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Women in Agriculture

03/01/2025
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This Women’s History Month, learn about female farmers here in Vermont and beyond. In collaboration with Fleming Museum’s Vermont Female Farmers exhibit, UVM Libraries is featuring Women in Agriculture. Explore this book display in order to learn more about the history of women farmers, their stories, and how women are leading innovation in the field of agriculture. Find these titles and more by visiting the display located in the Howe Library lobby. 
 

Vermont Female Farmers
On view February 4 – May 17, 2025, at the Fleming Museum of Art

Passion, labor, and grit abound in this striking portrait series from Vermont-based photographer JuanCarlos González. Whether capturing moments of intense concentration or joyous pride, the 45 works are an intimate look at the daily life and livelihoods of the women whose hands shape farming in Vermont.


 

Cover ArtVermont female farmers by González, JuanCarlos

This project focuses on the meaningful and impactful contributions that female farmers are making to Vermont's culture, identity, and economy yet who may be overlooked compared to their male counterparts. For Vermont Female Farmers, I visited 38 farmers and photographed them at work during their daily life on the farm. I attempt to center their livelihood, labor, and passion. Each is different and has a unique story, working with chickens, goats, cows, produce, saffron, flowers, and much more.
 
 
 

Cover ArtWomen in agriculture : professionalizing rural life in North America and Europe, 1880-1965

Women have always been skilled at feeding their families, and historians have often studied the work of rural women on farms and in their homes. However, the stories of women who worked as agricultural researchers, producers, marketers, educators, and community organizers have not been told until now. Taking readers into the rural hinterlands of the rapidly urbanizing societies of the United States, Canada, Great Britain, and the Netherlands, the essays in Women in Agriculture tell the stories of a cadre of professional women who acted to bridge the growing rift between those who grew food and those who only consumed it. The contributors to Women in Agriculture examine how rural women's expertise was disseminated and how it was received. Through these essays, readers meet subversively lunching ladies in Ontario and African American home demonstration agents in Arkansas. The rural sociologist Emily Hoag made a place for women at the US Department of Agriculture as well as in agricultural research. Canadian rural reformer Madge Watt, British radio broadcaster Mabel Webb, and US ethnobotanists Mary Warren English and Frances Densmore developed new ways to share and preserve rural women's knowledge. These and the other women profiled here updated and expanded rural women's roles in shaping their communities and the broader society. Their stories broaden and complicate the history of agriculture in North America and Western Europe.
 

Cover ArtWomen who dig : farming, feminism, and the fight to feed the world by Moyles, Trina

Weaving together the narratives of female farmers from across three continents, Women Who Dig offers a critical look at how women are responding to and increasingly rising up against the injustices of the global food system. Beautifully written with spectacular photos, it examines gender roles, access to land, domestic violence, maternal health, political and economic marginalization, and a rapidly changing climate. It also shows the power of collective action. With women from Guatemala, Nicaragua, the United States, Canada, Uganda, the Democratic Republic of Congo, India, and Cuba included, this book explores the ways women are responding, both individually and collectively, to the barriers they face in providing the world a healthy diet.
 
 
 
 
 

Cover ArtOn behalf of the family farm : Iowa farm women's activism since 1945 by Devine, Jenny Barker

In on behalf of the family farm, Jenny Baker Devine demonstrates that in an era where technology, depopulation and rapid economic change dramatically altered rural life, Midwestern women met those challenges with an activism that reflected their own feminine vision of farm life. Focusing on women in four national farm organizations in Iowa -- the Farm Bureau, the Farmers Union, the National Farmers Organization, and the Porkettes -- Devine highlights specific movements in time when farm women had to reassess their roles and strategies for preserving and improving their way of life.
 
 
 
 
 

Cover ArtWild mares : my lesbian back-to-the-land life by Hunter, Dianna

Dianna Hunter was a softball-loving, working-class tomboy in North Dakota, surviving the threat of the Cuban Missile Crisis and Mutually Assured Destruction in the shadow of a strategic air command base. Communists and antiwar hippies were the enemy, but lesbians were a threat, too: they were unhealthy, criminal, and downright insane. It took Dianna a while to figure out that she was one, a little longer to discover how she fit in with her new communities in the city and the countryside. This is her story-a frank account by turns comic and painful of a well-behaved Midwestern girl finding her way through polite denial and repression and running head-on into the eye-opening events of the 1960s and '70s before landing on a dairy farm. A bumpy route takes Dianna to the Twin Cities, then to rural Minnesota and Wisconsin as-by way of the antiwar movement, women's liberation, and a dose of lesbian feminism-she and her friends try to establish a rural utopia free of sexual oppression, violence, materialism, environmental degradation-and men. They dream big, love as they see fit, and make do until they don't. Dianna buys a dairy farm and, with it, a new set of problems thanks to the Reagan-era farm crisis. A firsthand account of the lesbian feminist movement at its inception, Wild Mares is a deeply personal, wryly wise, and always engaging view of identity politics lived and learned in real life and, literally, on the ground, flourishing in the fertile soil of a struggling dairy farm in the American heartland.
 
 

Cover ArtPig years by Gaydos, Ellyn

This captivating memoir is a "startling testimony to the glories and sorrows of raising and harvesting plants and animals" (Anthony Doerr, best-selling author of All the Light We Cannot See), as an itinerant farmhand chronicles the wonders hidden within the ever-blooming seasons of life, death, and rebirth. Pig Years catapults American nature writing into the 21st century, and has been hailed by Lydia Davis and Aimee Nezhukumatathil as "engrossing" and "a marvel." As a farmer in Upstate New York and Vermont, Ellyn Gaydos lives on the knife edge between loss and gain. Her debut memoir draws us into this precarious world, conjuring with stark simplicity the lifeblood of the farm: its livestock and stark full moons, the sharp cold days lives near to the land. Joy and tragedy are frequent bedfellows. Fields go barren and animals meet their end too soon, but then their bodies become food in a time-old human ritual. Seasonal hands are ground down by the hard work, but new relationships are formed, love blossoms and Gaydos yearns to become a mother. As winter's dark descends, Pig Years draws us into a violent and gorgeous world where pigs are star-bright symbols of hope and beauty surfaces in the furrows, the sow, even in the slaughter. In hardy, lyrical prose that recalls the agrarian writing of Annie Dillard and Wendell Berry, Gaydos asks us to bear witness to the work that sustains us all and to reconsider what we know of survival and what saves us. Pig Years is a rapturous reckoning of love, labor, and loss within a landscape given to flux.
 

Cover ArtEveryday sustainability : gender justice and fair trade tea in Darjeeling by Sen, Debarati

Everyday Sustainability takes readers to ground zero of market-based sustainability initiatives--Darjeeling, India--where Fair Trade ostensibly promises gender justice to minority Nepali women engaged in organic tea production. These women tea farmers and plantation workers have distinct entrepreneurial strategies and everyday practices of social justice that at times dovetail with and at other times rub against the tenets of the emerging global morality market. The author questions why women beneficiaries of transnational justice-making projects remain skeptical about the potential for economic and social empowerment through Fair Trade while simultaneously seeking to use the movement to give voice to their situated demands for mobility, economic advancement, and community level social justice.
 
