Boy meets boy. Boys become friends. Boys fall in love. A sweet and charming coming-of-age story that explores friendship, love, and coming out. This edition features beautiful two-color artwork. Absolutely delightful. Sweet, romantic, kind. Beautifully paced. I loved this book. -- Rainbow Rowell, author of Carry On. Shy and softhearted Charlie Spring sits next to rugby player Nick Nelson in class one morning. A warm and intimate friendship follows, and that soon develops into something more for Charlie, who doesn't think he has a chance. But Nick is struggling with feelings of his own, and as the two grow closer and take on the ups and downs of high school, they come to understand the surprising and delightful ways in which love works.

 

 

 

 

 

 

 

As a child living in exile during the Cultural Revolution, Ai Weiwei often found himself with nothing to read but government-approved comic books. Although they were restricted by the confines of political propaganda, Ai Weiwei was struck by the artists' ability to express their thoughts on art and humanity through graphic storytelling. Now, decades later, Ai Weiwei and Italian comic artist Gianluca Costantini present Zodiac, Ai Weiwei's first graphic memoir. Inspired by the twelve signs of the Chinese zodiac and their associated human characteristics, Ai Weiwei masterfully interweaves ancient Chinese folklore with stories of his life, family, and career. The narrative shifts back and forth through the years--at once in the past, present, and future--mirroring memory and our relationship to time. As readers delve deeper into the beautifully illustrated pages of Zodiac, they will find not only a personal history of Ai Weiwei and an examination of the sociopolitical climate in which he makes his art, but a philosophical exploration of what it means to find oneself through art and freedom of expression.

 

 

 

 

For too long, Native American people in the United States have been stereotyped as vestiges of the past, invisible citizens in their own land obliged to remind others, “We are still here!” Yet today, Native leaders are at the center of social change, challenging philanthropic organizations that have historically excluded Native people, and fighting for economic and environmental justice. Edited by Raymond Foxworth of First Nations Development Institute and Steve Dubb of The Nonprofit Quarterly, Invisible No More is a groundbreaking collection of stories by Native American leaders, many of them women, who are leading the way through cultural grounding and nation-building in the areas of community, environmental justice, and economic justice. Authors in the collection come from over a dozen Native nations, including communities in Alaska and Hawaiʻi. Chapters are grouped by themes of challenging philanthropy, protecting community resources, environmental justice, and economic justice. While telling their stories, authors excavate the history and ongoing effects of genocide and colonialism, reminding readers how philanthropic wealth often stems from the theft of Native land and resources, as well as how major national parks such as Yosemite were “conserved” by forcibly expelling Native residents. At the same time, the authors detail ways that readers might imagine the world differently, presenting stories of Native community building that offer benefits for all. Accepting this invitation to reset assumptions can be at once profound and pragmatic. For instance, wildfires in large measure result from recent Western land mismanagement; Native techniques practiced for thousands of years can help manage fire for everyone's benefit. In a world facing a mounting climate crisis and record economic inequality, Invisible No More exposes the deep wounds of a racist past while offering a powerful call to care for one another and the planet. Indigenous communities have much to offer, not the least of which are solutions gleaned from cultural knowledge developed over generations.

 

 

En el verano de 1960, Camila Henríquez Ureña está a punto de viajar desde Poughkeepsie a Cuba para unirse a la revolución de Fidel Castro. Como hija de Solomé Ureña, la poeta revolucionaria dominicana del siglo XIX, el activismo es parte de la herencia de Camila. Sin embargo, también conoce la confusión del exilio y una dolorosa curiosidad por la madre que nunca conoció. Ahora, mientras retoma el legado de su madre, profundiza en los hechos públicos de la vida de su madre y reconstruye la historia de la Solomé privada y, por tanto, su propia historia.

translation: It the summer of 1960, Camila Henríquez Urena is about to travel from Poughkeepsie to Cuba to join Fidel Castro's revolution. As the daughter of Solomé Urena-the 19th -century revolutionary Dominicana poet-activism is part of Camila's inheritance. Yet she also knows the confusion of exile and a painful curiosity about the mother she never knew. Now, as she takes up her mother's legacy, she delves behind the public facts of her mother's life and pieces together the story of the private Solomé-and thus her own story.