informed participation in democracy. Written in a Q and A format from the news consumers' perspective, the book asks and answers questions to think critically about our personal news experiences, the news-gathering process, and the vital role journalism and the First Amendment play in a democracy. It connects key concepts with strategies to deconstruct misinformation and disinformation that have weaponised falsehoods and disrupted the flow of trustworthy news. Challenged by a news credibility crisis, news media literacy has never mattered more. What we need are skills to think like a journalist and search like a fact-checker. Whether you are a media literacy expert or newbie to media and news literacy, this book is essential for everyone who uses media teachers and students from middle and high school to higher ed, parents and grandparents, media and youth advocates and anyone who cares about living in a world where facts matter.
 

Cover ArtJournalism in a fractured world by Eldridge, Scott A. (Series edited by)

Journalism in a Fractured World addresses the fractured nature of journalism as it has developed online. Engaging with theories from journalism studies and politics, it bases its findings on the study of peripheral journalistic media from the US, UK, and Netherlands. It addresses the pronounced animosity that has become a feature of peripheral, political, digital news. Focusing on the metajournalistic discourses produced by peripheral actors, it develops a framework to distinguish between peripheral antagonists and agonists. Antagonists blur lines between news and politics and foment societal divisions through narratives of backlash, fragmentation, and grievance. Journalistic agonists, on the other hand, are also political and critical, but offer a constructive vision of what journalism and society can become. Journalism in a Fractured World presents theories and frameworks for engaging with these actors with a clear-eyed message about the challenges journalism faces and how we might find our way forward, even in our fractured societies.
 
 
 

Cover ArtA century of repression : the Espionage Act and freedom of the press by Engelman, Ralph

A Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.
 
 
 
 
 
 

Cover ArtReviving rural news : transforming the business model of community journalism in the US and beyond

Based on extensive research into weekly rural publishers and rural readers, Reviving Rural News demonstrates that a new financial approach to community journalism is urgently needed and viable. This book provides historical context for the state of local news, examines the influence of journalistic identity and boundaries that have prevented change, and offers practical guidance on how to adapt the financial strategies of weekly newspapers to the habits of modern readers. Findings are grounded in robust data collection, including surveys, focus groups, and a year-long oral history study of a small weekly newspaper group in the United States. A new model known as Press Club is presented as a template via which memberships, events, and newsletters can better engage community journalism with its audiences and create a more sustainable path for the future. Reviving Rural News will be of interest to advanced students and researchers of local, community, and rural journalism as well as practitioners looking to bring about real-world change in journalism organizations.
 
 

Cover ArtThe psychology of fake news : accepting, sharing, and correcting misinformation by Greifeneder, Rainer

This volume examines the phenomenon of fake news by bringing together leading experts from different fields within psychology and related areas, and explores what has become a prominent feature of public discourse since the first Brexit referendum and the 2016 US election campaign. Dealing with misinformation is important in many areas of daily life, including politics, the marketplace, health communication, journalism, education, and science. In a general climate where facts and misinformation blur, and are intentionally blurred, this book asks what determines whether people accept and share (mis)information, and what can be done to counter misinformation? All three of these aspects need to be understood in the context of online social networks, which have fundamentally changed the way information is produced, consumed, and transmitted. The contributions within this volume summarize the most up-to-date empirical findings, theories, and applications and discuss cutting-edge ideas and future directions of interventions to counter fake news. Also providing guidance on how to handle misinformation in an age of "alternative facts", this is a fascinating and vital reading for students and academics in psychology, communication, and political science and for professionals including policy makers and journalists.
 

Cover ArtThe anatomy of fake news : a critical news literacy education by Higdon, Nolan

Since the 2016 US presidential election, debates about fake news have appeared regularly in entertainment, politics, and news media. While many agree on the dangers associated with fake news, there is no consensus around the definition of the phenomenon, and its origins are loosely attributed to a variety of practices and technologies. Much of the discourse has focused on proposing solutions, with media literacy being one of the most frequently mentioned. Nolan Higdon cautions, however, that critical media literacy pedagogy will be unsuccessful without a comprehensive understanding of fake news. The Anatomy of Fake News offers the first examination of fake news for the purpose of creating effective critical news literacy. Higdon employs a critical-historical media ecosystems framework to identify the producers, themes, purposes, and influences of fake news and incorporates his findings into an invaluable fake news detection kit. This much-needed resource provides a rich history of fake news and a promising set of pedagogical strategies for mitigating its pernicious influence.
 
 

Cover ArtPolitical discourse and media in times of crisis by Iordanidou, Sofia (Editor); Jebril, Nael (Editor); Takas, Emmanouil (Editor)

The changes triggered by the global financial crisis in 2008, the immigration flows and the covid-19 pandemic in contemporary societies have transformed the way individuals communicate, create content, and 'consume' publicly available information. Consequently, political, societal, and financial pressures have led to alternative forms of media practice and representations and disrupted the core relationships and dynamics between politics, journalism, and society. This edited book examines the key challenges in political discourse and journalistic practice in times of crisis. It focuses on European paradigms and links political rhetoric and media challenges with the societal, political, and financial crises from 2008 until the present.
 
 
 
 

Cover ArtThe press and democratic backsliding : how journalism has failed the public and how it can revive democracy by Johnson, Thomas J.

This edited volume explores the democratic dangers posed by a political press that emphasizes electoral competition, strategy, entertainment, and what Jay Rosen calls "savviness"--praising candidates for being politically smart rather than being honest--in its coverage of a political landscape dominated by a looming authoritarian threat. Contributors document how the American and global political press have failed to fulfill their role in elections and demonstrate how authoritarians have used and will continue to use their power in setting policy before going on to suggest and develop solutions to these problems. These proposed solutions include the adoption of democracy-focused framing, solutions journalism, and solidarity journalism, all of which emphasize the needs and issues of democratic communities over candidates' political strategy. The book's recommendations contribute to a reorientation of journalism toward democracy and truth rather than performative detachment and forced balance. Scholars of journalism, mass media, communication, and political science will find this collection to be of particular use.
 
 

Cover ArtEnemy of the people : Trump's war on the press, the New McCarthyism, and the threat to American democracy by Kalb, Marvin L.