 
 

Cover ArtTurn here sweet corn : organic farming works by Diffley, Atina

When the hail starts to fall, Atina Diffley doesn't compare it to golf balls. She's a farmer. It's "as big as a B-size potato." As her bombarded land turns white, she and her husband Martin huddle under a blanket and reminisce: the one-hundred-mile-per-hour winds; the eleven-inch rainfall ("that broccoli turned out gorgeous"); the hail disaster of 1977. The romance of farming washed away a long time ago, but the love? Never. In telling her story of working the land, coaxing good food from the fertile soil, Atina Diffley reminds us of an ultimate truth: we live in relationships--with the earth, plants and animals, families and communities. A memoir of making these essential relationships work in the face of challenges as natural as weather and as unnatural as corporate politics, her book is a firsthand history of getting in at the "ground level" of organic farming. One of the first certified organic produce farms in the Midwest, the Diffleys' Gardens of Eagan helped to usher in a new kind of green revolution in the heart of America's farmland, supplying their roadside stand and a growing number of local food co-ops. This is a story of a world transformed--and reclaimed--one square acre at a time. And yet, after surviving punishing storms and the devastating loss of fifth-generation Diffley family land to suburban development, the Diffleys faced the ultimate challenge: the threat of eminent domain for a crude oil pipeline proposed by one of the largest privately owned companies in the world, notorious polluters Koch Industries. As Atina Diffley tells her David-versus-Goliath tale, she gives readers everything from expert instruction in organic farming to an entrepreneur's manual on how to grow a business to a legal thriller about battling corporate arrogance to a love story about a single mother falling for a good, big-hearted man.
 

Cover ArtBeyond the kitchen table : Black women and global food systems

Over the last decade, there has been an increasing amount of scholarship focused on race and food inequity. Much of this research is focused on the United States and its densely populated urban centers. Looking deeply into Black women?s roles?economically, environmentally, and socially?in food and agriculture systems in the Caribbean, Africa, and the United States, the contributors address the ways Black women, both now and in the past, have used food as a part of community building and sustenance. They also examine matrilineal food-based education; the importance of Black women?s social, cultural, and familial networks in addressing nutrition and food insecurity; the ways gender intersects with class and race globally when thinking about food; and how women-led science and technology initiatives can be used to create healthier and more just food systems. Contributors include Agnes Atia Apusigah, Neela Badrie, Kenia-Rosa Campo, Dara Cooper, Kelsey Emard, Claudia J. Ford, Hanna Garth, Shelene Gomes, Veronica Gordon, Wendy-Ann Isaac, Lydia Kwoyiga, Gloria Sanders McCutcheon, Eveline M. F. W. Sawadogo/Compaore, Ashanté M. Reese, Sakiko Shiratori, shakara tyler, and Marquitta Webb.

Cover ArtThe rise of women farmers and sustainable agriculture by Sachs, Carolyn E.

A profound shift is occurring among women working in agriculture--they are increasingly seeing themselves as farmers, not only as the wives or daughters of farmers. The authors draw on more than a decade of research to document and analyze the reasons for the transformation. As their sense of identity changes, many female farmers are challenging the sexism they face in their chosen profession. In this book, farm women in the northeastern United States describe how they got into farming and became successful entrepreneurs despite the barriers they encountered in agricultural institutions, farming communities, and even their own families. Their strategies for obtaining land and labor and developing successful businesses offer models for other aspiring farmers. Pulling down the barriers that women face requires organizations and institutions to become informed by what the authors call a feminist agrifood systems theory (FAST). This framework values women's ways of knowing and working in agriculture: emphasizing personal, economic, and environmental sustainability, creating connections through the food system, and developing networks that emphasize collaboration and peer-to-peer education. The creation and growth of a specific organization, the Pennsylvania Women's Agricultural Network, offers a blueprint for others seeking to incorporate a feminist agrifood systems approach into agricultural programming. The theory has the potential to shift how farmers, agricultural professionals, and anyone else interested in farming think about gender and sustainability, as well as to change how feminist scholars and theorists think about agriculture. 
 

Cover ArtThe Midwest farmer's daughter : in search of an American icon by Jack, Zachary Michael

The Midwest Farmer's Daughter presents the untold history and renewed cultural currency of an American icon at a time when fully 30 percent of new farms in the United States are woman-owned. It ranges widely from Jane Smiley's Pulitzer Prize-winning A Thousand Acres to Laura Ingalls Wilder's commentaries for the Missouri Ruralist; from the critical importance of rural girls and young women to organizations such as the Farm Bureau, 4-H, and FFA to the entrepreneurial role today's female agriculturalists and sustainable farm advocates play in farmers' markets, urban farms, and community-supported agriculture.

Cover ArtPutting the barn before the house : women and family farming in early-twentieth-century New York by Osterud, Nancy Grey

Putting the Barn Before the House features the voices and viewpoints of women born before World War I who lived on family farms in south-central New York. As she did in her previous book, Bonds of Community, for an earlier period in history, Grey Osterud explores the flexible and varied ways that families shared labor and highlights the strategies of mutuality that women adopted to ensure they had a say in family decision making. Sharing and exchanging work also linked neighboring households and knit the community together. Indeed, the culture of cooperation that women espoused laid the basis for the formation of cooperatives that enabled these dairy farmers to contest the power of agribusiness and obtain better returns for their labor. Osterud recounts this story through the words of the women and men who lived it and carefully explores their views about gender, labor, and power, which offered an alternative to the ideas that prevailed in American society. Most women saw "putting the barn before the house" - investing capital and labor in productive operations rather than spending money on consumer goods or devoting time to mere housework - as a necessary and rational course for families who were determined to make a living on the land and, if possible, to pass on viable farms to the next generation. Some women preferred working outdoors to what seemed to them the thankless tasks of urban housewives, while others worked off the farm to support the family. Husbands and wives, as well as parents and children, debated what was best and negotiated over how to allocate their limited labor and capital and plan for an uncertain future. Osterud tells the story of an agricultural community in transition amid an industrializing age with care and skill.
 

Cover ArtVermont farm women by Miller, Peter

Photographs and text of farm women'dairy, pigs, sheep, goats, emus, christmas trees, horses, beef cattle, cheese who work the small farm as owners and are passionate about their responsibility to the land, the animals and their community.

Cover ArtQueen of American agriculture : a biography of Virginia Claypool Meredith by Whitford, Fred

Virginia Claypool Meredith's role in directly managing the affairs of a large and prosperous farm in east-central Indiana opened doors that were often closed to women in late nineteenth century America. Her status allowed her to campaign for the education of women, in general, and rural women, in particular. While striving to change society's expectations for women, she also gave voice to the important role of women in the home. A lifetime of dedication made Virginia Meredith "the most remarkable woman in Indiana" and the "Queen of American Agriculture." Meredith was also an integral part of the history of Purdue University. She was the first woman appointed to serve on the university's board of trustees, had a residence hall named in her honor, and worked with her adopted daughter, Mary L. Matthews, in creating the School of Home Economics, the predecessor of today's College of Consumer and Family Sciences.
 