Shortly after assuming office in January 2017, President Donald Trump accused the press of being an "enemy of the American people." Attacks on the media had been a hallmark of Trump's presidential campaign, but this charge marked a dramatic turning point: language like this ventured into dangerous territory. Twentieth-century dictators--notably, Stalin, Hitler, and Mao--had all denounced their critics, especially the press, as "enemies of the people." Their goal was to delegitimize the work of the press as "fake news" and create confusion in the public mind about what's real and what isn't; what can be trusted and what can't be. That, it seems, is also Trump's goal. In Enemy of the People, Marvin Kalb, an award-winning American journalist with more than six decades of experience both as a journalist and media observer, writes with passion about why we should fear for the future of American democracy because of the unrelenting attacks by the Trump administration on the press. As his new book shows, the press has been a bulwark in the defense of democracy. Kalb writes about Edward R. Murrow's courageous reporting on Senator Joseph McCarthy's "red scare" theatrics in the early 1950s, which led to McCarthy's demise. He reminds us of Bob Woodward and Carl Bernstein's reporting in the early 1970s that led to President Richard Nixon's resignation. Today, because of revolutionary changes in journalism, no Murrow is ready at the battlements. Journalism has been severely weakened. Yet, without a virile, strong press, democracy is in peril. Kalb's book is a frightening indictment of President Trump's efforts to delegitimize the American press--and put the future of our democracy in question.
 

Cover ArtDemocracy's news : a primer on journalism for citizens who care about democracy by Killenberg, George M.

Since the Founding, America's faith in a democratic republic has depended on citizens who could be trusted to be communicators. Vigorous talk about equality, rights, and collaboration fueled the Revolution, the Declaration of Independence, and the Constitution with its amendments. In a republic, the people set the terms for their lives not individually, but in community. The genius of keeping it alive exists in how everyday citizens talk and listen, write and read, for a common good. Dialogue and deliberation--rather than an accumulation of individual preferences--sustains a republic, yet a diminished and scarred institution of journalism jeopardizes citizens' access to shared and truthful information. A disturbing 'what's in it for me?' attitude has taken over many citizens, and a creeping, autocratic sense of dismissive accusation too often characterizes the political style of elected officials. The basic fuel for democracy is the willingness of informed citizens to take each other seriously as they talk about political choices. Once we begin to clam up, build walls, and dismiss each other, we unravel the threads tying us to the Founders' vision of a republic. A free press and free speech become meaningless if not supported by sustained listening to multiple positions. There are those who profit by dividing citizens into two camps: a comfortable 'us' versus a scary 'them.' They make their case with accusations and often with lies. They warp the very meaning of communication, hoping citizens never truly discover each other's humanity. Democracy's News discusses today's problems of public communication in the context of history, law, and interpersonal life. News should not be something to dread, mistrust, or shun. Aided by reliable, factual journalism, citizens can develop a community-based knowledge to cope with social issues great and small. They come to treat neighbors and strangers as more than stereotypes or opponents. They become collaborators with whom to identify and sustain a working republic where news, citizenship, and public discourse merge.
 

Cover ArtSaving the news why the Constitution calls for government action to preserve freedom of speech by Minow, Martha

As traditional for-profit news media in the United States declines in economic viability and sheer numbers of outlets and staff, what does and what should the constitutional guarantee of freedom of the press mean? The book examines the current news ecosystem in the U.S. and chronicles historical developments in government involvement in shaping the industry. It argues that initiatives by the government and by private-sector actors are not only permitted but called for as transformations in technology, economics, and communications jeopardize the production and distribution of and trust in news and the very existence of local news reporting. It presents ten proposals for change to help preserve the free press essential to our democratic society.
 
 
 

Cover ArtCensorship, digital media, and the global crackdown on freedom of expression by Nocella II, Anthony J.

Censorship, Digital Media and the Global Crackdown on Freedom of Expression explores the rising global phenomenon of censorship across various media platforms, in schools, universities, and public spaces. It documents physical assaults, legal restrictions, and the exclusion of critical topics from public discourse. This volume analyzes contemporary censorship methods, emphasizing the anti-democratic implications and the threat to civil society, human rights, and global democracy. It delves into the dangerous consequences of suppressing dialogue, information dissemination, and educational materials, providing insight into the challenges faced by critical media literacy and activists. The book advocates for policy alternatives, including economic restructuring of media, global agreements on freedom of the press, and educational strategies to preserve global freedom of expression.
 
 
 

Cover ArtJournalistic autonomy the genealogy of a concept by Örnebring, Henrik

Winner of the 2023 AEJMC Tankard Book Award and the ICA Journalism Studies Book Award The idea that journalism should be independent is foundational to its contemporary understandings and its role in democracy. But from what, exactly, should journalism be independent? This book traces the genealogy of the idea of journalistic autonomy, from the press freedom debates of the 17th century up to the digital, networked world of the 21st. Using an eclectic and thought-provoking theoretical framework that draws upon Friedrich Nietzsche, feminist philosophy, and theoretical biology, the authors analyze the deeper meanings and uses of the terms independence and autonomy in journalism. This work tackles, in turn, questions of journalism's independence from the state, politics, the market, sources, the workplace, the audience, technology, and algorithms. Using broad historical strokes as well as detailed historical case studies, the authors argue that autonomy can only be meaningful if it has a purpose. Unfortunately, for large parts of journalism's history this purpose has been the maintenance of a societal status quo and the exclusion of large groups of the population from the democratic polity. "Independence," far from being a shining ideal to which all journalists must aspire, has instead often been used to mask the very dependencies that lie at the heart of journalism. The authors posit, however, that by learning the lessons of history and embracing a purpose fit for the needs of the 21st century world, journalism might reclaim its autonomy and redeem its exclusionary uses of independence.
 

Cover ArtBuilding back truth in an age of misinformation by Stebbins, Leslie F.

How can we build back truth online? Here's how. In this book, researcher Leslie F. Stebbins provides solutions for repairing our existing social media platforms and building better ones that prioritize value over profit, strengthen community ties, and promote access to trustworthy information. Stebbins provides a road map with six paths forward to understand how platforms are designed to exploit us, how we can learn to embrace agency in our interactions with digital spaces, how to build tools to reduce harmful practices, how platform companies can prioritize the public good, how we can repair journalism, and how to strengthen curation to promote trusted content and create new, healthier digital public squares. New, experimental models that are ethically designed to build community and promote trustworthy content are having some early successes. We know that human social networks--online and off--magnify whatever they are seeded with. They are not neutral. We also know that to repair our systems we need to repair their design. We are being joined in the fight by some of the best and brightest minds of our current generation as they flee big tech companies in search of vocations that value integrity and public values. The problem of misinformation is not insurmountable. We can fix this.
 

Cover ArtCapturing news, capturing democracy : Trump and the voice of America by Wright, Kate

The Voice of America (VOA) is the oldest and largest US government-funded international media organization. In 2020, Donald Trump nominated Michael Pack, a right-wing documentarian and close friend of Steve Bannon, to lead the US Agency for Global Media - the independent federal agency overseeing US-funded international media. During Pack's seven-month tenure, more than 30 whistleblowers filed complaints against him and a judge ruled that he had infringed journalists' constitutional right to freedom of speech. How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context--and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding. Drawing from in-depth interviews with network managers and journalists, and analysis of private correspondence and internal documents, Kate Wright, Martin Scott, and Mel Bunce analyze how political appointees, White House officials, and right-wing media influenced VOA-- changing its reporting of the Black Lives Matter movement and the 2020 presidential election. The authors stress that leaving the VOA unprotected leaves it and other public media open to targeting by authoritarian leadership and poses serious risks to US democracy. Further, they offer practical recommendations for how to protect the network and other international public service media better in the future.
 
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National Eating Disorder Awareness Week is February 24 – March 2 and we have put together a reading list that explores topics related to anti-fat bias, body image, diet culture, and fat phobia. All of these books can be found in our collection and are on display at the Dana Health Sciences Library during this awareness week. See a full list with descriptions below.  


Cover ArtFat talk by Sole-Smith, Virginia

"By the time they reach kindergarten, most kids have learned that "fat" is bad. As they get older, kids learn to pursue thinness in order to survive in a world that ties our body size to our value. Multibillion-dollar industries thrive on consumers believing that we don't want to be fat. Our weight-centric medical system pushes "weight loss" as a prescription, while ignoring social determinants of health and reinforcing negative stereotypes about the motives and morals of people in larger bodies. And parents today, having themselves grown up in the confusion of modern diet culture, worry equally about the risks of our kids caring too much about being "thin" and about what happens if our kids are fat. Sole-Smith shows how the reverberations of this messaging and social pressures on young bodies continue well into adulthood--and what we can do to fight them. Fat Talk argues for a reclaiming of "fat," which is not synonymous with "unhealthy," "inactive," or "lazy." Talking to researchers and activists, as well as parents and kids across a broad swath of the country, Sole-Smith lays bare how America's focus on solving the "childhood obesity epidemic" has perpetuated a second crisis of disordered eating and body hatred for kids of all sizes. She exposes our society's internalized fatphobia and elucidates how and why we need to stop "preventing obesity" and start supporting kids in the bodies they have. Continuing conversations started by works like Girls & Sex, Under Pressure, and Essential Labor, Fat Talk is a stirring, deeply researched, and groundbreaking book that will help parents learn to reckon with their own body biases, identify diet culture messaging, and ultimately empower their kids to navigate this challenging landscape. Sole-Smith offers an alternative framework for parenting around food and bodies, and a way for us all to work toward a more weight-inclusive world--because it's not our kids, or their bodies, who need fixing"
 

Cover ArtWhat we don't talk about when we talk about fat by Gordon, Aubrey

Anti-fatness is everywhere. In What We Don't Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people's experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage readers to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, "I did not come to body positivity for self-esteem. I came to it for social justice." By sharing her experiences as well as those of others--from smaller fat to very fat people--she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27% of very fat women and 13% of very fat men attempt suicide; over 50% of doctors describe their fat patients as "awkward, unattractive, ugly and noncompliant"; and in 48 states, it's legal--even routine--to deny employment because of an applicant's size. Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don't Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike.
 

Cover ArtUnshrinking by Manne, Kate

The definitive takedown of fatphobia, drawing on personal experience as well as rigorous research to expose how size discrimination harms everyone, and how to combat it--from the acclaimed author of Down Girl and Entitled. For as long as she can remember, Kate Manne has wanted to be smaller. She can tell you what she weighed on any significant occasion: her wedding day, the day she became a professor, the day her daughter was born. She's been bullied and belittled for her size, leading to extreme dieting. As a feminist philosopher, she wanted to believe that she was exempt from the cultural gaslighting that compels so many of us to ignore our hunger. But she was not. Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except one: body size. Manne examines how anti-fatness operates--how it leads us to make devastating assumptions about a person's attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression. Fatphobia is responsible for wage gaps, medical neglect, and poor educational outcomes; it is a straitjacket, restricting our freedom, our movement, our potential. In this urgent call to action, Manne proposes a new politics of "body reflexivity"--a radical reevaluation of who our bodies exist in the world for: ourselves and no one else. When it comes to fatphobia, the solution is not to love our bodies more. Instead, we must dismantle the forces that control and constrain us, and remake the world to accommodate people of every size.
 

Cover ArtYou have the right to remain fat by Tovar, Virgie

Growing up as a fat girl, Virgie Tovar believed that her body was something to be fixed. But after two decades of dieting and constant guilt, she was over it--and gave herself the freedom to trust her own body again. Ever since, she's been helping others to do the same. Tovar is hungry for a world where bodies are valued equally, food is free from moral judgment, and you can jiggle through life with respect. In concise and candid language, she delves into unlearning fatphobia, dismantling sexist notions of fashion, and how to reject diet culture's greatest lie: that fat people need to wait before beginning their best lives.
 