 

Cover ArtMore than a farmer's wife : voices of American farm women, 1910-1960 by Lauters, Amy Mattson

Examining how women were presented in farming and mainstream magazines over fifty years and interviewing more than 180 women who lived on farms, Lauters reveals that, rather than being victims of patriarchy, most farm women were astute businesswomen, working as partners with their husbands and fundamental to the farming industry.
 
 
 
 
 
 

Cover ArtFruits of victory : the Woman's Land Army of America in the Great War by Weiss, Elaine F.

Imagine a more controversial Rosie the Riveter--a generation older and more outlandish for her time. She was the "farmerette" of the Woman's Land Army of America (WLA), doing a man's job on the home front during World War I. From 1917 to 1920 the WLA sent more than twenty thousand urban women into rural America to take over farm work after the men went off to war and food shortages threatened the nation. These women, from all social and economic strata, lived together in communal camps and did what was considered "men's work": plowing fields, driving tractors, planting, harvesting, and hauling lumber. The Land Army was a civilian enterprise organized and financed by women. It insisted on fair labor practices and pay equal to male laborers' wages for its workers and taught women not only agricultural skills but also leadership and management techniques. Despite their initial skepticism, farmers became the WLA's loudest champions, and the farmerette was celebrated as an icon of American women's patriotism and pluck.The WLA's short but spirited life foreshadowed some of the most significant social issues of the twentieth century: women's changing roles, the problem of class distinctions in a democracy, and the physiological and psychological differences between men and women. The dramatic story of the WLA is vividly retold here using long-buried archival material, allowing a fascinating chapter of America's World War I experience to be rediscovered.
 

Cover ArtWomen and sustainable agriculture : interviews with 14 agents of change by Anderson, Anna

This book looks deeply into the American food system and closely examines the need for change in the way food is grown and distributed in the United States. It is composed of twelve interviews with dynamic women who work on issues surrounding modern agriculture. These women are producers, academicians, advocates and activists. Some work in agricultural law and policy. All are devoted to changing the current system. Within a framework that offers brief overviews of the development of U.S. agriculture, the interviews allow the reader to hear firsthand what has gone wrong and what we can do about it. Part One focuses on concepts of traditional agriculture, organic growing and market viability. Part Two discusses pioneering agriculture and the process of restoring our farms to thriving habitats of biodiversity with clean water and healthy soil. Part Three considers the issues of industrial agriculture, exploring the controversy of genetically modified foods, farm foreclosures and the 2002 Farm Bill. Part Four returns us to sustainable agriculture and how we can make sustainability work for us. It includes discussions of farmers' markets, co-ops and local food systems.
 

Cover ArtLiving off the land : women farmers of today by Russell, Josephine

Based on extensive interviews with twelve varied and representative women farmers in County Kerry, Josephine Russell's text provides a unique insight into farming women of all ages and types: dairy, sheep, and organic, from the four corners and the three peninsulas of Kerry. Some remember the old life of physical work; others are as familiar with the computer as the animals. All the stories are engaging and entertaining.
 
 
 
 
 
 
 

Cover ArtWorking the land : the stories of ranch and farm women in the modern American West by Schackel, Sandra

Helen Tiegs didn't take to driving a tractor when she became a farmer's wife, but after fifty years she considers herself the hub of the family operation. Lila Hill taught piano, then ultimately took a job off the farm to augment the family income during a period of rising costs. From Montana's cattle pastures to New Mexico's sagebrush mesas, women on today's ranches and farms have played a crucial role in a way of life that is slowly disappearing from the western landscape. Recalling her own family-farm ties, Sandra Schackel set out to learn how these women's lives have changed over the second half of the twentieth century. In Working the Land, she collects oral histories from more than forty women--in Arizona, Colorado, Idaho, New Mexico, Oregon, and Texas--recalling their experiences as ranchers and farmers in a modernizing West. Through this diverse group of women-white and Hispanic, rich and poor, ranging in age from 24 to 83--we gain a new perspective on their ties to the land. Although western ranch and farm women have often been portrayed as secondary figures who devoted themselves to housekeeping in support of their husbands' labors, Schackel's interviews reveal that these women have had a much more active role in defining what we know as the modern American West. As Schackel listened to their stories, she found several currents running through their recollections, such as the satisfaction found in living the rural lifestyle and the flexibility of gender roles. She also learned how resourceful women developed new ways to make their farms work--by including tourism, summer camps, and bed-and-breakfast operations--and how many have become activists for land-based issues. And while some like Lila made the difficult decision to work off the farm, such sacrifices have enabled families to hold onto their beloved land. Rich with memory and insight into what makes America's family farms and ranches tick, Working the Land provides a deeper understanding of the West's development over the last fifty years along with new perspectives on shifting attitudes toward women in the workforce. It is both a long-overdue documentation of the lives of hard-working farm women and a celebration of their contributions to a truly American way of life.

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November 3 - 8 is First-Gen Week. Check out these new books in our collection regarding the experience of being the first in a family to attend college. Visit the Howe Library Lobby display to find these books, plus books authored by first-gen UVM faculty and staff - including our President, Dr. Marlene Tromp! 


Cover Art Undocumented : a Dominican boy's odyssey from a homeless shelter to the Ivy League by Padilla Peralta, Dan-el 

Throughout his youth, Dan-el navigated ... two worlds: the rough streets of East Harlem, where he lived with his brother and his mother and tried to make friends, and the ultra-elite halls of a Manhattan private school, where he could immerse himself in a world of books and where he soon rose to the top of his class. From Collegiate, Dan-el went to Princeton, where he thrived, and where he made the momentous decision to come out as an undocumented student in a Wall Street Journal profile a few months before he gave the salutatorian's traditional address in Latin at his commencement.
 
 
 
 

Cover Art Every student has a story : personal narratives from first-generation college students 

This book is a compilation of essays by TRIO Student Support Services Students at Indiana University Purdue University Fort Wayne (IPFW). Inspired by Aquinas College's student publishing project, IPFW TRIO Student Support Services coordinated a semester long opportunity for TRIO students in the spring of 2016. Students were asked to participate in writing circles where they could tell their stories, hear other students' stories, and get feedback about how to write compelling essays about their life experiences.
 
 
 
 
 

Cover Art First gen : a memoir by Campoverdi, Alejandra 

Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member's girlfriend, and a candidate for U.S. Congress. She's ridden on Air Force One and in G-rides. She's been featured in 'Maxim' magazine and had a double mastectomy. With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles. Foregoing the tidy bullet points of her resume and instead shining a light on the spaces between them, what emerges is a powerful testimony that shatters the one-dimensional glossy narrative we are often sold of what it takes to achieve the American Dream.
 
 
 
 
 

Cover Art Smart girl : a first-gen origin story by Miles, La'Tonya Rease 

Smart Girl: A First-Gen Origin Story is a memoir that redefines first-gen and Black student narratives that highlights mass media, pop culture, and sports as key to shaping identity, resilience, and community. In her memoir, Dr. Rease Miles traces the (sound)tracks of her life as she journeys through myriad K-12 public schools and several college experiences toward a PhD and beyond, battling self-doubt, racism, "imposter syndrome," and "survivor's guilt" to transform the higher education landscape for herself, her family, and community. Smart Girl shifts the focus of first-gen memoirs from solely academic grit to exploring the everyday cultural forces that shape identity and resilience.
 
 
 

Cover Art First-Generation Professionals in Higher Education by Wallace, Mary Blanchard 

First-generation Professionals in Higher Education: Strategies for the World of Work explores complexities related to the transition from college/professional school to the work world of higher education, as well as the advancement from mid- to senior-level leadership, and how first-generation professionals navigate these transitions. Framing their chapters in the asset-based lens of cultural capital, the authors approach topics of navigating the field of higher education as first-generation professionals through personal experience as well as evidence-based approaches and strategies. Organized in three sections-Professional Identity, Purposeful Interaction, and Career Path--the book examines concepts such as imposter syndrome, politics, financial literacy, resilience, networking, mentoring, career progression, and more. Each chapter includes activities, exercises, and questions for reflection, offering readers an opportunity to discern strategies for their own professional development.
 

Cover Art The hidden curriculum : first generation students at legacy universities by Gable, Rachel 

A revealing look at the experiences of first generation students on elite campuses and the hidden curriculum they must master in order to succeed College has long been viewed as an opportunity for advancement and mobility for talented students regardless of background. Yet for first generation students, elite universities can often seem like bastions of privilege, with unspoken academic norms and social rules. The Hidden Curriculum draws on more than one hundred in-depth interviews with students at Harvard and Georgetown to offer vital lessons about the challenges of being the first in the family to go to college, while also providing invaluable insights into the hurdles that all undergraduates face. As Rachel Gable follows two cohorts of first generation students and their continuing generation peers, she discovers surprising similarities as well as striking differences in their college experiences. She reveals how the hidden curriculum at legacy universities often catches first generation students off guard, and poignantly describes the disorienting encounters on campus that confound them and threaten to derail their success. Gable shows how first-gens are as varied as any other demographic group, and urges universities to make the most of the diverse perspectives and insights these talented students have to offer. The Hidden Curriculum gives essential guidance on the critical questions that university leaders need to consider as they strive to support first generation students on campus, and demonstrates how universities can balance historical legacies and elite status with practices and policies that are equitable and inclusive for all students.
 

Cover Art 33 simple strategies for faculty : a week-by-week resource for teaching first-year and first-generation students by Nunn, Lisa M. 

33 Simple Strategies is designed to offer university faculty simple and straightforward ways they can interact with students both during class time and during office hours that will help mediate some of first-year students' most stressful challenges. The suggested strategies require just 5-15 minutes a week. Every suggestion is rooted in first-year students' own voices, gathered during research at one four-year private and one four-year public institution. The strategies pay particular attention to the additional needs and challenges that low-income, ethno-racial minority, and first-generation college students face in the transition to university academics and college life more generally. Including strategies like Introduce yourself as a person to your students rather than list your professional qualifications, Have students fill out a time log over the course of a week so that you can talk about time management, Help students find study partners among their classmates, All the suggestions came directly from students themselves in one-on-one interviews, where the students described their experiences with professors in and out of the classroom, and articulated things that professors do that they found helpful to their learning, their confidence, and their success, and vice versa as well. For any professor just starting out, or for someone who wants to incorporate techniques to reach first year or first generation students, these short, simple suggestions will prove easy to implement, and will increase student success in any class.
 

Cover Art College belonging : how first-year and first-generation students navigate campus life by Nunn, Lisa M. 

College Belonging reveals how colleges' and universities' efforts to foster a sense of belonging in their students are misguided. Colleges bombard new students with the message to "get out there!" and "find your place" by joining student organizations, sports teams, clubs and the like. Nunn shows that this reflects a flawed understanding of what belonging is and how it works. Drawing on the sociological theories of Emile Durkheim, College Belonging shows that belonging is something that members of a community offer to each other. It is something that must be given, like a gift. Individuals cannot simply walk up to a group or community and demand belonging. That's not how it works. The group must extend a sense of belonging to each and every member. It happens by making a person feel welcome, to feel that their presence matters to the group, that they would be missed if they were gone. This critical insight helps us understand why colleges' push for students simply to "get out there!" does not always work.
 

Cover Art College aspirations and access in working-class rural communities : the mixed signals, challenges, and new language first-generation students encounter by Ardoin, Sonja 

College Aspirations and Access in Working-Class Rural Communities: The Mixed Signals, Challenges, and New Language First-Generation Students Encounter explores how a working-class, rural environment influences rural students' opportunities to pursue higher education and engage in the college choice process. Based on a case study with accounts from rural high school students and counselors, this book examines how these communities perceive higher education and what challenges arise for both rural students and counselors. This book addresses how college knowledge and university jargon illustrate the gap between rural cultural capital and higher education cultural capital. Insights about approaches to reduce barriers created by college knowledge and university jargon are shared and strategies for offering rural students pathways to learn academic language and navigate higher education are presented for both secondary and higher education institutions.

Cover Art Know that you are worthy : experiences from first-generation college graduates 

In Know That You Are Worthy: Experiences from First Generation College Graduates, 31 alumni who were the first in their family to obtain a college degree share their experiences in college. These stories illuminate how the struggles of first generation students are primarily due to a combination of multiple social inequities that are ignored, reinforced, and perpetuated by exclusive college systems. These authors speak directly to current and future first generation students, offering tips and advice for success, along with powerful words of encouragement in their emotionally rich narratives. College faculty and staff are challenged to shift their perspectives from viewing these students from a deficit lens or attempting to make them more like continuing-generation students, to instead having deeply honest confrontations with the pedagogies and structures of college, which are frequently so ingrained that they are invisible, and that cater to continuing-generation students, who are often predominantly white, middle- and upper-class. Colleges can create a more equitable system in which universities are enriched by the wisdom, experiences, and talents of first generation students while promoting a generative culture for all students.
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October is the perfect time for fairy tales. Check out our feature list for some of the newest books in Howe Library on the topic of fairy tales! Visit the Howe Library Lobby display to borrow a book and check out even more titles like these. And on Thursday, October 23rd from 3:00 PM - 4:30 PM, be sure to attend our author talk below!

 

UVM Libraries’ Chats in the Stacks: Once Upon a Tale -  

Join three UVM faculty (Maria Hummel, Eve Alexandra, and Cristina Mazzoni), for a discussion on the enduring power and possibilities of folk and fairy tales. A scholar, poet, and novelist will each introduce a figure in a tale that is thematically impactful to their work and talk about how it reverberates with an age-old story. Authors will share some of their own writing and then invite the audience into a dialogue about the pleasures, challenges, and wishes in revisiting and reimagining fairy tales. You can find and borrow their books on the Howe Library Lobby display table. 