 
 
 
 

Cover ArtFraming fat : competing constructions in contemporary culture by Kwan, Samantha

According to public health officials, obesity poses significant health risks and has become a modern-day epidemic. A closer look at this so-called epidemic, however, suggests that there are multiple perspectives on the fat body, not all of which view obesity as a health hazard. Alongside public health officials at the Centers for Disease Control and Prevention are advertisers of the fashion-beauty complex, food industry advocates at the Center for Consumer Freedom, and activists at the National Association to Advance Fat Acceptance. Framing Fat takes a bird's-eye view of how these multiple actors construct the fat body by identifying the messages these groups put forth, particularly where issues of beauty, health, choice and responsibility, and social justice are concerned. Samantha Kwan and Jennifer Graves examine how laypersons respond to these conflicting messages and illustrate the gendered, raced, and classed implications within them. In doing so, they shed light on how dominant ideas about body fat have led to the moral indictment of body nonconformists, essentially "framing" them for their fat bodies.
 
 

Cover ArtFat shame : stigma and the fat body in American culture by Farrell, Amy Erdman

Locating the origins of the cultural denigration of fatness in the mid 19th century, Amy Erdman Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physician's manuals to explore the link between our historic denigration of fatness and our contemporary concern over obesity. She explores the ways that those who seek to shed stigmatized identities, whether of gender, race, ethnicity or class, often take part in weight reduction schemes and fat mockery in order to validate themselves as "civilized."
 
 
 
 
 
 

Cover ArtThe body is not an apology : the power of radical self-love by Taylor, Sonya Renee

Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies. The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world--for us all. This second edition includes stories from Taylor's travels around the world combating body terrorism and shines a light on the path toward liberation guided by love. In a brand new final chapter, she offers specific tools, actions, and resources for confronting racism, sexism, ableism, homophobia, and transphobia. And she provides a case study showing how radical self-love not only dismantles shame and self-loathing in us but has the power to dismantle entire systems of injustice. Together with the accompanying workbook, Your Body Is Not an Apology, Taylor brings the practice of radical self-love to life.
 
 
 

Cover ArtFat girls in black bodies : creating communities of our own by Cox, Joy

Combatting fatphobia and racism to reclaim a space of belonging at the intersection of fat, Black, and female. into three sections--"belonging," "resistance," and "acceptance"--and informed by personal history, community stories, and deep research, Fat Girls in Black Bodies breaks down the myths, stereotypes, tropes, and outright lies we've been sold about race, body size, belonging, and health. Cox's razor-sharp cultural commentary exposes the racist roots of diet culture, healthism, and the ways we erroneously conflate body size with personal responsibility. She explores how to reclaim space and create belonging in a hostile world, pushing back against tired pressures of "going along just to get along," and dismantles the institutionally ingrained myths about race, size, gender, and worth that deny fat Black women their selfhood.
 
 
 
 
 

Cover ArtFearing the black body : the racial origins of fat phobia by Strings, Sabrina

There is an obesity epidemic in this country and poor black women are particularly stigmatized as "diseased" and a burden on the public health care system. This is only the most recent incarnation of the fear of fat black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals;where fat bodies were once praised;showing that fat phobia, as it relates to black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of "savagery" and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn't about health at all, but rather a means of using the body to validate race, class, and gender prejudice.
 

Cover ArtThings no one will tell fat girls : a handbook for unapologetic living by Baker, Jes

Things No One Will Tell Fat Girls is a manifesto and call to arms for women of all sizes and ages. With smart and sassy eloquence, veteran blogger Jes Baker calls on women to be proud of their bodies, fight against fat-shaming, and embrace a body-positive worldview to change public perceptions and help women maintain mental health. With the same straightforward tone that catapulted her to national attention when she wrote a public letter addressing the sexist comments of Abercrombie & Fitch's CEO, Jes shares personal experiences along with in-depth research in a way that is approachable, digestible, and empowering. Featuring notable guest authors, Things No One Will Tell Fat Girls is an invitation for all women to reject fat prejudice, learn to love their bodies, and join the most progressive, and life-changing revolution there is: the movement to change the world by loving their bodies.
 
 
 

Cover ArtThe body liberation project : how understanding racism and diet culture helps cultivate joy and build collective freedom by King, Chrissy

When King first joined a gym, she fell into the all-too-common cycle of "not enough-ness": no matter what she achieves, there was always something she felt she needed to change about her body, her appearance, herself. She came to understand that diet and fitness industries rooted in white supremacy were the problem: Euro-centric beauty standards were the problem. Here King shares the wisdom, the tools, and the inspiration to motivate readers to find body liberation. Even more important, to pass it on.
 
 
 
 
 
 

Cover ArtMore of you the fat girl's field guide to the modern world by Beck, Amanda Martinez

Too often, fatness has been viewed as a moral failing. Fat Christian women in particular are shamed and marginalized by the message that they are failing God because they can't change their bodies. More of You will challenge that status quo, teaching readers to resist the shame and guilt that is pressed onto them by the world and instead to embrace their bodies, take up space, and learn to navigate the world in ways that allow them to flourish. With wit and candor, Amanda Martinez Beck, a fat woman herself, compiles her hard-won wisdom to give the skinny on thriving in a fat body to others who have been pushed to the margins of acceptance. Offering helpful tools like The Fat Girl's Bill of Rights and a script for a weight-neutral doctor's visit, this book addresses real needs in the fat acceptance community, from how to find self-love in a thin-obsessed world, to navigating a world built for butts smaller than yours, to advocating for equality and justice for fat women's medical care.
 
 
 

Cover ArtUnashamed : musings of a fat, black Muslim by Vernon, Leah

Ever since she was little, Leah Vernon was told what to believe and how to act. There wasn't any room for imperfection. Good Muslim girls listened more than they spoke. They didn't have a missing father or a mother with mental illness. They didn't have fat bodies or grow up wishing they could be like the white characters they saw on TV. They didn't have husbands who abused and cheated on them. They certainly didn't have secret abortions. In Unashamed, Vernon takes to task the myth of the perfect Muslim woman with frank dispatches on her love-hate relationship with her hijab and her faith, race, weight, mental illness, domestic violence, sexuality, the millennial world of dating, and the process of finding her voice. She opens up about her tumultuous adolescence living at the poverty line with her fiercely loving but troubled mother, her deadbeat dad, and her siblings, and the violent dissolution of her 10-year marriage. Tired of the constant policing of her clothing in the name of Islam and Western beauty standards, Vernon reflects on her experiences with hustling paycheck to paycheck, body-shaming, and redefining what it means to be a "good" Muslim"
 
 
 
 