 


Cover Art East of the sun and west of the moon : old tales from the North by Daniel, Noel (Editor) 

The fifteen tales in this reprint are replications of those that appeared in the original 1914 East of the sun and west of the moon with minor corrections and updates. Thirteen come from the first English translation of the Norwegian tales, Popular tales from the Norse from 1859 by Sir George Webbe Dasent. Two additional tales, not translated by Dasent, were added: "Prince Lindworm" (a Danish folktale collected by Danish historian Svend Grundtvig in 1855 and translated into English in 1914 by an unknown translator) and "The three princesses in the blue mountain" (by Asbjørnsen and Moe, translated by H.L. Brœkstad, and published in 1897 by publisher David Nutt).
 
 
 

Cover Art Women writing wonder : an anthology of subversive nineteenth-century British, French, and German fairy tales 

Women Writing Wonder: An Anthology of Subversive Nineteenth-Century British, French, and German Fairy Tales is a translation and critical edition that fills a current gap in fairy-tale scholarship by making accessible texts written by nineteenth-century British, French, and German women authors who used the genre of the fairy tale to address issues such as class, race, and female agency. These shared themes crossed national borders are due to both communication among these writers and changes in nineteenth-century European societies that similarly affected women in Western Europe. In effect, the combined texts reveal a common, transnational tradition of fairy tales by women writers who grapple with gender, sexual, social, and racial issues in a post-French Revolution Europe. The anthology provides insight into the ways the fairy tale served as a vehicle for women writers-often marginalized and excluded from more official or public genres-to engage in very serious debates. Women Writing Wonder, divided into three parts by country, features tales that depict relationships that cross class and racial divides, thus challenging normative marriage practices; critically examine traditional fairy-tale tropes, such as happily ever after and the need for a woman to marry; challenge the perception that fairy-tale collecting, editing, and creation was male work, associated particularly with the Grimms; and demonstrate the role of women in the development of the emerging field of children's literature and moral tales. Through their tales, these women question, among other issues, the genre of the fairy tale itself, playing with the conventional fairy-tale narrative to compose their proto-feminist tales. By bringing these tales together, editors and translators Julie L.J. Koehler, Shandi Lynne Wagner, Anne E. Duggan, and Adrion Dula hope both to foreground women writers' important contributions to the genre and to challenge common assumptions about what a fairy tale is for scholars, students, and general readers.
 

Cover Art Buried treasures: the power of political fairy tales by Zipes, Jack 

Fascinating profiles of modern writers and artists who tapped the political potential of fairy tales Jack Zipes has spent decades as a "scholarly scavenger," discovering forgotten fairy tales in libraries, flea markets, used bookstores, and internet searches, and he has introduced countless readers to these remarkable works and their authors. In Buried Treasures , Zipes describes his special passion for uncovering political fairy tales of the nineteenth and twentieth centuries, offers fascinating profiles of more than a dozen of their writers and illustrators, and shows why they deserve greater attention and appreciation. These writers and artists used their remarkable talents to confront political oppression and economic exploitation by creating alternative, imaginative worlds that test the ethics and morals of the real world and expose hidden truths. Among the figures we meet here are Édouard Laboulaye, a jurist who wrote acute fairy tales about justice; Charles Godfrey Leland, a folklorist who found other worlds in tales of Native Americans, witches, and Roma; Kurt Schwitters, an artist who wrote satirical, antiauthoritarian stories; Mariette Lydis, a painter who depicted lost-and-found souls; Lisa Tetzner, who dramatized exploitation by elites; Felix Salten, who unveiled the real meaning of Bambi's dangerous life in the forest; and Gianni Rodari, whose work showed just how political and insightful fantasy stories can be. Demonstrating the uncanny power of political fairy tales, Buried Treasures also shows how their fictional realities not only enrich our understanding of the world but even give us tools to help us survive.
 

Cover Art Fairy tales of Appalachia by Sivinski, Stacy (Editor) 

This new collection of fairy tales, drawn from the Archives of Appalachia at East Tennessee State University and the special collections at Berea College, celebrates a lively current of storytelling going back centuries in Appalachia. The volume's editor, Stacy Sivinski, has written an introduction contextualizing the regional oral tradition that produced these adaptations and retellings of well-known tales. She explains what makes the stories distinctively Appalachian, and, indeed, readers will find traces of "Cinderella," "Beauty and the Beast," and "Snow White," all with a distinctly Appalachian flavor. The brave and clever women characters, so strong in Sivinski's selection, are given additional emphasis in specially commissioned photographs by local artist Jamie Sivinski. In contrast to a previous era of skeptical folklore criticism, this volume encourages readers to enter the fairy tale with a sense of wonder that is not less contemporary for being fantastic.
 
 
 

Cover Art A calabash of cowries : ancient wisdom for modern times by Teish, Luisah 

A Calabash of Cowries: Ancient Wisdom for Modern Times is a collection of tales featuring the Orishas and the wonders of the natural world. Suitable for adults and children, artists and teachers, readers of all cultures will discover in these retellings of traditional tales a resource that illuminates the mythic and the real, the ancient past and the emerging present. An offering of spiritual wisdom and cultural celebration through stories that have and will continue to endure the test of time.
 
 
 
 
 
 
 

Cover Art The pomegranates and other modern Italian fairy tales by Mazzoni, Cristina (Edited and Translated by) 

A collection of magical Italian folk and fairy tales-most appearing here in English for the first time The Pomegranates and Other Modern Italian Fairy Tales presents twenty magical stories published between 1875 and 1914, following Italy's political unification. In those decades of political and social change, folklorists collected fairy tales from many regions of the country while influential writers invented original narratives in standard Italian, drawing on traditional tales in local dialects, and translated others from France. This collection features a range of these entertaining jewels from such authors as Carlo Collodi, most celebrated for the novel Pinocchio, and Domenico Comparetti, regarded as the Italian Grimm, to Grazia Deledda, the only Italian woman to have received the Nobel Prize in Literature. With one exception, all of these tales are appearing in English for the first time.The stories in this volume are linked by themes of metamorphosis: a man turns into a lion, a dove, and an ant; a handsome youth emerges from a pig's body; and three lovely women rise out of the rinds of pomegranates. There are also more introspective transformations: a self-absorbed princess learns about manners, a melancholy prince finds joy again, and a complacent young woman discovers gratitude. Cristina Mazzoni provides a comprehensive introduction that situates the tales in their cultural and historical context. The collection also includes period illustrations and biographical notes about the authors.Filled with adventures, supernatural and fantastic events, and brave and flawed protagonists, The Pomegranates and Other Modern Italian Fairy Tales will delight, surprise, and astonish.
 