Cover ArtBody stories in and out and with and through fat

Body stories capture a nuanced, interconnected, interactive, and complex telling of our understanding, perception, and experience of and through our bodies. Plenty has been published on body image but image suggests a static fixed body, unmitigated through our social interactions and varying times and spaces. This book is not a "how-to" guide for fat confidence. It's not a compendium of fat suffering. It's simply a collection of narratives about what it's like to survive in a weight-hating world. It resists the ways that marginalized bodies are being written and researched and put into other people's ideas about our existence. The stories in this book are celebratory and are painful. They look at intersections of race and queerness; they destabilize womanhood by presenting a range of possible female embodiments. They explore issues of disability and madness. The full range of possibilities that are collected here give a picture of what it means to live in a society with strong and powerful messages about size, about normalcy, about what a moral and healthy life and body look like. This book is a snapshot of its place and time, but these stories remind us that we're here to stay. The body stories will change but we will keep owning our own narratives. While story, especially written by women, is often seen as outside the academic canon, these stories, these creative offerings, are theory, are research, and are activism. They are nothing less than the blueprint for liberation. Writing about fat and about bodies outside of medicalized narratives, without ignoring the impact of race, sexuality, class, ability, gender, fashion, appearance, and beyond, is radical and rigorous. It is impossible to think about the future without wishing for liberation. Liberation can come in many forms. It can mean an awareness, the ability to confront. The stories in this book display the ways that liberation isn't a finish line or a thing we can complete—rather it is a million small actions
 

Cover ArtThe full body project by Nimoy, Leonard

In his provocative new book, photographer and actor Leonard Nimoy captures images of full-bodied women, some of whom are involved in what is known as the "fat acceptance" movement. "The average American woman," Nimoy writes, "weighs 25 percent more than the models selling the clothes. There is a huge industry built up around selling women ways to get their bodies closer to the fantasy ideal. Pills, diets, surgery, workout programs. . . . The message is 'You don't look right. If you buy our product, you can get there.'" Leonard Nimoy, best known to the public from his role as Spock on Star Trek, has been a lifelong photographer. His work has been widely exhibited and is in numerous private and public collections. A previous book of his photographs, Shekhina, was published in 2002.
 

Cover ArtSupporting fat birth supporting body positive birth by Silver, A. J.

This pioneering guide provides birth professionals, pregnant people, and advocates with comprehensive insight into navigating conception, pregnancy, birth, and the perinatal period whilst fat. Drawing on the author's decade of experience as well as evidence-based research and case studies from people sharing their own perspectives and stories, this authoritative and compassionate book provides practical and effective advice on how to improve quality of care for fat parents. It covers a wide range of topics across the birth journey and beyond including interviews with a number of high-profile people including Nicola Salmon and Amber Marshall and empowers readers to feel reassured and confident in their choices and rights. This ground-breaking resource challenges the pervasive bias against fat service users in the birthing world and acts as a call to action to dismantle the fatphobic stigma present in our healthcare systems in order to create an environment that is inclusive of all bodies.
 
 
 
 
 

Cover ArtIt's always been ours : rewriting the story of Black women's bodies by Wilson, Jessica

A dietitian, storyteller, and community organizer offers a cultural discussion of body image, food, health and wellness by focusing on the bodies of Black women and how our culture's obsession with thin, white women reinforces racist ideas and ideals.
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This month we are highlighting new graphic novels in Howe Library! Check out our latest additions in fictional and non-fictional graphic novels.


 

Cover ArtHuda F cares? by Fahmy, Huda

This summer's exercise in Fahmy family sisterly bonding involves a trip to Disney World--which seems like it is headed for disaster when Huda gets into a fight with a boy making fun of her hijab.
 
 
 
 
 
 
 
 
 
 
 

Cover ArtStamped from the beginning : a graphic history of racist ideas in America by Gill, Joel Christian

A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists.
 
 
 
 
 
 
 
 
 
 

Cover ArtThe great turkey walk by Bischoff, Léonie

Kathleen Karr's classic American story of grit, friendship, and turkeys finally reimagined as a sensational graphic novel. Missouri 1860: Simon Green is a bad student. His mother is dead and his father has disappeared. But he's daring, and so when he hears that turkeys fetch a higher price in Denver, he borrows his teacher's life savings and buys a herd of a thousand birds. Then he sets off on the thousand-mile trek with his dog and a pair of mules. To survive the odyssey that follows, Simon will need grit, luck, and smarts--and a colorful cast of friends.
 
 
 
 
 
 
 

Cover ArtThe mythmakers by Hendrix, John

The rich worlds of C.S. Lewis's The Chronicles of Narnia and J.R.R. Tolkien's The Hobbit and The Lord of the Rings have enchanted readers both young and old for generations. But before they created these literary landmarks, Lewis and Tolkien were simply two friends who shared a love of stories. The Mythmakers chronicles their lives, from their horrific tour in the trenches of World War I, their first meeting at Oxford in 1929, and the literary discussions of the Inklings, to World War II, the publications of their works, and their legacies. Their personal stories are so intertwined that neither can be easily told without the other....The Mythmakers reveals how these remarkably creative minds influenced each other--their world-building philosophies, their ideas of mythology and faith, and their belief in the truth behind the human imagination. The Mythmakers is a masterful work capturing the extraordinary lives and literary contributions of Liews and Tolkien, two of the most important and influential writers of the 20th century.
 
 
 
 
 

Cover ArtToxic : a tour of the Ecuadorian Amazon by Fiske, Amelia

This graphic novel ethnography takes the reader on a "toxic tour" of the Ecuadorian Amazon and reveals the struggles for environmental justice in everyday life.
 
 
 
 
 
 
 
 
 
 

Cover ArtZodiac : a graphic memoir by Ai, Weiwei

As a child living in exile during the Cultural Revolution, Ai Weiwei often found himself with nothing to read but government-approved comic books. Although they were restricted by the confines of political propaganda, Ai Weiwei was struck by the artists' ability to express their thoughts on art and humanity through graphic storytelling. Now, decades later, Ai Weiwei and Italian comic artist Gianluca Costantini present Zodiac, Ai Weiwei's first graphic memoir. Inspired by the twelve signs of the Chinese zodiac and their associated human characteristics, Ai Weiwei masterfully interweaves ancient Chinese folklore with stories of his life, family, and career. The narrative shifts back and forth through the years--at once in the past, present, and future--mirroring memory and our relationship to time. As readers delve deeper into the beautifully illustrated pages of Zodiac, they will find not only a personal history of Ai Weiwei and an examination of the sociopolitical climate in which he makes his art, but a philosophical exploration of what it means to find oneself through art and freedom of expression.
 
 
 
 

Cover ArtThe Puerto Rican War : a graphic history by Mejias, John Vasquez

Rendered in gorgeously carved wood blocks and buffeted with historical supplemental material, John Vasquez Mejias's The Puerto Rican War tells the story of the the 1950 insurrection on the island that resulted in 38 deaths and a failed assassination attempt against President Harry S. Truman. Told as a fable, in which the leaders of the movement are visited by the ghosts of Michael Collins and Gandhi, this book showcases an important and often overlooked moment in American history and a historical touchstone for the Puerto Rican independence movement.
 
 
 
 
 
 
 

Cover ArtLies my teacher told me : a graphic adaptation by Loewen, James W.

A graphic adaptation of the bestselling book about what most American history textbooks get wrong.
 
 
 
 
 
 
 
 
 
 

Cover ArtComics and modernism : history, form, and culture by Najarian, Jonathan (Editor)

Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and
 movements.
 
 

Cover ArtForecasts by Schuster, Caroline; Bernardou, Enrique (Illustrator); Bueno, David (Illustrator)

Based in the agrarian world of commercial sesame farming in northern Paraguay, Forecasts tells a story about what happens when global insurance companies promise financial safety nets to local farmers struggling with the effects of climate change. This striking graphic novel brings together original ethnographic research and Paraguayan gothic art to confront the limitations of finance to respond to a deteriorating environment. Taking a human-centered approach to complex weather and financial models, Forecasts offers new ways of looking at overlapping speculative futures in a more-than-human landscape. Based on more than a year of fieldwork in Paraguay, the book follows one man's possible journeys through a season of planting and harvesting, buffeted by losses and sustained by the hope that he can cultivate conditions that will help his family thrive. Forecasts makes a sweeping account of environmental and financial risk accessible through the intimate story of one family's triumphs, heartbreaks, and hopes for the future. The graphic novel is followed by appendices that provide historical, anthropological, and methodological insights, as well as classroom guides, exercises, and questions that make this book ideal for teaching.
 
 
 

Cover ArtUndesirables by Boum, Aomar; Berber, Nadjib (Illustrator)

In this gripping graphic novel, a Jewish journalist encounters an extension of the horrors of the Holocaust in North Africa. In the lead-up to World War II, the rising tide of fascism and antisemitism in Europe foreshadowed Hitler's genocidal campaign against Jews. But the horrors of the Holocaust were not limited to the concentration camps of Europe: antisemitic terror spread through Vichy French imperial channels to France's colonies in North Africa, where in the forced labor camps of Algeria and Morocco, Jews and other "undesirables" faced brutal conditions and struggled to survive in an unforgiving landscape quite unlike Europe. In this richly historical graphic novel, historian Aomar Boum and illustrator Nadjib Berber take us inside this lesser-known side of the traumas wrought by the Holocaust by following one man's journey as a Holocaust refugee. Hans Frank is a Jewish journalist covering politics in Berlin, who grows increasingly uneasy as he witnesses the Nazi Party consolidate power and decides to flee Germany. Through connections with a transnational network of activists organizing against fascism and anti-Semitism, Hans ultimately lands in French Algeria, where days after his arrival, the Vichy regime designates all foreign Jews as "undesirables" and calls for their internment. On his way to Morocco, he is detained by Vichy authorities and interned first at Le Vernet, then later transported to different camps in the deserts of Morocco and Algeria. With memories of his former life as a political journalist receding like a dream, Hans spends the next year and a half in forced labor camps, hearing the stories of others whose lives have been upended by violence and war. Through bold, historically inflected illustrations that convey the tension of the coming war and the grimness of the Vichy camps, Aomar Boum and Nadjib Berber capture the experiences of thousands of refugees through the fictional Hans, chronicling how the traumas of the Holocaust extended far beyond the borders of Europe.
 
 

Cover ArtVisions of the crow by John-Kehewin, Wanda

A new girl at school. A mysterious crow. Weird visions he can't explain. Grade 12 just got a lot more complicated for Damon Quinn... "Your ancestors have called us to help you." "I think you have the wrong number." Damon Quinn just wants to get through his senior year unscathed. His mom struggles with alcohol and is barely coping with the day-to-day. Marcus and his cronies at school are forever causing him trouble. The new girl, Journey, won't mind her own business. To make matters worse, now a mysterious crow is following him everywhere. After he is seized by a waking dream in the middle of a busy street, he's forced to confront his mom with some hard questions: Why haven't I met my dad? Where did we come from? Who am I? Damon must look within himself, mend the bond with his mother, and rely on new friends to find the answers he so desperately needs. Travelling through time and space, Damon will have to go back before he can move forward. The Dreams series of graphic novels explores cultural connection as a path to healing. Volume 1, Visions of the Crow, explores urban Indigenous experiences through the eyes of a Cree-Métis teen as he learns about his identity and finding home. Ultimately, Damon will learn what it takes to be a good leader for his people.
 
 
 
 

Cover ArtA first time for everything : a true story by Santat, Dan

Dan is used to feeling invisible. After being bullied in middle school, Dan has low expectations about everything, including the class trip to Europe with the same girls who love to make fun of him. But during his travels, a series of firsts begin to change him -- first Fanta, first fondue, and maybe even... first girlfriend? Funny, heartfelt, and embarrassingly true, this graphic novel memoir is based on Caldecott Medal Winner Dan Santat's most awkward middle school memories.
 
 
 
 
 
 
 
 
 
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Join UVM Libraries as we celebrate Native American Heritage Month (November) with our latest New Books Spotlight. Check-out print and eBooks available through the Library featuring indigenous perspectives, stories, and activism. 