 

Cover Art Roman folktales by Mazzoni, Cristina (Editor); Jackson, J. K. (General Editor) 

The fables, folklore and fairy tales of Rome are definitely not the more familiar myths and legends with their pantheon of gods. Within these pages you'll find stories and fears of the everyday, observations on the world around us, often poking fun at those in authority, and laughing at the proud and haughty including, The King Who Goes Out to Dinner, The Enchanted Rose Tree, The Wooing Of Cassandro, The Beggar and the Chick-Pea, The Bad-Tempered Queen, The Old Miser, Why Cats and Dogs Always Quarrel and The Value of Salt. Tricksters and simpletons, animal tales, food stories, tales of love and marriage, and narratives imbued with religion and magic are accompanied by a complementary selection of classical tales from antiquity and the middle ages, such as Cupid and Psyche, that reveal the ancient roots of these stories that have passed down orally over the ages. FLAME TREE 451: From mystery to crime, supernatural to horror and myth, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.
 
 

Cover Art The original folk & fairy tales of the Brothers Grimm : the complete first edition by Grimm, Jacob; Grimm, Wilhelm; Zipes, Jack (Edited and Translated by); Dezsö, Andrea (Illustrator) 

When Jacob and Wilhelm Grimm published their 'Children's and Household Tales' in 1812, followed by a second volume in 1815, they had no idea that such stories as 'Rapunzel, ' 'Hansel and Gretel, ' and 'Cinderella' would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, 'The Original Folk and Fairy Tales of the Brothers Grimm' makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö. From 'The Frog King' to 'The Golden Key, ' wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes. A delight to read, 'The Original Folk and Fairy Tales of the Brothers Grimm' presents these peerless stories to a whole new generation of readers.
 

Cover Art Classic fairy tales and modern retellings : a guide for librarians, teachers, and readers 

Drawing on the popularity of fairy-tale literature and its retellings, this guide provides insightful annotations to all the major picture books and novels for children and teens.

Although popular fairy tales such as "Cinderella" are familiar, the broader genre of fairy-tale literature is less well known. This genre includes traditional fairy tales (often compiled in book collections), picture-book retellings of single fairy tales, fractured fairy tales, and fairy-tale-inspired novels for both children and teens.

Designed to help librarians, teachers, and reading partners feel more confident in selecting and suggesting fairy-tale books for children and teens, this comprehensive guide offers themes, read-alikes, reading levels, awards, and curricular tie-ins for each book. Readers will learn about the distinguishing characteristics of fairy tales, key authors (contemporary and historical), major trends, and significant changes in the genre. They will also discover the therapeutic power of fairy tales, their empowering impact on children and teens, and the reasons that fairy tales continue to attract young readers. Insightful and engaging annotations of each book will increase their knowledge of the riches of the genre.
 

Cover Art The lost princess : women writers and the history of classic fairy tales by Duggan, Anne E. 

People often associate fairy tales with Disney films, and with the male authors from whom Disney often drew inspiration -- notably Charles Perrault, the Brothers Grimm and Hans Christian Andersen. In these portrayals the princess is a passive, compliant figure. By contrast, "The Lost Princess" shows that classic fairy tales such as 'Cinderella', "Rapunzel" and "Beauty and the Beast" have a much richer, more complex history than Disney's saccharine depictions. Anne E. Duggan recovers the voices of women writers such as Marie-Catherine d'Aulnoy, Marie-Jeanne L'Héritier and Charlotte-Rose de La Force, who penned popular tales about ogre-killing, pregnant, cross-dressing, dynamic heroines who saved the day. This new history will appeal to anyone who wants to know more about the lost, plucky heroines of historic fairy tales.
 
 
 
 

Cover Art A cultural history of fairy tales by Duggan, Anne E. 

How have the fairy tales of different cultures changed over the centuries? What do they tell us about our fears and hopes? In a work that spans 2,500 years these ambitious questions are addressed by over 50 experts, each contributing their overview of a theme applied to a period in history. With the help of a broad range of case material they illustrate broad trends and nuances of the fairy tale in Western culture from antiquity to the present. Individual volume editors ensure the cohesion of the whole, and to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The six volumes cover: 1 - Antiquity (500 BCE to 800 CE); 2 - Medieval Age (800 to 1450); 3 - The Age of the Marvelous (1450 to 1650); 4 - The Long Eighteenth Century (1650 to 1800); 5 - The Long Nineteenth Century (1800 to 1920); 6 - The Modern Age (1920 to the present). Themes (and chapter titles) are: Forms of the Marvelous; Adaptation; Gender and Sexuality; Humans and Non-Humans; Monsters and the Monstrous; Spaces; Socialization; and Power. 
 
 

Cover Art Needle at the bottom of the sea : Bengali tales from the land of the eighteen tides 

What would you do if that white fly buzzing around your head landed on the wall and started giving you marriage advice? Or what could possibly be your response if the mendicant Sufi you often see at prayers should in the blink of an eye shapeshift into a giant ogre, enormous fangs bulging from a bloody maw? These events, and many more like them are not uncommon in the stories (kathās) of miracle-working Sufi saints (pīrs) that have circulated in the Bangla-speaking world for most of the last millennium. The stories are romances filled with wondrous marvels where tigers talk, rocks float and waters part, and færies carry a sleeping Sufi holy man into the bedroom of a Hindu princess with whom the god of fate, Bidhātā, has ordained marriage. Each of the five stories in this anthology feature unlikely heroes and heroines, intrepid ocean-going traders, fickle gods and goddesses, prophets and holy men, and the royal whimsy of kings and zamindars. The protagonists encounter predicaments faced by every human being, but the presence of marvels beyond the ordinary signal creative solutions that are magnified to heroic scale. They revel in the skillful navigation of the quirks of everyday life, adroitly maneuvering through the obligations of pressing kinship, juggling the tensions of conflicting allegiances, cleverly satisfying competing social and religious demands which are inevitably political. While the protagonists are nominally religious, Sufi saints, both men and women, the texts are in no way sectarian statements or theology. They are literature, adventure stories of survival that underscore the necessity of people from all social and religious ranks to work together in hostile environments. They explore ways to overcome the physical challenges of living in the Sundarban mangrove swamps of southern Bengal which are rife with natural resources but teeming with myriad tigers, crocodiles, and dread diseases; and to ameliorate the occasional hostilities born of social differences of caste and economic class.
 
 

Cover Art How the hedgehog married : and other Croatian fairy tales 

The fairy tale occurs both in oral and in literary form. The focus in the book has been on preserving the elemental structure of oral tradition without embellishment. But this is a distinctive literary collection that gathers a dozen fairy tales which come from the Croatian national folklore tradition, and in this bilingual edition the Croatian and English-in-translation are presented together - accompanied by a dozen original colour artworks by the cover artist, Josip Botteri Dini. And, as these are oral-come-literary tales, they freely derive plots, motifs, and elements so that the fairy tale itself is its own best explanation; that is, its meaning is contained in the totality of its motifs connected by the thread of the story. And these are 12 great stories! The book also includes a detailed introduction to Croatian fairy tales, and, in a historical and cultural sense, to the wider genre of fairy tales.
 