 

Cover ArtWe Will Be Jaguars by Nemonte Nenquimo; Mitch Anderson

From a fearless, internationally acclaimed activist comes an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nenquimo is a winner of TIME magazine's Earth Award, and MS. magazine named this book among the Most Anticipated Feminist Books of 2024. Born into the Waorani tribe of Ecuador's Amazon rainforest--one of the last to be contacted by missionaries in the 1950s--Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. At age fourteen, she left the forest for the first time to study with an evangelical missionary group in the city. Eventually, her ancestors began appearing in her dreams, pleading with her to return and embrace her own culture. She listened. Two decades later, Nemonte has emerged as one of the most forceful voices in climate change activism. She has spearheaded the alliance of indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. Her message is as sharp as a spear--honed by her experiences battling loggers, miners, oil companies and missionaries. In We Will Be Jaguars, she partners with her husband, Mitch Anderson, founder of Amazon Frontlines, digging into generations of oral history, uprooting centuries of conquest, hacking away at racist notions of indigenous peoples, and ultimately revealing a life story as rich, harsh, and vital as the Amazon rainforest herself.
 

Cover ArtBirds Through Indigenous Eyes by Dennis Gaffin

An intimate and personal account of the profound roles birds play in the lives of some Indigenous people For many hours over a period of years, white anthropologist Dennis Gaffin and two Indigenous friends, Michael Bastine and John Volpe, recorded their conversations about a shared passion: the birds of upstate New York and southern Ontario. In these lively, informal talks, Bastine (a healer and naturalist of Algonquin descent) and Volpe (a naturalist and animal rehabilitator of Ojibwe and Métis descent) shared their experiences of, and beliefs about, birds, describing the profound spiritual, psychological, and social roles of birds in the lives of some Indigenous people. Birds through Indigenous Eyes presents highlights of these conversations, placing them in context and showing how Native understandings of birds contrast with conventional Western views. Bastine and Volpe bring to life Algonquin, Ojibwe, and Haudenosaunee (Iroquois) beliefs about birds. They reveal how specific birds and bird species are seamlessly integrated into spirituality and everyday thought and action, how birds bring important messages to individual people, how a bird species can become associated with a person, and how birds provide warnings about our endangered environment. Over the course of the book, birds such as the house sparrow, Eastern phoebe, Northern flicker, belted kingfisher, gray catbird, cedar waxwing, and black-capped chickadee are shown in a new light--as spiritual and practical helpers that can teach humans how to live well. An original work of ethno-ornithology that offers a rare close-up look at some Native views on birds, Birds through Indigenous Eyes opens rich new perspectives on the deep connections between birds and humans.
 
 

Cover ArtWarrior Girl Unearthed by Angeline Boulley

Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she's stuck working to pay back her Auntie Daunis for repairs to the Jeep. Thankfully she has the other outcasts of the summer program, Team Misfit Toys, and even her twin sister Pauline. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn't feel so lost after all. But when she attends a meeting at a local university, Perry learns about the "Warrior Girl", an ancestor whose bones and knife are stored in the museum archives, and everything changes. Perry has to return Warrior Girl to her tribe. Determined to help, she learns all she can about NAGPRA, the federal law that allows tribes to request the return of ancestral remains and sacred items. The university has been using legal loopholes to hold onto Warrior Girl and twelve other Anishinaabe ancestors' remains, and Perry and the Misfits won't let it go on any longer. Using all of their skills and resources, the Misfits realize a heist is the only way to bring back the stolen artifacts and remains for good. But there is more to this repatriation than meets the eye as more women disappear and Pauline's perfectionism takes a turn for the worse. As secrets and mysteries unfurl, Perry and the Misfits must fight to find a way to make things right--for the ancestors and for their community
 
 
 
 

Cover ArtWandering Stars by Tommy Orange

Colorado, 1864, Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison-castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star's son, Charles, is sent to the school, where he is brutalized by the man who was once his father's jailer. Under Pratt's harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines. In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in 'There There' -- warriors, drunks, outlaws, addicts -- asking what it means to be the children and grandchildren of massacre. 'Wandering Stars' is a novel about epigenetic and generational trauma that has the force and vision of a modern epic, an exceptionally powerful new book from one of the most exciting writers at work today and soaring confirmation of Tommy Orange's monumental gifts.
 
 
 
 
 

Cover ArtBeing Indian and walking proud : American Indian identity and reality. by Fixico, Donald L.

This book explores the identity of American Indians from an Indigenous perspective and how outside influences throughout history, from the arrival of Columbus in 1492 to the twenty-first century, have affected Native people. Non-Native writers, boarding school teachers, movie directors, bureaucrats, churches, and television have all heavily impacted how Indians are viewed in the United States. Drawing on the life experiences of many American Indian men and women, this volume reveals how American Indian identity comprises multiple identities, including the noble savage, wild savage, Hollywood Indian, church-going Indian, rez Indian, urban Indian, Native woman, Indian activist, casino Indian, and tribal leader. Indigenous people, in their own voices, share their experiences of discrimination, being treated as outsiders in their own country, and the intersections of gender, culture, and politics in Indian-white relations. Yet the book also highlights the resilience of being Indian and the pride felt from being a member of a tribe(s), knowing your relatives, and feeling connected to the earth. Being Indian and Walking Proud is a compelling resource for any reader interested in Indigenous history, including students and scholars in Native American and Indigenous studies, anthropology, and American history.
 
 

Cover ArtAmerican Indian women of proud nations by Jolivette, Andrew (Series edited by); Wiethaus, Ulrike (Editor); Beasley, Cherry Maynor (Editor); Jacobs, Mary Ann (Editor)

At its onset, the American Indian Women of Proud Nations Organization set out to create a space that would uplift Native American women, children, and families because of their central roles in the continuation of Native communities. The contributors to the second edition continue to document and reflect on the organization's initiative and the efforts of Southeastern Native women and their allies to center women, children and families in protecting and strengthening kinship, land, and language as enduring aspects of Native American cultures. The second edition offers updated research on language revitalization, adolescents and their parental caregivers, Indigenous issues in higher education, and new work on matrilineality, the Missing and Murdered People crisis, and the continuation of healing traditions in a contemporary context.
 