 

Cover Art The midnight washerwoman and other tales of lower Brittany by Luzel, François-Marie 

The French folklorist and Breton-language poet François-Marie Luzel (1826-1895) published several volumes of Breton tales that he collected in Brittany and translated into French. Unlike many nineteenth-century folklorists, including the Brothers Grimm, who relied on correspondents to conduct much of their scholarly research, Luzel and his sister Perrine transcribed nearly all of the tales they collected by spending many winter nights at Breton veillees, social gatherings that took place in houses and cottages throughout Brittany during the winter months of darkness, where communities of family and neighbors would come together to tell traditional stories and share news, gossip, and songs. The folklorist Michael Wilson has translated 29 of Luzel's French tales into English for this volume. Many of these tales have never appeared in English; others have not been translated into English for nearly a century. The tales are organized into a series of five veillees to capture the full context of the tales' original performance at these gatherings. Introductory material provides historical and literary context about Luzel, his surprisingly modern approach to collecting and publishing folk tales, and the Breton culture he worked throughout his life to preserve.
 
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This year's theme for Black History month, set by the Association for the Study of African American Life and History, is African Americans and Labor. Check-out this featured books lists for titles in Howe Library that highlight and celebrate this theme. 

 

“African Americans, and Labor, focuses on the various and profound ways that work and working of all kinds – free and unfree, skilled, and unskilled, vocational and voluntary – intersect with the collective experiences of Black people. Indeed, work is at the very center of much of Black history and culture.” Read more in the executive summary by the Association. 

 

Be sure to also visit our featured book list “New Fiction by Black Authors” and find these books and more at the Howe Library Lobby display. 


Cover ArtBlack folk : the roots of the Black working class by Kelley, Blair Murphy

An award-winning historian illuminates the adversities and joys of the Black working class in America through a stunning narrative centered on her forebears. There have been countless books, articles, and televised reports in recent years about the almost mythic 'white working class,' a tide of commentary that has obscured the labor, and even the very existence, of entire groups of working people, including everyday Black workers. In this brilliant corrective, Black Folk, acclaimed historian Blair LM Kelley restores the Black working class to the center of the American story.
 
 
 
 
 

Cover ArtSoft power for the journey : the life of a STEM trailblazer by Johnson, Sandra K.

This is a story of an African American woman working at the highest levels in STEM. Dr. Sandra K. Johnson earned a Ph.D. in electrical and computer engineering from Rice University in May 1988, the first black woman to do so.
 
 
 
 
 
 
 
 

Cover ArtFight like hell : the untold history of American labor by Kelly, Kim

Freed Black women organizing for protection in the Reconstruction-era South. Jewish immigrant garment workers braving deadly conditions for a sliver of independence. Asian American fieldworkers rejecting government-sanctioned indentured servitude across the Pacific. Incarcerated workers advocating for basic human rights and fair wages. The queer Black labor leader who helped orchestrate America's civil rights movement. These are only some of the working-class heroes who propelled American labor's relentless push for fairness and equal protection under the law. The names and faces of countless silenced, misrepresented, or forgotten leaders have been erased by time as a privileged few decide which stories get cut from the final copy: those of women, people of color, LGBTQIA people, disabled people, sex workers, prisoners, and the poor. In this volume, Kelly excavates that untold history and shows how the rights the American worker has today--the forty-hour workweek, workplace-safety standards, restrictions on child labor, protection from harassment and discrimination on the job--were earned with literal blood, sweat, and tears.
 

Cover ArtRacing the Great White Way : Black performance, Eugene O'Neill, and the transformation of Broadway by Johnson, Katie N

The early drama of Eugene O'Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O'Neill's dramatic text-changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism-theater artists of color have used O'Neill's dramatic texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O'Neill's plays such as The Emperor Jones and All God's Chillun Got Wings make ideal case studies because his work stimulated extraordinary, and underappreciated, traffic between Broadway and Harlem-between white and Black America. While it focuses on investigating Broadway productions of O'Neill, the book also attends to the vibrant transnational exchange in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.
 

Cover ArtDear Department Chair : letters from Black women leaders to the next generation

Practical and candid, this book offers actionable steps to help Black women leaders create meaningful success. The reflections and recommendations of the contributors forge a critical and transformative analysis of race, gender, and higher education leadership. With insights from humanities, social sciences, art, and STEM, this essential resource helps to redefine the academy to meet the challenges of the future. Dear Department Chair is comprised of personal letters from prominent Black women department chairs, deans, vice provosts, and university presidents, addressed to current and future Black women academic professionals, and offers a rich source of peer mentorship and professional development. These letters emerged from Chair at the Table, a research collective and peer-mentoring network of current and former Black women department chairs at colleges and universities across the U.S. and Canada. The collective's works, including this volume, serve as tools for faculty interested in administration, current chairs seeking mentorship, and upper-level administrators working to diversify their ranks.
 

Cover ArtHousehold workers unite : the untold story of African American women who built a movement by Nadasen, Premilla

Premilla Nadasen recounts in this powerful book a little-known history of organizing among African American household workers. She uses the stories of a handful of women to illuminate the broader politics of labor, organizing, race, and gender in late 20th-century America. At the crossroads of the emerging civil rights movement, a deindustrializing economy, a burgeoning women's movement, and increasing immigration, household worker activists, who were excluded from both labor rights and mainstream labor organizing, developed distinctive strategies for political mobilization and social change. We learn about their complicated relationship with their employers, who were a source of much of their anguish, but, also, potentially important allies. And equally important they articulated a profound challenge to unequal state policy. Household Workers Unite offers a window into this occupation from a perspective that is rarely seen. At a moment when the labor movement is in decline; as capital increasingly treats workers as interchangeable or dispensable; as the number of manufacturing jobs continues to dwindle and the number of service sector jobs expands; as workers in industrialized countries find themselves in an precarious situation and struggle hard to make ends meet without state support or protection--the lessons of domestic worker organizing recounted here might prove to be more important than just a correction of the historical record. The women in this book, as Nadasen demonstrates, were innovative labor organizers. As a history of poor women workers, it shatters countless myths and assumptions about the labor movement and proposes a very different vision.
 

Cover ArtWorkers on arrival : Black labor in the making of America by Trotter, Joe William

From the ongoing issues of poverty, health, housing and employment to the recent upsurge of lethal police-community relations, the black working class stands at the center of perceptions of social and racial conflict today. Journalists and public policy analysts often discuss the black poor as "consumers" rather than "producers," as "takers" rather than "givers," and as "liabilities" instead of "assets."In his engrossing new history, Workers on Arrival, Joe William Trotter, Jr. refutes these perceptions by charting the black working class's vast contributions to the making of America. Covering the last four hundred years since Africans were first brought to Virginia in 1619, Trotter traces black workers' complicated journey from the transatlantic slave trade through the American Century to the demise of the industrial order in the 21st century. At the center of this compelling, fast-paced narrative are the actual experiences of these African American men and women. A dynamic and vital history of remarkable contributions despite repeated setbacks, Workers on Arrival expands our understanding of America's economic and industrial growth, its cities, ideas, and institutions, and the real challenges confronting black urban communities today.
 

Cover ArtRichard L. Davis and the color line in Ohio coal : a Hocking Valley Mine labor organizer, 1862-1900 by Doppen, Frans H.