 
 
 
 
 
 
 
 

Cover ArtInvisible no more by Foxworth, Raymond (Editor); Dubb, Steve (Editor)

For too long, Native American people in the United States have been stereotyped as vestiges of the past, invisible citizens in their own land obliged to remind others, “We are still here!” Yet today, Native leaders are at the center of social change, challenging philanthropic organizations that have historically excluded Native people, and fighting for economic and environmental justice. Edited by Raymond Foxworth of First Nations Development Institute and Steve Dubb of The Nonprofit Quarterly, Invisible No More is a groundbreaking collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations, including communities in Alaska and Hawaiʻi. Chapters are grouped by themes of challenging philanthropy, protecting community resources, environmental justice, and economic justice. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism, reminding readers how philanthropic wealth often stems from the theft of Native land and resources, as well as how major national parks such as Yosemite were “conserved” by forcibly expelling Native residents. At the same time, the authors detail ways that readers might imagine the world differently, presenting stories of Native community building that offer benefits for all. Accepting this invitation to reset assumptions can be at once profound and pragmatic. For instance, wildfires in large measure result from recent Western land mismanagement; Native techniques practiced for thousands of years can help manage fire for everyone's benefit. In a world facing a mounting climate crisis and record economic inequality, Invisible No More exposes the deep wounds of a racist past while offering a powerful call to care for one another and the planet. Indigenous communities have much to offer, not the least of which are solutions gleaned from cultural knowledge developed over generations.
 
 

Cover ArtCarving space : a collection of prose and poetry from emerging indigenous writers in lands claimed by Canada.

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon. Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada. Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga'a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favorites.
 
 
 
 

Cover ArtRise up! : Indigenous music in North America by Harris, Craig

Music historian Craig Harris explores more than five hundred years of Indigenous history, religion, and cultural evolution in Rise Up! Indigenous Music in North America. More than powwow drums and wooden flutes, Indigenous music intersects with rock, blues, jazz, folk music, reggae, hip-hop, classical music, and more. Combining deep research with personal stories by nearly four dozen award-winning Indigenous musicians, Harris offers an eye-opening look at the growth of Indigenous music. Among a host of North America's most vital Indigenous musicians, the biographical narratives include new and well-established figures such as Mildred Bailey, Louis W. Ballard, Cody Blackbird, Donna Coane (Spirit of Thunderheart), Theresa "Bear" Fox, Robbie Robertson, Buffy Sainte-Marie, Joanne Shenandoah, DJ Shub (Dan General), Maria Tallchief, John Trudell, and Fawn Wood.
 
 
 
 
 
 
 

Cover ArtBuffalo dreamer by Duncan, Violet

When twelve-year-old Summer visits her family on a reservation in Alberta, Canada, she begins experiencing vivid dreams of running away from a residential school like the one her grandfather attended as a child and learns about unmarked children's graves, prompting her to seek answers about her community's painful past.
 
 
 
 
 
 
 
 
 
 
 
 

Cover ArtFuneral songs for dying girls by Dimaline, Cherie

Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack. Her habit of wandering the graveyard at all hours has started a rumor that Winterson Cemetery might be haunted. It's welcome news since the crematorium is on the verge of closure and her father's job being outsourced. Now that the ghost tours have started, Winifred just might be able to save her father's job and the only home she's ever known, not to mention being able to stay close to where her mother is buried. All she has to do is get help from her con-artist cousin to keep up the rouse and somehow manage to stop her father from believing his wife has returned from the grave. But when an actual ghost of a teen girl, Phil, who lived and died in the ravine next to the cemetery, starts showing up, Winifred begins to question everything she believes about life, love and death--and, most importantly, love.
 
 
 
 
 

Cover ArtIwigara by Salmon, Enrique

Tap into Thousands of Years of Plant Knowledge The belief that all life-forms are interconnected and share the same breath'known in the RarAmuri tribe as iwigara'has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique SalmOn builds on this concept of connection and highlights 80 plants revered by North America's indigenous peoples. SalmOn teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwigara can enhance your own kinship with the natural world.
 
 
 
 

Cover ArtBecoming kin an indigenous call to unforgetting the past and reimagining our future by Krawec, Patty

Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to 'unforget' our history.
 
 
 
 
 
 
 

Cover ArtTo shape a dragon's breath by Blackgoose, Moniquill

A young, Indigenous woman enters a colonizer-run dragon academy after bonding with a hatchling--and quickly finds herself at odds with the "approved" way of doing things--in the first book of a brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations--until fifteen-year-old Anequs finds a dragon's egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered: a Person Who Belongs to a Dragon. Unfortunately for Anequs, the Anglish conquerors of her land have a quite different opinion. They have a very specific idea on how a dragon should be raised--and who should be doing the raising--and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, then her dragon will be destroyed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land challenges abound--both socially and academically. But Anequs is smart and determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. For the world needs changing--and Anequs and her dragon are less coming of age in this bold new world than coming to power
 
 
 

Cover ArtBerry song by Goade, Michaela

Caldecott Medalist Michaela Goade's first self-authored picture book is a gorgeous celebration of the land she knows well and the powerful wisdom of elders. On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Snowberry, Strawberry, Crowberry. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all. Michaela Goade's luminous rendering of water and forest, berries and jams glows with her love of the land and offers an invitation to readers to deepen their own relationship with the earth.
 
 
 
 
 

Cover ArtElapultiek : (we are looking towards) by Joudry, Shalan

Set in contemporary times, a young Mi'kmaw drum singer and a Euro-Nova Scotian biologist meet at dusk each day to count a population of endangered Chimney Swifts (kaktukopnji'jk). They quickly struggle with their differing views of the world. Through humour and story, the characters must come to terms with their own gifts and challenges as they dedicate efforts to the birds. Each "count night" reveals a deeper complexity of connection to land and history on a personal level. Inspired by real-life species at risk work, Shalan Joudry originally wrote this story for an outdoor performance. Elapultiek calls on all of us to take a step back from our routine lives and question how we may get to understand our past and work better together. The ideal of weaving between Indigenous and non-Indigenous worlds involves taking turns to speak and to listen, even through the most painful of stories, in order for us all to heal. We are in a time when sharing cultural, ecological, and personal stories is vital in working towards a peaceful shared territory, co-existing between peoples and nature. "It's a crucial time to have these conversations," offers Joudry. "The power of story can engage audience and readers in ways that moves them to ask more questions about the past and future.
 
 
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