Richard Davis wrote the first of many letters to the National Labor Tribune. One of the few African Americans at the founding convention of United Mine Workers of America in 1890, he served as one of the union's National Executive Board members. This biography provides a detailed portrait of one of America's more influential labor leaders.
 
 
 
 
 
 
 

Cover ArtSuccessful Black entrepreneurs : hidden histories, inspirational stories, and extraordinary business achievements : case studies by Harvard Business School by Rogers, Steven

A few years ago, while serving as a Professor at Harvard Business School, Rogers created a new course titled "Black Business Leaders and Entrepreneurship." After learning of the new course, a white professor asked, "Why do we need this course? What is the difference between Black and white entrepreneurs?" In response, Rogers identified the following differences: Black entrepreneurs cannot access capital from traditional financial institutions including banks and private equity firms Many Black entrepreneurs who want to sell to white customers must practice "racial concealment" to be successful Successful Black entrepreneurs who are not athletes or entertainers are virtually invisible in the minds of the general public All of these reasons have a negative impact on Black entrepreneurship which hurts the Black community and the entire country. Successful Black entrepreneurs create jobs for Black, white, and other racial groups. They also have created companies that provide products and services that has benefited society-at-large. For the Black community, Black entrepreneurship has been synonymous with freedom and self-sufficiency. For example, Black entrepreneurs are the largest private employers of Black people in the country. The government is the top public employer. The book will be largely comprised of case studies that Rogers wrote and have been published by Harvard Business School (HBS). These are all case studies that have been individually sold by Harvard Business Publishing, proving that there is a market for this content. A book made up primarily of HBS case studies about Black entrepreneurs has never been published
 

Cover ArtSouthern Labor and Black Civil Rights : Organizing Memphis Workers. by Honey, Michael K.

Widely praised upon publication and now considered a classic study,Southern Labor and Black Civil Rightschronicles the southern industrial union movement from the Great Depression to the Cold War, a history that created the context for the sanitation workers' strike that brought Dr. Martin Luther King, Jr. to Memphis in April 1968. Michael K. Honey documents the dramatic labor battles and sometimes heroic activities of workers and organizers that helped to set the stage for segregation's demise.Winner of the Charles S. Sydnor Award, given by the Southern Historical Association, 1994. Winner of the James A. Rawley Prize given by the Organization of American Historians, 1994. Winner of the Herbert G. Gutman Award for an outstanding book in American social history.
 
 

Cover ArtReverend Addie Wyatt faith and the fight for labor, gender, and racial equality by Walker-McWilliams, Marcia

Labor leader, civil rights activist, outspoken feminist, African American clergywoman--Reverend Addie Wyatt stood at the confluence of many rivers of change in twentieth century America. The first female president of a local chapter of the United Packinghouse Workers of America, Wyatt worked alongside Martin Luther King Jr. and Eleanor Roosevelt and appeared as one of Time magazine's Women of the Year in 1975. Marcia Walker-McWilliams tells the incredible story of Addie Wyatt and her times. What began for Wyatt as a journey to overcome poverty became a lifetime commitment to social justice and the collective struggle against economic, racial, and gender inequalities. Walker-McWilliams illuminates how Wyatt's own experiences with hardship and many forms of discrimination drove her work as an activist and leader. A parallel journey led her to develop an abiding spiritual faith, one that denied defeatism by refusing to accept such circumstances as immutable social forces
 

Cover ArtMarching together : women of the Brotherhood of Sleeping Car Porters by Chateauvert, Melinda

The Brotherhood of Sleeping Car Porters was the first national trade union for African Americans. Standard BSCP histories focus on the men who built the union: few acknowledge the important role of the Ladies' Auxiliary in shaping public debates over black manhood and unionization, setting political agendas for the black community, and crafting effective strategies to win racial and economic justice.
In this first book-length history of the women of the BSCP, Melinda Chateauvert brings to life an entire group of women ignored in previous histories of the Brotherhood and of working-class women, situating them in the debates among women's historians over the ways that race and class shape women's roles and gender relations. Chateauvert's work shows how the auxiliary, made up of the wives, daughters, and sisters of Pullman porters, used the Brotherhood to claim respectability and citizenship. Pullman maids, relegated to the auxiliary, found their problems as working women neglected in favor of the rhetoric of racial solidarity.
The auxiliary actively educated other women and children about the labor movement, staged consumer protests, and organized local and national civil rights campaigns ranging from the 1941 March on Washington to school integration to the Montgomery bus boycott.
 

Cover ArtReal role models successful African Americans beyond pop culture by Spearman, Joah

All young people need good role models, and black youth especially need positive and real examples beyond the famous and wealthy people they see on SportsCenter highlights and MTV Cribs. While success as a celebrity athlete or entertainer may seem like an achievable dream, the reality is that young African Americans have a much greater chance of succeeding in the professions through education and hard work--and a mentor to show them the path. Real Role Models introduces high school and college-age African Americans to twenty-three black professionals who have achieved a high level of success in their chosen fields and who tell their stories to inspire young people to pursue a professional career and do the work necessary to achieve their dreams.
 
 
 
 

Cover ArtBlack workers remember : an oral history of segregation, unionism, and the freedom struggle by Honey, Michael K.

The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. This work tells the hidden history of African American workers in their own words from the 1930s to the present. It provides first-hand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee, the place where Martin Luther King, Jr., was assassinated during a strike by black sanitation workers. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era.
Together, the stories demonstrate how black workers resisted apartheid in American industry and underscore the active role of black working people in history.
 

Cover ArtBuilding the black metropolis African American entrepreneurship in Chicago by Weems, Robert E.; Chambers, Jason

From Jean Baptiste Point DuSable to Oprah Winfrey, Black entrepreneurship has helped define Chicago. Robert E. Weems, Jr. and Jason P. Chambers curate a collection of essays that place the city as the center of the Black business world in the United States. Ranging from titans like Anthony Overton and Jesse Binga to McDonald's operators to Black organized crime, the scholars shed light on the long-overlooked history of African American work and entrepreneurship since the Great Migration. Together they examine how factors like the influx of southern migrants and the city's unique segregation patterns made Chicago a prolific incubator of productive business development -- and made building a Black metropolis as much a necessity as an opportunity
 
 
 

Cover ArtFor jobs and freedom : selected speeches and writings of A. Philip Randolph by Randolph, A. Philip

As the head of the Brotherhood of Sleeping Car Porters and a tireless advocate for civil rights, A. Philip Randolph (1889-1979) served as a bridge between African Americans and the labor movement. During a public career that spanned more than five decades, he was a leading voice in the struggle for black freedom and social justice, and his powerful words inspired others to join him. This volume documents Randolph's life and work through his own writings. The editors have combed through the files of libraries, manuscript collections, and newspapers, selecting more than seventy published and unpublished pieces that shed light on Randolph's most significant activities. The book is organized thematically around his major interests--dismantling workplace inequality, expanding civil rights, confronting racial segregation, and building international coalitions. The editors provide a detailed biographical essay that helps to situate the speeches and writings collected in the book. In the absence of an autobiography, this volume offers the best available presentation of Randolph's ideas and arguments in his own words.
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